Men poems
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Marry Me by Veronica Patterson: American Life in Poetry #172 Ted Kooser, U.S. Poet Laureate 2004-200
© Ted Kooser
I don't often talk about poetic forms in this column, thinking that most of my readers aren't interested in how the clock works and would rather be given the time. But the following poem by Veronica Patterson of Colorado has a subtitle referring to a form, the senryu, and I thought it might be helpful to mention that the senryu is a Japanese form similar to haiku but dealing with people rather than nature. There; enough said. Now you can forget the form and enjoy the poem, which is a beautiful sketch of a marriage.
Marry Me
when I come late to bed
I move your leg flung over my sideâ
that warm gate
Enough is as Good as a Feast
© Harry Graham
Who would not willingly forsake
Kindred and Home, without a fuss,
For Icing from a Birthday Cake,
Or juicy fat Asparagus,
And journey over countless seas
For New Potatoes and Green Peas?
Cold Calls: War Music, Continued
© Christopher Logue
Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.
Invictus
© William Ernest Henley
Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
Oktobermaand
© Christian Frederik Louis Leipoldt
Viooltjies in die voorhuis,
Viooltjies blou en rooi!
Viooltjies orals op die veld,
En orals, ai, so mooi!
The Invitation
© George Herbert
Come ye hither all, whose taste
Is your waste;
Save your cost, and mend your fare.
God is here prepar'd and drest,
And the feast,
God, in whom all dainties are.
This Hour and What Is Dead
© Li-Young Lee
God, that old furnace, keeps talking
with his mouth of teeth,
a beard stained at feasts, and his breath
of gasoline, airplane, human ash.
His love for me feels like fire,
feels like doves, feels like river-water.
The Candidate
© Charles Churchill
This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
Above The Gaspereau
© Bliss William Carman
How still through the sweet summer sun, through the soft summer rain,
They have stood there awaiting the summons should bid them attain
The freedom of knowledge, the last touch of truth to explain
The great golden gist of their brooding, the marvellous train
Of thought they have followed so far, been so strong to sustain,
The white gospel of sun and the long revelations of rain!
The Shepherds Calendar - January- Winters Day
© John Clare
Withering and keen the winter comes
While comfort flyes to close shut rooms
And sees the snow in feathers pass
Winnowing by the window glass
Drury-lane Prologue Spoken by Mr. Garrick at the Opening of the Theatre in Drury-Lane, 1747
© Henry James Pye
When Learning’s triumph o’er her barb’rous foes
First rear’d the stage, immortal Shakespear rose;
The Wanderer: A Vision: Canto III
© Richard Savage
Ye traytors, tyrants, fear his stinging lay!
Ye pow'rs unlov'd, unpity'd in decay!
But know, to you sweet-blossom'd Fame he brings,
Ye heroes, patriots, and paternal kings!
Hymn to Science
© Mark Akenside
But first with thy resistless light,
Disperse those phantoms from my sight,
Those mimic shades of thee;
The scholiast's learning, sophist's cant,
The visionary bigot's rant,
The monk's philosophy.
Dancing on the Grave of a Son of a Bitch
© Diane Wakoski
Foreword to “Dancing on the Grave of a Son of a Bitch”
This poem is more properly a “dance poem” than a song or chant because the element of repetition is created by movements of language rather than duplicating words and sounds. However, it is in the spirit of ritual recitation that I wrote it/ a performance to drive away bad spirits perhaps.
The story behind the poem is this: a man and woman who have been living together for some time separate. Part of the pain of separation involves possessions which they had shared. They both angrily believe they should have what they want. She asks for some possession and he denies her the right to it. She replies that she gave him money for a possession which he has and therefore should have what she wants now. He replies that she has forgotten that for the number of years they lived together he never charged her rent and if he had she would now owe him $7,000.
She is appalled that he equates their history with a sum of money. She is even more furious to realize that this sum of money represents the entire rent on the apartment and implies that he should not have paid anything at all. She is furious. She kills him mentally. Once and for all she decides she is well rid of this man and that she shouldn’t feel sad at their parting. She decides to prove to herself that she’s glad he’s gone from her life. With joy she will dance on all the bad memories of their life together.
An Essay on Criticism: Part 3
© Alexander Pope
Learn then what morals critics ought to show,
For 'tis but half a judge's task, to know.
'Tis not enough, taste, judgment, learning, join;
In all you speak, let truth and candour shine:
That not alone what to your sense is due,
All may allow; but seek your friendship too.
Hudibras: Part 3 - Canto III
© Samuel Butler
What made thee, when they all were gone,
And none but thou and I alone,
To act the Devil, and forbear
To rid me of my hellish fear?
The Squatter's Baccy Famine.
© James Brunton Stephens
IN blackest gloom he cursed his lot;
His breath was one long weary sigh;
I Have a Seat in the Abandoned Theater
© Mahmoud Darwish
I have a seat in the abandoned theater
in Beirut. I might forget, and I might recall
