Age poems

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The Life of Ovid

© George Sandys

A Snake; a snake-like Stone. Cycnus, a Swan:
Caenis the maid, now Caeneus and a man,
Becomes a Fowle. Neleius varies shapes
At last an Eagle; nor Alcides scapes.  

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Amor Vitae

© Archibald Lampman

I love the warm bare earth and all
  That works and dreams thereon:
I love the seasons yet to fall:
  I love the ages gone,

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AN ELEGY Upon my Best Friend L. K. C.

© Henry King

Should we our Sorrows in this Method range,
Oft as Misfortune doth their Subjects change,
And to the sev'ral Losses which befall,
Pay diff'rent Rites at ev'ry Funeral;

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The Soldiers Of The Plough

© Charles Sangster

NO maiden dream, nor fancy theme,

  Brown Labour's muse would sing;

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The Prologues Of Euripides

© Aristophanes

_AEschylus_--And by Jove, I'll not stop to cut up your verses
  word by word, but if the gods are propitious I'll spoil
  all your prologues with a little flask of smelling-salts.

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The Muses Threnodie: Fifth Muse

© Henry Adamson

Yet bold attempt and dangerous, said I,

Upon these kinde of men such chance to try,

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I Serve a Mistress

© Anthony Munday

I serve a mistress whiter than snow,
Straighter than cedar, brighter than the glass,
Finer in trip and swifter than the roe,
More pleasant than the field of flowering grass;
More gladsome to my withering joys that fade,
Than winter's sun or summer's cooling shade.

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A Description Of One Of The Pieces Of Tapistry At Long-Leat

© Anne Kingsmill Finch


  Thus stand the LICTORS gazing on a Deed,
Which do's all humane Chastisements exceed;
Enfeebl'd seem their Instruments of smart,
When keener Words can swifter Ills impart.

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The Flood In Spring

© William Barnes

Last night below the elem in the lew

  Bright the sky did gleam

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The Black Rock

© John Gould Fletcher

Off the long headland, threshed about by round-backed breakers,
There is a black rock, standing high at the full tide;
Off the headland there is emptiness,
And the moaning of the ocean,
And the black rock standing alone.

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The King Of The Plow

© Paul Hamilton Hayne

THE sword is re-sheathed in its scabbard,
The rifle hangs safe on the wall;
No longer we quail at the hungry
Hot rush of the ravenous ball,

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L’Invention

© André Marie de Chénier

O fils du Mincius, je te salue, ô toi

  Par qui le dieu des arts fut roi du peuple-roi!

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A Third Letter From B. Sawin, Esq.

© James Russell Lowell

I spose you recollect thet I explained my gennle views

In the last billet thet I writ, 'way down frum Veery Cruze,

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Song Of The Broad-Axe

© Walt Whitman

Strong shapes, and attributes of strong shapes-masculine trades,
  sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
  organ.

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In The Twilight

© James Russell Lowell

Men say the sullen instrument,

  That, from the Master's bow,

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On The Platonic 'Ideal' As It Was Understood By Aristotle. (Translated From Milton)

© William Cowper

Ye sister Pow'rs who o'er the sacred groves

Preside, and, Thou, fair mother of them all

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The Old Garden

© George MacDonald

I stood in an ancient garden
With high red walls around;
Over them grey and green lichens
In shadowy arabesque wound.

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The Triumph of Dead : Chap. 1

© Mary Sidney Herbert

That gallant lady, gloriously bright,  

The stately pillar once of worthiness,  

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An Idyll

© Coventry Kersey Dighton Patmore

‘And even our women,’ lastly grumbles Ben,

  ‘Leaving their nature, dress and talk like men!’

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In The Twilight

© Oliver Wendell Holmes

NOT bed-time yet! The night-winds blow,

The stars are out,--full well we know