War poems

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How to Accompany The Moon Without Walking

© Conrad Aiken

Harsh, harsh, the maram grass on the salt dune,
seen by the cricket’s eye against the harbor moon,
anchor-frost and seaward, the lighthouse moon—

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Carmina Festiva

© Henry Van Dyke

THE LITTLE-NECK CLAM

A modern verse-sequence, showing how a native American subject, strictly realistic, may be treated in various manners adapted to the requirements of different magazines, thus combining Art-for-Art's-Sake with Writing-for-the-Market. Read at the First Dinner of the American Periodical Publishers' Association, in Washington, April, 1904.

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Psalm CXXXVI. (136)

© John Milton

Let us with a gladsome mind 
Praise the Lord for he is kind; 
  For his mercies aye endure, 
  Ever faithful, ever sure. 

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The Widow’s House

© William Barnes

I went hwome in the dead o' the night,

  When the vields wer all empty o' vo'k,

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Unarmed Combat

© Henry Reed

In due course of course you will all be issued with
Your proper issue; but until tomorrow,
You can hardly be said to need it; and until that time,
We shall have unarmed combat. I shall teach you.
The various holds and rolls and throws and breakfalls
 Which you may sometimes meet.

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Sonnet XLIV. Veiled Memories.

© Christopher Pearse Cranch

OF love that was, of friendship in the days
Of youth long gone, yet oft remembered still,
And seen like distant landscapes from a hill,
Clothed in a garment of aërial haze,

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The Ruined Mill

© Madison Julius Cawein

There is the ruined water-mill

  With its rotten wheel, that stands as still

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A Rainy Day in Camp

© Anonymous

Tis a cheerless, lonesome evening
When the soaking, sodden ground
Will not echo to the footfall
of the sentinel's dull round.

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Sonnet XXIV: Let the World's Sharpness

© Elizabeth Barrett Browning

Let the world's sharpness like a clasping knife

Shut in upon itself and do no harm

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Tamar

© Robinson Jeffers

  Grass grows where the flame flowered;
A hollowed lawn strewn with a few black stones
And the brick of broken chimneys; all about there
The old trees, some of them scarred with fire, endure the sea
wind.

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The Vision Of Life

© Frances Anne Kemble

Death and I,

  On a hill so high,

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In The Garden VIII: Later Autumn

© Edward Dowden

THIS is the year's despair: some wind last night

Utter'd too soon the irrevocable word,

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Palinodia

© Giacomo Leopardi

TO THE MARQUIS GINO CAPPONI.


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Ode to Salvador Dali

© Federico Garcia Lorca

A rose in the high garden you desire.
A wheel in the pure syntax of steel.
The mountain stripped bare of Impressionist fog,
The grays watching over the last balustrades.

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The Last Elegy Of The Third Book Of Tibullus

© Henry James Pye

Propitious Bacchus come—so round thy brow

  Be with the mystic vine the ivy wove;

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The Human Sacrifice

© John Greenleaf Whittier

I.
FAR from his close and noisome cell,
By grassy lane and sunny stream,
Blown clover field and strawberry dell,

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Cornish Wind

© Arthur Symons

There is a wind in Cornwall that I know

From any other wind, because it smells

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Cyder: Book II

© John Arthur Phillips

  Sometimes thou shalt with fervent Vows implore
  A moderate Wind; the Orchat loves to wave
  With Winter-Winds, before the Gems exert
  Their feeble Heads; the loosen'd Roots then drink
  Large Increment, Earnest of happy Years.

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Poetic Aphorisms. (From The Sinngedichte Of Friedrich Von Logau)

© Henry Wadsworth Longfellow

MONEY
Whereunto is money good?
Who has it not wants hardihood,
Who has it has much trouble and care,
Who once has had it has despair.

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The Ruined Abbey, or, The Affects of Superstition

© William Shenstone

At length fair Peace, with olive crown'd, regains

Her lawful throne, and to the sacred haunts