Men poems

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The Island: Canto I.

© George Gordon Byron


I.

The morning watch was come; the vessel lay

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The Spellin'-Bee

© Paul Laurence Dunbar

I NEVER shall furgit that night when father hitched up Dobbin,

An' all us youngsters clambered in an' down the road went bobbin'

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Ode--'On A Distant Prospect' Of Making A Fortune

© Charles Stuart Calverley

Now the "rosy morn appearing"
  Floods with light the dazzled heaven;
And the schoolboy groans on hearing
  That eternal clock strike seven:-

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Alla Sera

© Ugo Foscolo

Forse perchè della fatal quïete
Tu sei l'immago a me sí cara vieni
O Sera! E quando ti corteggian liete
Le nubi estive e i zeffiri sereni,

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Sober Song by Barton Sutter: American Life in Poetry #6 Ted Kooser, U.S. Poet Laureate 2004-2006

© Ted Kooser

Rhyme has a way of lightening the spirit of a poem, and in this instance, the plural, spirits, is the appropriate word choice. Lots of readers can relate to "Sober Song," which originally appeared in North Dakota Quarterly. Barton Sutter is a Minnesota poet, essayist, and fiction writer who has won awards in all three genres.

Sober Song

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With Head Erect I Fought The Fight

© John Philip Bourke

And so we write as Nature sets her gauge
No worse than most, and better, p'raps, than some;
But should a man remain for ever dumb
When only rhyming fills his aimless page?

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To My First Born

© Rosanna Eleanor Leprohon

Fair tiny rosebud! what a tide
  Of hidden joy, o’erpow’ring, deep,
Of grateful love, of woman’s pride,
  Thrills through my heart till I must weep
With bliss to look on thee, my son,
My first born child—my darling one!

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The Bowge of Courte

© John Skelton

In Autumpne whan the sonne in vyrgyne

By radyante hete enryped hath our corne

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Had I A Golden Pound (After The Irish)

© Francis Ledwidge

Had I a golden pound to spend,
My love should mend and sew no more.
And I would buy her a little quern,
Easy to turn on the kitchen floor.

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The Last Proof

© Henry Austin Dobson

No more apologies for doubtful data;
No more fresh facts that figure as Errata;
No more, in short, O TYPE, of wayward lore
From thy most _un_-Pierian fount--NO MORE!"

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Bonduca

© Beaumont and Fletcher

{Bonduca the British queen, taking occasion from a defeat of the Romans to impeach their valor, is rebuked by Caratac.}

Queen Bonduca, I do not grieve your fortune.

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The Race

© Adam Lindsay Gordon

On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;

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Menuet

© François Coppée

Marquise, vous souvenez-vous
Du menuet que nous dansâmes ?
Il était discret, noble et doux
Comme l'accord de nos deux âmes.

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In the Height of Fashion

© Henry Lawson

SO at last a toll they’ll levy

  For the passing fool who sings—

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The Fourth Olympic Ode Of Pindar

© Henry James Pye

To Psaumis of Camarina, on his Victory in the Chariot Race. ARGUMENT. The Poet, after an invocation to Jupiter, extols Psaumis for his Victory in the Chariot Race, and for his desire to honor his country. From thence he takes occasion to praise him for his skill in managing horses, his hospitality, and his love of peace; and, mentioning the history of Erginus, excuses the early whiteness of his hair.

STROPHE.

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I Know All This When Gipsy Fiddles Cry

© Vachel Lindsay

  Oh, sweating thieves, and hard-boiled scalawags,
  That still will boast your pride until the doom,
  Smashing every caste rule of the world,
  Reaching at last your Hindu goal to smash
  The caste rules of old India, and shout:
  "Down with the Brahmins, let the Romany reign."

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The Island: Canto II.

© George Gordon Byron

I.

How pleasant were the songs of Toobonai,

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The Muses Threnodie: Third Muse

© Henry Adamson

These be the first memorials of a bridge,
Good Monsier, that we truely can alledge.
Thus spoke good Gall, and I did much rejoyce
To hear him these antiquities disclose;
Which I remembering now, of force must cry—
Gall, sweetest Gall, what ailed thee to die?

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Rokeby: Canto VI.

© Sir Walter Scott

I.

The summer sun, whose early power

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Summer Is Ended

© Christina Georgina Rossetti

To think that this meaningless thing was ever a rose,
Scentless, colourless, this!
Will it ever be thus (who knows?)
Thus with our bliss,
If we wait till the close?