Time poems

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Memorials Of A Tour In Scotland, 1803 XII. Yarrow Unvisited

© William Wordsworth

FROM Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;

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"This dainty instrument, this table—toy"

© Richard Monckton Milnes

This dainty instrument, this table--toy,
Might seem best fitted for the use and joy
Of some high Ladie in old gallant times,
Or gay--learned weaver of Provencal rhymes:

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The Southern Pulpit

© Lizelia Augusta Jenkins Moorer

The Southern pulpit, in our eyes,
Descends to make a compromise
With evil things in heaven's name;
The kind that brings a blush of shame.

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Ezekiel

© John Greenleaf Whittier

They hear Thee not, O God! nor see;

Beneath Thy rod they mock at Thee;

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A Farewell To Youth

© Alfred Austin

Ere that I say farewell to youth, and take

The homely road that leads to life's decline,

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Feeding Out – Wintering Cattle at Twilight

© Ted Hughes

The wind is inside the hill.
The wood is a struggle---like a wood
Struggling through a wood. A panic
Only just holds off---every gust

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Noey Bixler

© James Whitcomb Riley

Another hero of those youthful years

Returns, as Noey Bixler's name appears.

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The Token

© James Russell Lowell

It is a mere wild rosebud,

  Quite sallow now, and dry,

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The Bereaved

© Robert Laurence Binyon

We grudged not those that were dearer than all we possessed,
Lovers, brothers, sons.
Our hearts were full, and out of a full heart
We gave our belovèd ones.

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The Standard-Bearer

© Henry Van Dyke

I

“How can I tell,” Sir Edmund said,

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God Rules Alway

© Wilcox Ella Wheeler

Into the world's most high and holy places

Men carry selfishness, and graft and greed.

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Ghazal

© Faiz Ahmed Faiz

I am being accused of loving you, that is all

It is not an insult, but a praise, that is all

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The Song Of Despair

© Pablo Neruda

You swallowed everything, like distance.
Like the sea, like time.
In you everything sank!
It was the happy hour of assault and the kiss.

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Christmas Cards

© Franklin Pierce Adams

Before you send me up that card
  With rime and diction far from subtle,
Hear what a now rebellious bard
  Says in a quasi-pre-rebuttal.

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Storm On Lake Asquam

© John Greenleaf Whittier

A cloud, like that the old-time Hebrew saw
On Carmel prophesying rain, began
To lift itself o'er wooded Cardigan,
Growing and blackening. Suddenly, a flaw

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The Muses Threnodie: Second Muse

© Henry Adamson

Then thus, quod I, good Gall, I pray thee show,
For cleerly all antiquities yee know:
What mean these skonses, and these hollow trenches,
Throughout these fallow fields and yonder inches?
And these great heaps of stones like piramids,
Doubtless all these ye knew, that so much reads;

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Love's Baptism

© Emily Dickinson

I'm ceded, I've stopped being theirs;
The name they dropped upon my face
With water, in the country church,
Is finished using now,

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Miriam

© John Greenleaf Whittier

But over Akbar's brows the frown hung black,
And, turning to the eunuch at his back,
"Take them," he said, "and let the Jumna's waves
Hide both my shame and these accursed slaves!"
His loathly length the unsexed bondman bowed
"On my head be it!"

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Maha-Bharata, The Epic Of Ancient India - Book XII - Aswa-Medha - (Sacrifice Of The Horse)

© Romesh Chunder Dutt

The real Epic ends with the war and the funerals of the deceased

warriors. Much of what follows in the original Sanscrit poem is

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The Face Of Qana

© Nizar Qabbani


The face of Qana
Pale, like that of Jesus
and the sea breeze of April…
Rains of blood.. and tears..
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