Miracles poems

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Ode To a Lemon

© Pablo Neruda

Out of lemon flowers
loosed
on the moonlight, love's
lashed and insatiable

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Ode To The Lemon

© Pablo Neruda

From blossoms
released
by the moonlight,
from an

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298. Prologue spoken at the Theatre of Dumfries

© Robert Burns

For our sincere, tho’ haply weak endeavours,
With grateful pride we own your many favours;
And howsoe’er our tongues may ill reveal it,
Believe our glowing bosoms truly feel it.

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The Chantry Of The Cherubim

© Francis William Bourdillon

O CHANTRY of the Cherubim,  

 Down-looking on the stream!  

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Of Wit

© Abraham Cowley

TELL me, O tell, what kind of thing is Wit,

  Thou who Master art of it.

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Friendships Mystery, To My Dearest Lucasia

© Katherine Philips

Come, my Lucasia, since we see
That miracles Men's Faith do move,
By wonder and by prodigy
To the dull angry World let's prove
There's a Religion in our Love.

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INTRODUCTION from New Poems

© Edward Estlin Cummings

The poems to come are for you and for me and are not for mostpeople-- it's no use trying to pretend that mostpeople and ourselves are alike

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Chopin

© Emma Lazarus

IA dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz. Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.

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The Wife of Bath's Tale

© Geoffrey Chaucer

7. "But in a great house there are not only vessels of gold and
silver, but also of wood and of earth; and some to honour, and
some to dishonour." -- 2 Tim. ii 20.

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The Knight's Tale

© Geoffrey Chaucer

Upon that other side, Palamon,
When that he wist Arcita was agone,
Much sorrow maketh, that the greate tower
Resounded of his yelling and clamour
The pure* fetters on his shinnes great *very
Were of his bitter salte teares wet.

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Miracles.

© Walt Whitman

WHY! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,

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Walt Whitman.

© Walt Whitman

1
I CELEBRATE myself;
And what I assume you shall assume;
For every atom belonging to me, as good belongs to you.

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Vacillation

© William Butler Yeats

Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.

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The Sphinx

© Oscar Wilde

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

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The Garden Of Eros

© Oscar Wilde

It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season's usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

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To the Poetry* of Hugh McCrae

© Kenneth Slessor

Uncles who burst on childhood, from the East, 
Blown from air, like bearded ghosts arriving, 
And are, indeed, a kind of guessed-at ghost 
Through mumbled names at dinner-tables moving,

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Yellow Glove

© Naomi Shihab Nye

What can a yellow glove mean in a world of motorcars and governments?
I was small, like everyone. Life was a string of precautions: Don’t kiss the squirrel before you bury him, don’t suck candy, pop balloons, drop watermelons, watch TV. When the new gloves appeared one Christmas, tucked in soft tissue, I heard it trailing me: Don’t lose the yellow gloves.
I was small, there was too much to remember. One day, waving at a stream—the ice had cracked, winter chipping down, soon we would sail boats and roll into ditches—I let a glove go. Into the stream, sucked under the street. Since when did streets have mouths? I walked home on a desperate road. Gloves cost money. We didn’t have much. I would tell no one. I would wear the yellow glove that was left and keep the other hand in a pocket. I knew my mother’s eyes had tears they had not cried yet, I didn’t want to be the one to make them flow. It was the prayer I spoke secretly, folding socks, lining up donkeys in windowsills. To be good, a promise made to the roaches who scouted my closet at night. If you don’t get in my bed, I will be good. And they listened. I had a lot to fulfill.
The months rolled down like towels out of a machine. I sang and drew and fattened the cat. Don’t scream, don’t lie, don’t cheat, don’t fight—you could hear it anywhere. A pebble could show you how to be smooth, tell the truth. A field could show how to sleep without walls. A stream could remember how to drift and change—next June I was stirring the stream like a soup, telling my brother dinner would be ready if he’d only hurry up with the bread, when I saw it. The yellow glove draped on a twig. A muddy survivor. A quiet flag.

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from Mercian Hymns

© Geoffrey Hill

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

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The Relic

© John Donne

When my grave is broke up again

  Some second guest to entertain,

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Nights of 1964—1966: The Old Reliable

© Marilyn Hacker

for Lewis Ellingham
The laughing soldiers fought to their defeat . . .
James Fenton, “In a Notebook”