Work poems

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On A Great Hollow Tree

© William Strode

Preethee stand still awhile, and view this tree
Renown'd and honour'd for antiquitie
By all the neighbour twiggs; for such are all
The trees adjoyning, bee they nere so tall,

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Edmund Clarence Stedman

© Henry Van Dyke

Oh, quick to feel the lightest touch

  Of beauty or of truth,

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Jacke-On-Both-Sides

© William Strode

I hold as fayth
What Rome's Church sayth
Where the King's head,
That flock's misled

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For A Gentleman, Who, Kissinge His Friend At His Departure Left A Signe Of Blood On Her

© William Strode

What mystery was this; that I should finde
My blood in kissing you to stay behinde?
'Twas not for want of color that requirde
My blood for paynt: No dye could be desirde

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Moonlight

© John Kenyon

Not alway from the lessons of the schools,

  Taught evermore by those who trust them not,

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A Translation Of The Nightingale Out Of Strada

© William Strode

Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe

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The End Of The Furrow

© William Wilfred Campbell

When we come to the end of the furrow,
  When our last day's work is done,
  We will drink of the long red shaft of light
  That slants from the westering sun.

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A Song On A Sigh

© William Strode

O tell mee, tell, thou god of wynde,
In all thy cavernes canst thou finde
A vapor, fume, a gale or blast
Like to a sigh which love doth cast?

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A Riddle: On A Kiss

© William Strode

What thing is that, nor felt nor seene
Till it bee given? a present for a Queene:
A fine conceite to give and take the like:
The giver yet is farther for to seeke;

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Upon My Dear and Loving Husband his Going into England Jan. 16

© Anne Bradstreet

O thou Most High who rulest all
And hear'st the prayers of thine,
O hearken, Lord, unto my suit
And my petition sign.

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American Feuillage

© Walt Whitman


Whoever you are! how can I but offer you divine leaves, that you also
  be eligible as I am?
How can I but, as here, chanting, invite you for yourself to collect
  bouquets of the incomparable feuillage of These States?

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The Four Ages of Man

© Anne Bradstreet

1.1 Lo now! four other acts upon the stage,
1.2 Childhood, and Youth, the Manly, and Old-age.
1.3 The first: son unto Phlegm, grand-child to water,
1.4 Unstable, supple, moist, and cold's his Nature.

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The Art Of War. Book I.

© Henry James Pye

I'll paint the cruel arm from Bayonne nam'd,
Where savage art a new destruction fram'd,
Their powers combin'd where fire and steel impart,
And point a double wound at every heart.

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In Honour of that High and Mighty Princess, Queen ELIZABETH

© Anne Bradstreet

3.1 Here sleeps T H E Queen, this is the royal bed
3.2 O' th' Damask Rose, sprung from the white and red,
3.3 Whose sweet perfume fills the all-filling air,
3.4 This Rose is withered, once so lovely fair:
3.5 On neither tree did grow such Rose before,
3.6 The greater was our gain, our loss the more.

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Contemplations

© Anne Bradstreet

1 Sometime now past in the Autumnal Tide,
2 When Ph{oe}bus wanted but one hour to bed,
3 The trees all richly clad, yet void of pride,
4 Were gilded o're by his rich golden head.

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A Dialogue between Old England and New

© Anne Bradstreet

New England. 1 Alas, dear Mother, fairest Queen and best,
2 With honour, wealth, and peace happy and blest,
3 What ails thee hang thy head, and cross thine arms,
4 And sit i' the dust to sigh these sad alarms?

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The Old Gentleman With The Amber Snuff-Box

© Alfred Noyes

His nephew, that engaging politician,
Inherited the snuff-box, and remarked
His epitaph should be "Snuffed Out." The clubs
Laughed, and the statesman's reputation grew._

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Laws For Creations

© Walt Whitman

LAWS for Creations,
For strong artists and leaders-for fresh broods of teachers, and
  perfect literats for America,
For noble savants, and coming musicians.

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Self-Portrait At 28

© David Berman

If squeezed for more information
I can remember old clock radios
with flipping metal numbers
and an entree called Surf and Turf.

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Not To The Staring Day

© William Ernest Henley

Not to the staring Day,

For all the importunate questionings he pursues