Poetry poems
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The Accompanist by Dick Allen: American Life in Poetry #188 Ted Kooser, U.S. Poet Laureate 2004-200
© Ted Kooser
I really like this poem by Dick Allen, partially for the way he so easily draws us in, with his easygoing, conversational style, but also for noticing what he has noticed, the overlooked accompanist there on the stage, in the shadow of the singer.
The Accompanist
April 19
© David Lehman
We have too much exhibitionism
and not enough voyeurism
in poetry we have plenty of bass
and not enough treble, more amber
Dedication
© Czeslaw Milosz
You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.
Poetry Readings
© Charles Bukowski
I am ashamed for them,
I am ashamed that they have to bolster each other,
I am ashamed for their lisping egos,
their lack of guts.
Part 9 of Trout Fishing in America
© Richard Brautigan
SANDBOX MINUS JOHN DILLINGER EQUALS WHAT?Often I return to the cover of Trout Fishing in America. Itook the baby and went down there this morning. They werewatering the cover with big revolving sprinklers. I saw somebread lying on the grass. It had been put there to feed thepigeons. The old Italians are always doing things like that. Thebread had been turned to paste by the water and was squashedflat against the grass. Those dopey pigeons were waiting untilthe water and grass had chewed up the bread for them, sothey wouldn't have to do it themselves. I let the baby play in the sandbox and I sat down on a benchand looked around. There was a beatnik sitting at the otherend -of the bench. He had his sleeping bag beside him and hewas eating apple turnovers. He had a huge sack of apple turn-overs and he was gobbling them down like a turkey. It wasprobably a more valid protest than picketing missile bases. The baby played in the sandbox. She had on a red dressand the Catholic church was towering up behind her red dress.There was a brick john between her dress and the church. Itwas there by no accident. Ladies to the left and gents to theright. A red dress, I thought. Wasn't the woman who set JohnDillinger up for the FBI wearing a red dress? They calledher "The Woman in Red. " It seemed to me that was right. It was a red dress, but sofar, John Dillinger was nowhere in sight. my daughterplayed alone in the sandbox. Sandbox minus John Dillinger equals what? The beatnik went and got a drink of water from the fountainthat was crucified on the wall of the brick john, more towardthe gents than the ladies. He had to wash all those apple turn-overs down his throat. There were three sprinklers going in the park. There wasone in front of the Benjamin Franklin statue and one to theside of him and one just behind him. They were all turning incircles. I saw Benjamin Franklin standing there patientlythrough the water. The sprinkler to the side of Benjamin Franklin hit the left-hand tree. It sprayed hard against the trunk and knocked someleaves down from the tree, and then it hit the center tree,sprayed hard against the trunk and more leaves fell. Then itsprayed against Benjamin Franklin, the water shot out to thesides of the stone and a mist drifted down off the water. Ben-jamin Franklin got his feet wet. The sun was shining down hard on me. The sun was brightand hot. After a while the sun made me think of my own dis-comfort. The only shade fell on the beatnik. The shade came down off the Lillie Hitchcock Colt statueof some metal fireman saving a metal broad from a mentalfire. The beatnik now lay on the bench and the shade was twofeet longer than he was. A friend of mine has written a poem about that statue. God-damn, I wish he would write another poem about that statue,SO it would give me some shade two feet longer than my body. I was right about "The Woman in Red, " because ten min-utes later they blasted John Dillinger down in the sandbox.The sound of the machine-gun fire startled the pigeons andthey hurried on into the church. My daughter was seen leaving in a huge black car shortlyafter that. She couldn't talk yet, but that didn't make any dif-ference. The red dress did it all. John Dillinger's body lay half in and half out of the sand-box, more toward the ladies than the gents. He was leakingblood like those capsules we used to use with oleomargarine,in those good old days when oleo was white like lard. The huge black car pulled out and went up the street, bat-light shining off the top. It stopped in front of the ice-creamparlor at Filbert and Stockton. An agent got out and went in and bought two hundreddouble-decker ice-cream cones. He needed a wheelbarrowto get them back to the car.
THE LAST TIME I SAW TROUT FISHING IN AMERICAThe last time we met was in July on the Big Wood River, tenmiles away from Ketchum. It was just after Hemingway hadkilled himself there, but I didn't know about his death at thetime. I didn't know about it until I got back to San Franciscoweeks after the thing had happened and picked up a copy ofLife magazine. There was a photograph of Hemingway on thecover. "I wonder what Hemingway's up to, " I said to myself. Ilooked inside the magazine and turned the pages to his death.Trout Fishing in America forgot to tell me about it. I'm cer-tain he knew. It must have slipped his mind. The woman who travels with me had menstrual cramps.She wanted to rest for a while, so I took the baby and my spin-ning rod and went down to the Big Wood River. That's whereI met Trout Fishing in America. I was casting a Super-Duper out into the river and lettingit swing down with the current and then ride on the water upclose to the shore. It fluttered there slowly and Trout Fish-ing in America watched the baby while we talked. I remember that he gave her some colored rocks to playwith. She liked him and climbed up onto his lap and she start-ed putting the rocks in his shirt pocket. We talked about Great Falls, Montana. I told Trout Fish-ing in America about a winter I spent as a child in GreatFalls."It was during the war and I saw a Deanna Durbin movie seventimes, "I said. The baby put a blue rock in Trout Fishing in America'sshirt pocket and he said, "I've been to Great Falls manytimes. I remember Indians and fur traders. I rememberLewis and Clark, but I don't remember ever seeing a DeannaDurbin movie in Great Falls." "I know what you mean, " I said. "The other people inGreat Falls did not share my enthusiasm for Deanna Durbin,The theater was always empty. There was a darkness to thattheater different from any theater I've been in since. Maybeit was the snow outside and Deanna Durbin inside. I don'tknow what it was." "What was the name of the movie?" Trout Fishing in Am-erica said. "I don't know, " I said. "She sang a lot. Maybe she was achorus girl who wanted to go to college or she was a richgirl or they needed money for something or she did somethingWhatever it was about, she sang! and sang! but I can't re-member a God-damn word of it. "One afternoon after I had seen the Deanna Durbin movieagain, I went down to the Missouri River. Part of the Mis-souri was frozen over. There was a railroad bridge there.I was very relieved to see that the Missouri River had notchanged and begun to look like Deanna Durbin. "I'd had a childhood fancy that I would walk down to theMissouri River and it would look just like a Deanna Durbinmovie--a chorus girl who wanted to go to college or she wasa rich girl or they needed money for something or she dids something. "To this day I don't know why I saw that movie seventimes. It was just as deadly as The Cabinet of Doctor Cali-gari. I wonder if the Missouri River is still there?" I said. "It is, " Trout Fishing in America said smiling. "But itdoesn't look like Deanna Durbin. " The baby by this time had put a dozen or so of the coloredrocks in Trout Fishing in America's shirt pocket. He lookedat me and smiled and waited for me to go on about GreatFalls, but just then I had a fair strike on my Super-Duper. Ijerked the rod back and missed the fish. Trout Fishing in America said, "I know that fish who juststruck. You'll never catch him. " "Oh, " I said. "Forgive me, " Trout Fishing in America said. "Go onahead and try for him. He'll hit a couple of times more, butyou won't catch him. He's not a particularly smart fish. Justlucky. Sometimes that's all you need. " "Yeah, " I said. "You're right there. " I cast out again and continued talking about Great Falls. Then in correct order I recited the twelve least importantthings ever said about Great Falls, Montana. For the twelfthand least important thing of all, I said, "Yeah, the telephonewould ring in the morning. I'd get out of bed. I didn't have toanswer the telephone. That had all been taken care of, yearsin advance. "It would still be dark outside and the yellow wallpaper inthe hotel room would be running back off the light bulb. I'dput my clothes on and go down to the restaurant where mystepfather cooked all night. "I'd have breakfast, hot cakes, eggs and whatnot. Thenhe'd make my lunch for me and it would always be the samething: a piece of pie and a stone-cold pork sandwich. After-wards I'd walk to school. I mean the three of us, the HolyTrinity: me, a piece of pie, and a stone-cold pork sandwich.This went on for months. "Fortunately it stopped one day without my having to doanything serious like grow up. We packed our stuff and lefttown on a bus. That was Great Falls, Montana. You say theMissouri River is still there?" "Yes, but it doesn't look like Deanna Durbin, " Trout Fish-ing in America said. "I remember the day Lewis discoveredthe falls. They left their camp at sunrise and a few hourslater they came upon a beautiful plain and on the plain weremore buffalo than they had ever seen before in one place. "They kept on going until they heard the faraway sound ofa waterfall and saw a distant column of spray rising and dis-appearing. They followed the sound as it got louder and loud-er. After a while the sound was tremendous and they were atthe great falls of the Missouri River. It was about noon whenthey got there. "A nice thing happened that afternoon, they went fishingbelow the falls and caught half a dozen trout, good ones, too,from sixteen to twenty-three inches long. "That was June 13, 1805. "No, I don't think Lewis would have understood it if theMissouri River had suddenly begun to look like a Deanna Dur-bin movie, like a chorus girl who wanted to go to college, "Trout Fishing in America said.
IN THE CALIFORNIA BUSHI've come home from Trout Fishing in America, the highwaybent its long smooth anchor about my neck and then stopped.Now I live in this place. It took my whole life to get here, toget to this strange cabin above Mill Valley. We're staying with Pard and his girlfriend. They haverented a cabin for three months, June 15th to September 15th,for a hundred dollars. We are a funny bunch, all living heretogether. Pard was born of Okie parents in British Nigeria and cameto America when he was two years old and was raised as aranch kid in Oregon, Washington and Idaho. He was a machinegunner in the Second World War, againstthe Germans. He fought in France and Germany. SergeantPard. Then he came back from the war and went to somehick college in Idaho. After he graduated from college, he went to Paris and be-came an Existentialist, He had a photograph taken of Exis-tentialism and himself sitting at a sidewalk cafe. Pard wasWearing a beard and he looked as if he had a huge soul, withbarely enough room in his body to contain it. When Pard came back to America from Paris, he workedas a tugboat man on San Francisco Bay and as a railroadman in the roundhouse at Filer, Idaho. Of course, during this time he got married and had a kid.The wife and kid are gone now, blown away like apples by thefickle wind of the Twentieth Century. I guess the fickle windof alltime. The family that fell in the autumn. After he split up with his wife, he went to Arizona and wasa reporter and editor of newspapers. He honky-tonked inNaco, a Mexican border town, drank illescal Mescal Triunfo, playedcards and shot the roof of his house full of bullet holes. Pard tells a story about waking one morning in Naco, allhungover, with the whips and jingles. A friend of his was sit-ting at the table with a bottle of whisky beside him. Pard reached over and picked up a gun off a chair andtook aim at the whisky bottle and fired. His friend was thensitting there, covered with flecks of glass, blood and whisky."What the fuck you do that for?" he said. Now in his late thirties Pard works at a print shop for$1. 35 an hour. It is an avant-garde print shop. They printpoetry and experimental prose. They pay him $1. 35 an hourfor operating a linotype machine. A $1. 35 linotype operatoris hard to find, outside of Hong Kong or Albania. Sometimes when he goes down there, they don't even haveenough lead for him. They buy their lead like soap, a bar ortwo at a time. Pard's girlfriend is a Jew. Twenty-four years old, gettingover a bad case of hepatitis, she kids Pard about a nude pho-tograph of her that has the possibility of appearing in Playboymagazine. "There's nothing to worry about, " she says. "If they usethat photograph, it only means that 12, 000, 000 men will lookat my boobs. " This is all very funny to her. Her parents have money. Asshe sits in the other room in the California bush, she's onher father's payroll in New York. What we eat is funny and what we drink is even more hilar-ious: turkeys, Gallo port, hot dogs, watermelons, Popeyes,salmon croquettes, frappes, Christian Brothers port, orangerye bread, canteloupes, Popeyes, salads, cheese--booze,grub and Popeyes. Popeyes? We read books like The Thief's Journal, Set This Houseon Fire The Naked Lunch, Krafft-Ebing. We read Krafft-Ebing aloud all the time as if he were Kraft dinner. "The mayor of a small town in Eastern Portugal was seenone morning pushing a wheelbarrow full of sex organs intothe city hall. He was of tainted family. He had a woman'sshoe in his back pocket. It had been there all night. " Thingslike this make us laugh. The woman who owns this cabin will come back in the aut-umn. She's spending the summer in Europe. When she comesback, she will spend only one day a week out here: Saturday. She will never spend the night because she's afraid to. There is something here that makes her afraid. Pard and his girlfriend sleep in the cabin and the baby sleeps in the basement, and we sleep outside under the apple tree, waking at dawn to stare out across San Francisco Bay and then we go back to sleep again and wake once more, this time for a very strange thing to happen, and then we go back to sleep again after it has happened, and wake at sunrise to stare out across the bay. Afterwards we go back to sleep again and the sun rises steadily hour after hour, staying in the branches of a eucalyp- tus tree just a ways down the hill, keeping us cool and asleep and in the shade. At last the sun pours over the top of the tree and then we have to get up, the hot sun upon us. We go into the house and begin that two-hour yak-yak acti- vity we call breakfast. We sit around and bring ourselves slowly back to consciousness, treating ourselves like fine pieces of china, and after we finish the last cup of the last cup of the last cup of coffee, it's time to think about lunch or go to the Goodwill in Fairfax. So here we are, living in the California bush above Mill Valley. We could look right down on the main street of Mill Valley if it were not for the eucalyptus tree. We have to park the car a hundred yards away and come here along a tunnel- like path. If all the Germans Pard killed during the war with his machine-gun were to come and stand in their uniforms around this place, it would make us pretty nervous. There's the warm sweet smell of blackberry bushes along the path and in the late afternoon, quail gather around a dead unrequited tree that has fallen bridelike across the path. Some- times I go down there and jump the quail. I just go down there to get them up off their butts. They're such beautiful birds. They set their wings and sail on down the hill. O he was the one who was born to be king! That one, turn- ing down through the Scotch broom and going over an upside- down car abandoned in the yellow grass. That one, his gray wings . One morning last week, part way through the dawn, I awokeunder the apple tree, to hear a dog barking and the rapidsound of hoofs coming toward me. The millennium? An in-vasion of Russians all wearing deer feet? I opened my eyes and saw a deer running straight at me.It was a buck with large horns. There was a police dog chas-ing after it. Arfwowfuck ! Noisepoundpoundpoundpoundpoundpound IPOUND ! POUND ! The deer didn't swerve away. He just kept running straightat me, long after he had seen me, a second or two had passed. Arfwowfuckl Noisepoundpoundpoundpoundpoundpound!POUND I POUND ! I could have reached out and touched him when he went by. He ran around the house, circling the john, with the doghot after him. They vanished over the hillside, leavingstreamers of toilet paper behind them, flowing out and en-tangled through the bushes and vines. Then along came the doe. She started up the same way,but not moving as fast. Maybe she had strawberries in herhead. "Whoa!" I shouted. "Enough is enough! I'm not sellingnewspapers!" The doe stopped in her tracks, twenty-five feet away andturned and went down around the eucalyptus tree. Well, that's how it's gone now for days and days. I wakeup just before they come. I wake up for them in the samemanner as I do for the dawn and the sunrise. Suddenly know-ing they're on their way.
THE LAST MENTION OF TROUT FISHING IN AMERICA SHORTYSaturday was the first day of autumn and there was a festivalbeing held at the church of Saint Francis. It was a hot dayand the Ferris wheel was turning in the air like a thermo-meter bent in a circle and given the grace of music. But all this goes back to another time, to when my daught-er was conceived. We'd just moved into a new apartment andthe lights hadn't been turned on yet. We were surrounded byunpacked boxes of stuff and there was a candle burning likemilk on a saucer. So we got one in and we're sure it was theright one. A friend was sleeping in another room. In retrospect Ihope we didn't wake him up, though he has been awakened andgone to sleep hundreds of times since then. During the pregnancy I stared innocently at that growinghuman center and had no idea the child therein containedwould ever meet Trout Fishing in America Shorty. Saturday afternoon we went down to Washington Square.We put the baby down on the grass and she took off runningtoward Trout Fishing in America Shorty who was sitting un-der the trees by the Benjamin Franklin statue. He was on the ground leaning up against the right-handtree. There were some garlic sausages and some bread sit-ting in his wheelchair as if it were a display counter in astrange grocery store. The baby ran down there and tried to make off with one ofhis sausages. Trout Fishing in America Shorty was instantly alerted,then he saw it was a baby and relaxed. He tried to coax herto come over and sit on his legless lap. She hid behind hiswheelchair, staring past the metal at him, one of her handsholding onto a wheel. "Come here, kid, " he said. "Come over and see old TroutFishing in America Shorty. " Just then the Benjamin Franklin statue turned green likea traffic light, and the baby noticed the sandbox at the otherend of the park. The sandbox suddenly looked better to her than Trout Fish-ing in America Shorty. She didn't care about his sausagesany more either. She decided to take advantage of the green light, and shecrossed over to the sandbox. Trout Fishing in America Shorty stared after her as ifthe space between them were a river growing larger andlarger.
Poetry For Supper
© Ronald Stuart Thomas
'Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.'
Pantoum Of The Great Depression
© Donald Justice
Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.
On The Meeting Of García Lorca And Hart Crane
© Philip Levine
Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.
Ode to the Sublime Porte
© Thomas Moore
Great Sultan, how wise are thy state compositions!
And oh, above all, I admire that Decree,
In which thou command'st, that all she politicians
Shall forthwith be strangled and cast in the sea.
An Expostulation to Lord King
© Thomas Moore
How can you, my Lord, thus delight to torment all
The Peers of realm about cheapening their corn,
When you know, if one hasn't a very high rental,
'Tis hardly worth while being very high born?
Sonnet (I)
© George Herbert
My God, where is that ancient heat towards thee,
Wherewith whole showls of Martyrs once did burn,
Besides their other flames? Doth Poetry
Wear Venus livery? only serve her turn?
An Epithet for the Dead Poet
© Joseph Mayo Wristen
I dance to his testimonial
in the heat of the night.
I dance to his living death.
To the Muses
© William Blake
Whether on Ida's shady brow,
Or in the chambers of the East,
The chambers of the sun, that now
From ancient melody have ceas'd;
Philology Recapitulates Ontology, Poetry Is Ontology
© Delmore Schwartz
Staring at the ever-blue and the far small stars and
the faint white endless curtain of the
twinkling play's endless seasons.
Two Lyrics From Kilroy's Carnival: A Masque
© Delmore Schwartz
"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
let ring and fly like a great bronze wing!)
Sonnet Suggested By Homer, Chaucer, Shakespeare, Edgar Allan Poe, Paul Vakzy, James Joyce, Et Al.
© Delmore Schwartz
Let me not, ever, to the marriage in Cana
Of Galilee admit the slightest sentiment
Of doubt about the astonishing and sustaining manna
Of chance and choice to throw a shadow's element
Apollo Musagete, Poetry, And The Leader Of The Muses
© Delmore Schwartz
O the endless fecundity of poetry is equaled
By its endless inexhaustible freshness, as in the discovery
of America and of poetry.
Calmly We Walk Through This April's Day
© Delmore Schwartz
Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
The Poet
© Delmore Schwartz
The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
