War poems

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Hymn To Death

© William Cullen Bryant

Oh! could I hope the wise and pure in heart

Might hear my song without a frown, nor deem

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Light Love

© Christina Georgina Rossetti

'Oh, sad thy lot before I came,

 But sadder when I go;

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Seascape With Sun And Eagle

© Lawrence Ferlinghetti

flown from the mountains
floated down
far over ocean
where the sunset has begun
a mirror of itself

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Under Siege

© Mahmoud Darwish

Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.

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On the Death of the Rev. Dr. Sewell

© Phillis Wheatley

Ere yet the morn its lovely blushes spread,
See Sewell number'd with the happy dead.
Hail, holy man, arriv'd th' immortal shore,
Though we shall hear thy warning voice no more.

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To the Rev. Dr. Thomas Amory

© Phillis Wheatley

The warmest blessings which a muse can give,
And when this transitory state is o'er,
When kingdoms fall, and fleeting Fame's no more,
May Amory triumph in immortal fame,
A nobler title, and superior name!

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To Captain H-----d, of the 65th Regiment

© Phillis Wheatley

Say, muse divine, can hostile scenes delight
The warrior's bosom in the fields of fight?
Lo! here the christian and the hero join
With mutual grace to form the man divine.

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A Farewel To America to Mrs. S. W.

© Phillis Wheatley

I.
ADIEU, New-England's smiling meads,
Adieu, the flow'ry plain:
I leave thine op'ning charms, O spring,
And tempt the roaring main.

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On Recollection

© Phillis Wheatley

MNEME begin. Inspire, ye sacred nine,
Your vent'rous Afric in her great design.
Mneme, immortal pow'r, I trace thy spring:
Assist my strains, while I thy glories sing:

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Goliath Of Gath

© Phillis Wheatley

SAMUEL, Chap. xvii.YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:

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At Broad Ripple

© James Whitcomb Riley

Oh luxury! Beyond the heat
And dust of town, with dangling feet
Astride the rock below the dam,
In the cool shadows where the calm

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The Song of Yesterday

© James Whitcomb Riley

My head was fair
With flaxen hair,
And fragrant breezes, faint and rare,
And, warm with drouth
From out the south,
Blew all my curls across my mouth.

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Almost Beyond Endurance

© James Whitcomb Riley

I ain't a-goin' to cry no more, no more!
I'm got ear-ache, an' Ma can't make
It quit a-tall;
An' Carlo bite my rubber-ball

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A Summer Afternoon

© James Whitcomb Riley

A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.

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Four Quartets 3: The Dry Salvages

© Thomas Stearns Eliot

(The Dry Salvages—presumably les trois sauvages—is a small
group of rocks, with a beacon, off the N.E. coast of Cape Ann,
Massachusetts. Salvages is pronounced to rhyme with assuages.
Groaner: a whistling buoy.)

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Old Deuteronomy

© Thomas Stearns Eliot

Old Deuteronomy lies on the floor
Of the Fox and French Horn for his afternoon sleep;
And when the men say: "There's just time for one more,"
Then the landlady from her back parlour will peep
And say: "New then, out you go, by the back door,
For Old Deuteronomy mustn't be woken--

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Four Quartets 2: East Coker

© Thomas Stearns Eliot

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

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The Old Gumbie Cat

© Thomas Stearns Eliot

I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

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Four Quartets 1: Burnt Norton

© Thomas Stearns Eliot

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?

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The Song Of The Blindman

© Rainer Maria Rilke

I am blind, you out there -- that is a curse,
against one's will, a contradiction,
a heavy daily burden.
I lay my hand on the arm of my wife,
my grey hand upon her greyer grey,
as she guides me through empty spaces.