Music poems

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The Mirror

© Robert Laurence Binyon

I
Where is all the beauty that hath been?
Where the bloom?
Dust on boundless wind? Grass dropt into fire?

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Spring and Autumn

© Francis Ledwidge

Green ripples singing down the corn,
  With blossoms dumb the path I tread,
  And in the music of the morn
  One with wild roses on her head.

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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf XII. -- King Olaf's Chri

© Henry Wadsworth Longfellow

At Drontheim, Olaf the King
Heard the bells of Yule-tide ring,
  As he sat in his banquet-hall,
Drinking the nut-brown ale,
With his bearded Berserks hale
  And tall.

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A Dialogue between Caliban and Ariel

© John Fuller

Ar. Now you have been taught words and I am free, 
 My pine struck open, your thick tongue untied, 
 And bells call out the music of the sea.

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I Am Waiting

© Gaius Valerius Catullus

I am waiting for my case to come up 

and I am waiting

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The Music Of The Rains – English Translation

© Rabindranath Tagore

In rainy days

When it rains in pattering sounds

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Akiba

© Katha Pollitt

THE WAY OUT

 

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Young Laughters, and My Music!

© Augusta Davies Webster

Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content
Too soon! There comes new light on onward day,
There comes new perfume o'er a rosier way:
Comes not again the young spring joy that went.

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The Pleasures of Imagination: Book The Second

© Mark Akenside

Till all its orbs and all its worlds of fire
Be loosen'd from their seats; yet still serene,
The unconquer'd mind looks down upon the wreck;
And ever stronger as the storms advance,
Firm through the closing ruin holds his way,
Where nature calls him to the destin'd goal.

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The Dwellers Within

© George MacDonald

Down a warm alley, early in the year,

Among the woods, with all the sunshine in

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Nights on Planet Earth

© Louis Zukofsky

Heaven was originally precisely that: the starry sky, dating back to the earliest Egyptian texts, which include magic spells that enable the soul to be sewn in the body of the great mother, Nut, literally "night," like the seed of a plant, which is also a jewel and a star. The Greek Elysian fields derive from the same celestial topography: the Egyptian "Field of Rushes," the eastern stars at dawn where the soul goes to be purified. That there is another, mirror world, a world of light, and that this world is simply the sky—and a step further, the breath of the sky, the weather, the very air—is a formative belief of great antiquity that has continued to the present day with the godhead becoming brightness itself: dios/theos (Greek); deus/divine/diana (Latin); devas (Sanskrit); daha (Arabic); day (English).
—Susan Brind Morrow, Wolves and Honey
1

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An Essay on Criticism: Part 1

© Alexander Pope

  But you who seek to give and merit fame,
And justly bear a critic's noble name,
Be sure your self and your own reach to know,
How far your genius, taste, and learning go;
Launch not beyond your depth, but be discreet,
And mark that point where sense and dulness meet.

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Wormwood And Nightshade

© Adam Lindsay Gordon

The troubles of life are many,
The pleasures of life are few;
When we sat in the sunlight, Annie,
I dreamt that the skies were blue -

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Burns

© Fitz-Greene Halleck

WILD ROSE of Alloway! my thanks:
Thou 'mindst me of that autumn noon
When first we met upon "the banks
And braes o'bonny Doon."

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A Valediction of the Book

© John Donne

I’ll tell thee now (dear Love) what thou shalt do

  To anger destiny, as she doth us,

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The Music-Lesson

© Mathilde Blind

A thrush alit on a young-leaved spray,

 And, lightly clinging,

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A Scene At The Banks Of The Hudson

© William Cullen Bryant

Cool shades and dews are round my way,

And silence of the early day;

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The Recluse - Book First

© William Wordsworth

HOME AT GRASMERE
ONCE to the verge of yon steep barrier came
A roving school-boy; what the adventurer's age
Hath now escaped his memory--but the hour,

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Worship

© Madison Julius Cawein

I.

  The mornings raise

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The Painter Dreaming in the Scholar’s House

© Howard Nemerov

The painter’s eye follows relation out.
His work is not to paint the visible,
He says, it is to render visible.