Nature poems
/ page 251 of 287 /Serenade
© Edgar Allan Poe
So sweet the hour, so calm the time,
I feel it more than half a crime,
When Nature sleeps and stars are mute,
To mar the silence ev'n with lute.
Al Aaraaf
© Edgar Allan Poe
"My Angelo! and why of them to be?
A brighter dwelling-place is here for thee-
And greener fields than in yon world above,
And woman's loveliness- and passionate love."
In Youth I have Known One
© Edgar Allan Poe
How often we forget all time, when lone
Admiring Nature's universal throne;
Her woods - her winds - her mountains - the intense
Reply of Hers to Our intelligence!
Sonnet XXXIV
© Fernando António Nogueira Pessoa
Happy the maimed, the halt, the mad, the blind--
All who, stamped separate by curtailing birth,
One Word More
© Robert Browning
There they are, my fifty men and women
Naming me the fifty poems finished!
Take them, Love, the book and me together;
Where the heart lies, let the brain lie also.
In A Dark Time
© Theodore Roethke
In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree,
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
The Waking
© Theodore Roethke
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
Modern Love XXXVI: My Lady unto Madam
© George Meredith
My Lady unto Madam makes her bow.
The charm of women is, that even while
You're probed by them for tears, you yet may smile,
Nay, laugh outright, as I have done just now.
Modern Love XXXV: It Is No Vulgar Nature
© George Meredith
It is no vulgar nature I have wived.
Secretive, sensitive, she takes a wound
Deep to her soul, as if the sense had swooned,
And not a thought of vengeance had survived.
Modern Love XXXII: Full Faith I Have
© George Meredith
Full faith I have she holds that rarest gift
To beauty, Common Sense. To see her lie
With her fair visage an inverted sky
Bloom-covered, while the underlids uplift,
Modern Love XXX: What Are We First
© George Meredith
What are we first? First, animals; and next
Intelligences at a leap; on whom
Pale lies the distant shadow of the tomb,
And all that draweth on the tomb for text.
Modern Love XVIII: Here Jack and Tom
© George Meredith
Here Jack and Tom are paired with Moll and Meg.
Curved open to the river-reach is seen
A country merry-making on the green.
Fair space for signal shakings of the leg.
Modern Love XIII: I Play for Seasons, Not Eternities
© George Meredith
'I play for Seasons; not Eternities!'
Says Nature, laughing on her way. 'So must
All those whose stake is nothing more than dust!'
And lo, she wins, and of her harmonies
Modern Love XI: Out in the Yellow Meadows
© George Meredith
Out in the yellow meadows, where the bee
Hums by us with the honey of the Spring,
And showers of sweet notes from the larks on wing,
Are dropping like a noon-dew, wander we.
Modern Love VI: It Chanced His Lips Did Meet
© George Meredith
It chanced his lips did meet her forehead cool.
She had no blush, but slanted down her eye.
Shamed nature, then, confesses love can die:
And most she punishes the tender fool
Juggling Jerry
© George Meredith
Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
In the Holy Nativity of our Lord
© Richard Crashaw
CHORUS
Come we shepherds whose blest sight
Hath met love's noon in nature's night;
Come lift we up our loftier song
And wake the sun that lies too long.
Wishes To His (Supposed) Mistress
© Richard Crashaw
Whoe'er she be,
That not impossible she
That shall command my heart and me;
To the Name above every Name, the Name of Jesus
© Richard Crashaw
I sing the Name which None can say
But toucht with An interiour Ray:
The Name of our New Peace; our Good:
Our Blisse: and Supernaturall Blood:
Prelude
© Algernon Charles Swinburne
Between the green bud and the red
Youth sat and sang by Time, and shed
From eyes and tresses flowers and tears,
From heart and spirit hopes and fears,