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The key to wisdom is this - constant and frequent questioning, for by doubting we are led to question and by questioning we arrive at the truth.

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The Son of God took our nature, and in it took upon himself to teach us by both word and example even to the point of death, thus binding us to himself through love.

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Our redemption through the suffering of Christ is that deeper love within us which not only frees us from slavery to sin, but also secures for us the true liberty of the children of God, in order that we might do all things out of love rather than out of fear - love for him that has shown us such grace that no greater can be found.

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The men who abandon themselves to the passions of this miserable life, are compared in Scripture to beasts.

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Logic has made me hated in the world.

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It is by doubting that we come to investigate, and by investigating that we recognize the truth.

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No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.

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There is only one thing which can master the perplexed stuff of epic material into unity; and that is, an ability to see in particular human experience some significant symbolism of man's general destiny.

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An epic is not made by piecing together a set of heroic lays, adjusting their discrepancies and making them into a continuous narrative.

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It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

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The first epics were intended for recitation; the literary epic is meant to be read.

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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.

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The epic poet collaborates with the spirit of his time in the composition of his work. That is, if he is successful; the time may refuse to work with him, but he may not refuse to work with his time.

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The world knows of a vast stock of epic material scattered up and down the nations; sometimes its artistic value is as extraordinary as its archaeological interest, but not always.

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By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.

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But the development of human society does not go straight forward; and the epic process will therefore be a recurring process, the series a recurring series - though not in exact repetition.

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That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.

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It is more difficult to keep the attention of hearers than of readers.

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Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.

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For the stage displays the first vigorous expression, as the natural thing and without conspicuous restraint, of private individuality.

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