Women poems

 / page 80 of 142 /
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Proust’s Madeleine

© Kenneth Rexroth

Somebody has given my

Baby daughter a box of

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The War-song of Dinas Vawr

© Thomas Love Peacock



The mountain sheep are sweeter,

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The Graduation Dress

© Edgar Albert Guest

I'M not kicking on expenses, now the sewing time commences,

I will buy chiffon and laces till they say they've got enough;

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Genie

© Arthur Rimbaud

He is affection and the present since he opened the house to foaming winter and the hum of summer, he who purified drink and food, he who is the charm of fleeting places and the superhuman deliciousness of staying still. He is affection and the future, strength and love that we, standing amid rage and troubles, see passing in the storm-rent sky and on banners of ecstasy.
  He is love, perfect and reinvented measurement, wonderful and unforeseen reason, and eternity: machine beloved for its fatal qualities. We have all experienced the terror of his yielding and of our own: O enjoyment of our health, surge of our faculties, egoistic affection and passion for him, he who loves us for his infinite life
  And we remember him and he travels. . . And if the Adoration goes away, resounds, its promise resounds: “Away with those superstitions, those old bodies, those couples and those ages. It’s this age that has sunk!”
  He won’t go away, nor descend from a heaven again, he won’t accomplish the redemption of women’s anger and the gaiety of men and of all that sin: for it is now accomplished, with him being, and being loved.

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The Rights of Women

© Bliss William Carman

Yes, injured Woman! rise, assert thy right!
Woman! too long degraded, scorned, opprest;
O born to rule in partial Law's despite,
Resume thy native empire o'er the breast!

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Jenny

© Dante Gabriel Rossetti

 It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.

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Hunting Manual

© Hugo Williams

Look then for the blank card, the sprung trap, 
the net’s dissolve, the unburdened 
line that swings free in the air.
There. By day, go empty-handed to the hunt 
and come home the same way 
in the dark.

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The Instruction Manual

© John Ashbery

As I sit looking out of a window of the building

I wish I did not have to write the instruction manual on the uses of a new metal.

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Candles

© Sylvia Plath

They are the last romantics, these candles:
Upside-down hearts of light tipping wax fingers,
And the fingers, taken in by their own haloes,
Grown milky, almost clear, like the bodies of saints.
It is touching, the way they'll ignore

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Lectures to Women on Physical Science

© James Clerk Maxwell

  PLACE. —A small alcove with dark curtains.
  The class consists of one member.
 SUBJECT.—Thomson’s Mirror Galvanometer.

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Study in Orange and White

© Billy Collins

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

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On the Metro

© C. K. Williams

On the metro, I have to ask a young woman to move the packages beside her to make room for me;

she’s reading, her foot propped on the seat in front of her, and barely looks up as she pulls them to her.

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To Women

© Robert Laurence Binyon

Your hearts are lifted up, your hearts
That have foreknown the utter price.
Your hearts burn upward like a flame
Of splendour and of sacrifice.

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Essay on Psychiatrists

© Robert Pinsky

It's crazy to think one could describe them—
Calling on reason, fantasy, memory, eyes and ears—
As though they were all alike any more

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Belly Dancer

© Diane Wakoski

Can these movements which move themselves
be the substance of my attraction?
Where does this thin green silk come from that covers my body? 
Surely any woman wearing such fabrics
would move her body just to feel them touching every part of her.

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The Wealth of the Destitute

© Denise Levertov

How gray and hard the brown feet of the wretched of the earth.

How confidently the crippled from birth

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The Princess (part 4)

© Alfred Tennyson

But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows:  on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.

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The Horse Fell Off the Poem

© Mahmoud Darwish

The horse fell off the poem
and the Galilean women were wet
with butterflies and dew,
dancing above chrysanthemum

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Shakuntala Act VI

© Kalidasa

ACT VI

SCENE –A STREET

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Yesterdays

© Robert Creeley

Sixty-two, sixty-three, I most remember 

As time W. C. Williams dies and we are