Poems begining by T
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The Vision Of Cassandra
© Aeschylus
Well, what of Phoebus, maiden? though a name
'Tis but disparagement to call upon
In misery.
The Wrongs Of Africa: Part The Second
© William Roscoe
FAIR is this fertile spot, which God assign'd
As man's terrestrial home; where every charm
The Hunting Of The Dragon
© Gilbert Keith Chesterton
When we went hunting the Dragon
In the days when we were young,
The Bell-Founder Part I - Labour And Hope
© Denis Florence MacCarthy
In that land where the heaven-tinted pencil giveth shape to the
splendour of dreams,
Near Florence, the fairest of cities, and Arno, the sweetest of streams,
'Neath those hills whence the race of the Geraldine wandered in ages
The Haunted Room
© Madison Julius Cawein
Its casements' diamond disks of glass
Stare myriad on a terrace old,
The Pines And The Sea
© Christopher Pearse Cranch
Beyond the low marsh-meadows and the beach,
Seen through the hoary trunks of windy pines,
The Princes' Quest - Part the Tenth
© William Watson
That night within the City of Youth there stood
Musicians playing to the multitude
The Meadow Lark
© Hamlin Garland
A BRAVE little bird that fears not God,
A voice that breaks from the snow-wet clod
The Miracle Of The Corn
© Padraic Colum
SCENE: The interior of FARDORROUGHA'S house. The door at back R.; the hearth L.; the window R. is only conventionally represented.
What is actually shown is a bin for corn (corn in the sense of any kind of grain, as the word is used in Ireland the breadstuff and the symbol of fertility), shelves with vessels, benches, and a shrine. The bin projects from back C.; the shelves
with vessels are each side of the bin; the shrine is R.; it holds a small statue of the Blessed Virgin, and a rosary of large beads hangs from it; the benches are R. and L. One is at the conventional fireplace, and the other is down from the conventional door.
All the persons concerned in the action are on the scene when it opens, and they remain on the scene. They only enter the action when they go up to where the bin is. Going back to the places they had on the benches takes them out of the action.
On the bench near the hearth sit the people of FARDORROUGHA'S household FARDORROUGHA, SHEILA, PAUDEEN, AISLINN. On the bench near the door sit the strangers three women, one of whom has a child with her, and SHAUN o' THE BOG. The people are dressed in greys and browns, and brown is the colour of the interior. The three women and SHAUN o' THE BOG are poorly dressed; the women are barefooted. PAUDEEN is dressed rudely, and sandals of hide are bound across his feet. FARDORROUGHA,
SHEILA, and AISLINN are comfortably dressed.
The Untold Want
© Walt Whitman
THE untold want, by life and land ne'er granted,
Now, Voyager, sail thou forth, to seek and find.
Trust in Providence
© John Logan
Almighty Father of mankind,
On thee my hopes remain;
And when the day of trouble comes,
I shall not trust in vain.
The Boy's Candidate
© James Whitcomb Riley
Las' time 'at Uncle Sidney come,
He bringed a watermelon home--
An' half the boys in town,
Come taggin' after him.--An' he
Says, when we et it,--_"Gracious me!
'S the boy-house fell down?"_
The Tears of Old May Day
© John Logan
Led by the jocund train of vernal hours
And vernal airs, uprose the gentle May;
Blushing she rose, and blushing rose the flowers
That sprung spontaneous in her genial ray.
The Outlaw
© Gilbert Keith Chesterton
Priest, is any song-bird stricken?
Is one leaf less on the tree?
Is this wine less red and royal
That the hangman waits for me?
The Road Of The Refugees
© Dora Sigerson Shorter
Listen to the tramping! Oh, God of pity, listen!
Can we kneel at prayer, sleep all unmolested,
The Knight of St. John
© John Greenleaf Whittier
Ere down yon blue Carpathian hills
The sun shall sink again,
Farewell to life and all its ills,
Farewell to cell and chain!
The Poetry of A Root Crop
© Charles Kingsley
Underneath their eider-robe
Russet swede and golden globe,
