Beauty poems

 / page 109 of 313 /
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Sonnet LVI. Music And Poetry. 2.

© Christopher Pearse Cranch

YET words though weak are all that poets own
Wherewith their muse translates that kindred muse
Of Harmony, whose subtle forms and hues
Float in the unlanguaged poesy of Tone.

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Life Is A Dream - Act III

© Denis Florence MacCarthy

FIRST SOLDIER [within].  He is here within this tower.
Dash the door from off its hinges;
Enter all

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Torre Nuovo

© Frances Anne Kemble

The water has flowed forth a year,

  Since, sitting by the fountain's side,

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Being Treated. To Ellinda

© Richard Lovelace

  For cherries plenty, and for corans
Enough for fifty, were there more on's;
For elles of beere, flutes of canary,
That well did wash downe pasties-Mary;

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On The Moon

© Jonathan Swift

I with borrow'd silver shine
What you see is none of mine.
First I show you but a quarter,
Like the bow that guards the Tartar:
Then the half, and then the whole,
Ever dancing round the pole.

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The World Is Blue As An Orange

© Paul Eluard

The world is blue as an orange

No error the words do not lie

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Love Inthron'd. Ode

© Richard Lovelace

  I.
Introth, I do my self perswade,
  That the wilde boy is grown a man,
And all his childishnesse off laid,

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The Perpetual Wooing

© Eugene Field

The dull world clamors at my feet

  And asks my hand and helping sweet;

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Robert Parkes

© Henry Kendall

High travelling winds by royal hill
 Their awful anthem sing,
And songs exalted flow and fill
 The caverns of the spring.

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Masnawi

© Mewlana Jalaluddin Rumi

In the prologue to the Masnavi Rumi hailed Love and its sweet madness that heals all infirmities, and he exhorted the reader to burst the bonds to silver and gold to be free. The Beloved is all in all and is only veiled by the lover. Rumi identified the first cause of all things as God and considered all second causes subordinate to that. Human minds recognize the second causes, but only prophets perceive the action of the first cause. One story tells of a clever rabbit who warned the lion about another lion and showed the lion his own image in a well, causing him to attack it and drown. After delivering his companions from the tyrannical lion, the rabbit urges them to engage in the more difficult warfare against their own inward lusts. In a debate between trusting God and human exertion, Rumi quoted the prophet Muhammad as saying, "Trust in God, yet tie the camel's leg."8 He also mentioned the adage that the worker is the friend of God; so in trusting in providence one need not neglect to use means. Exerting oneself can be giving thanks for God's blessings; but he asked if fatalism shows gratitude.


God is hidden and has no opposite, not seen by us yet seeing us. Form is born of the formless but ultimately returns to the formless. An arrow shot by God cannot remain in the air but must return to God. Rumi reconciled God's agency with human free will and found the divine voice in the inward voice. Those in close communion with God are free, but the one who does not love is fettered by compulsion. God is the agency and first cause of our actions, but human will as the second cause finds recompense in hell or with the Friend. God is like the soul, and the world is like the body. The good and evil of bodies comes from souls. When the sanctuary of true prayer is revealed to one, it is shameful to turn back to mere formal religion. Rumi confirmed Muhammad's view that women hold dominion over the wise and men of heart; but violent fools, lacking tenderness, gentleness, and friendship, try to hold the upper hand over women, because they are swayed by their animal nature. The human qualities of love and tenderness can control the animal passions. Rumi concluded that woman is a ray of God and the Creator's self.

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Farewell To The Muse

© George Gordon Byron

Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.

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Apology

© William Carlos Williams

The beauty of
the terrible faces
of our nonentites
stirs me to it:

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English Bards and Scotch Reviewers: A Satire

© George Gordon Byron

These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.

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Self–love And Truth Incompatible

© William Cowper

From thorny wilds a monster came,

That filled my soul with fear and shame;

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Sonnet to Twilight

© Helen Maria Williams

Meek Twilight! soften the declining day,

And bring the hour my pensive spirit loves;

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She

© Nikolai Stepanovich Gumilev

I know her, her bitter silence,
Her tiredness of her words and cries,
Lives in the secret changing brightness
Of widened pupils of her eyes.

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Epitaph On A Beloved Friend

© George Gordon Byron

Oh, Friend! for ever loved, for ever dear!
What fruitless tears have bathed thy honour'd bier!
What sighs re'echo'd to thy parting breath,
Wilst thou wast struggling in the pangs of death!

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To A Cold Beauty

© Thomas Hood

Lady, wouldst thou heiress be
To Winters cold and cruel part?
When he sets the rivers free,
Thou dost still lock up thy heart;—

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In The Cup

© Wilcox Ella Wheeler

There is grief in the cup!

I saw a proud mother set wine on the board;