Poems begining by T

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This Compost.

© Walt Whitman

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SOMETHING startles me where I thought I was safest;
I withdraw from the still woods I loved;
I will not go now on the pastures to walk;

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To Think of Time.

© Walt Whitman

1
TO think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!

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To a Stranger.

© Walt Whitman

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,

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To a Historian.

© Walt Whitman

YOU who celebrate bygones!
Who have explored the outward, the surfaces of the races—the life that has
exhibited itself;
Who have treated of man as the creature of politics, aggregates, rulers and

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Thought.

© Walt Whitman

OF what I write from myself—As if that were not the resumé;
Of Histories—As if such, however complete, were not less complete than the preceding
poems;
As if those shreds, the records of nations, could possibly be as lasting as the preceding
poems;
As if here were not the amount of all nations, and of all the lives of heroes.

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To Foreign Lands.

© Walt Whitman

I HEARD that you ask’d for something to prove this puzzle, the New World,
And to define America, her athletic Democracy;
Therefore I send you my poems, that you behold in them what you wanted.

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To You.

© Walt Whitman

STRANGER! if you, passing, meet me, and desire to speak to me, why should you
not speak to me?
And why should I not speak to you?

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Twelve Years

© Paul Celan

The line
that remained, that
became true: . . . your
house in Paris -- become
the alterpiece of your hands.

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Transcription Of Organ Music

© Allen Ginsberg

The flower in the glass peanut bottle formerly in the
kitchen crooked to take a place in the light,
the closet door opened, because I used it before, it
kindly stayed open waiting for me, its owner.

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Teeth sensitive to the sand

© Matsuo Basho

Teeth sensitive to the sand
in salad greens--
I'm getting old.

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The morning glory also

© Matsuo Basho

The morning glory also
turns out
not to be my friend.

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This old village

© Matsuo Basho

This old village--
not a single house
without persimmon trees.

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Taking a nap

© Matsuo Basho

Taking a nap,
feet planted
against a cool wall.

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The oak tree

© Matsuo Basho

The oak tree:
not interested
in cherry blossoms.

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The dragonfly

© Matsuo Basho

The dragonfly
can't quite land
on that blade of grass.

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The old pond

© Matsuo Basho

Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:

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Tree

© Richard Jones

When the sun goes down
I have my first drink
standing in the yard,
talking to my neighbor

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The Road

© Richard Jones

I, too, would ease my old car to a stop
on the side of some country road
and count the stars or admire a sunset
or sit quietly through an afternoon....

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The Chambermaid's First Song

© William Butler Yeats

How came this ranger
Now sunk in rest,
Stranger with strangcr.
On my cold breast?

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The Unappeasable Host

© William Butler Yeats

The Danaan children laugh, in cradles of wrought gold,
And clap their hands together, and half close their eyes,
For they will ride the North when the ger-eagle flies,
With heavy whitening wings, and a heart fallen cold: