Work poems

 / page 273 of 355 /
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Broadway

© Mark Doty

Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim

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Demolition

© Mark Doty

The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,

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Turtle, Swan

© Mark Doty

Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool

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The Christian Slave

© John Greenleaf Whittier

A CHRISTIAN! going, gone!
Who bids for God's own image? for his grace,
Which that poor victim of the market-place
Hath in her suffering won?

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Grenley Water

© William Barnes

The sheädeless darkness o' the night

  Can never blind my mem'ry's zight;

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The Embrace

© Mark Doty

You weren't well or really ill yet either;
just a little tired, your handsomeness
tinged by grief or anticipation, which brought
to your face a thoughtful, deepening grace.

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The Raft

© Vachel Lindsay

A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.

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The North And The South

© Elizabeth Barrett Browning

I  
"Now give us lands where the olives grow,"
Cried the North to the South,
"Where the sun with a golden mouth can blow
Blow bubbles of grapes down a vineyard-row!"
Cried the North to the South.  

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The Meeting

© Robert Laurence Binyon

Faces of blank decorum, and bald heads
And the drone of a voice saying what none denies;
Words like cobwebs, scarcely stirred by a breath,
Loosely hanging, gray in an unswept corner;

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Considering The Snail

© Thom Gunn

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth's dark. He
moves in a wood of desire,

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The Right Road

© Thomas Osborne Davis

I.

Let the feeble-hearted pine,

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A Dedication

© Robert Burns

The Poet, some guid angel help him,
Or else, I fear, some ill ane skelp him!
He may do weel for a' he's done yet,
But only-he's no just begun yet.

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Fergus Falling

© Galway Kinnell

He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich

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Ode To Walt Whitman

© Stephen Vincent Benet

"Let me taste all, my flesh and my fat are sweet,
My body hardy as lilac, the strong flower.
I have tasted the calamus; I can taste the nightbane."

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The Organist

© Archibald Lampman

In his dim chapel day by day

The organist was wont to play,

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Thirty Bob a Week

© John Davidson

I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.

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The Chimney - Sweeper

© William Blake

When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry "Weep! weep! weep! weep!"
So your chimneys I sweep, and in soot I sleep.

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What The Engines Said

© Francis Bret Harte

What was it the Engines said,
Pilots touching,--head to head
Facing on the single track,
Half a world behind each back?
This is what the Engines said,
Unreported and unread.

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The Rhyme of the Three Greybeards

© Henry Lawson

He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.

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Rembrandts

© Madison Julius Cawein

  I shall not soon forget her and her eyes,
  The haunts of hate, where suffering seemed to write
  Its own dark name, whose syllables are sighs,
  In strange and starless night.