Love poems

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To a Poet, Charles Bridges

© Muriel Stuart

THOU singest, thou, me seems,

Coming from high Parnassus; where thy head

'All Is Vanity,' Saith the Preacher

© Lord Byron

Fame, wisdom, love, and power were mine,
And health and youth possessed me;
My goblets blushed from every vine,
And lovely forms caressed me;

It Is the Hour

© Lord Byron

It is the hour when from the boughs
The nightingale's high note is heard;
It is the hour -- when lover's vows
Seem sweet in every whisper'd word;

Of the four Humours in Mans Constitution.

© Anne Bradstreet

The former four now ending their discourse,

Ceasing to vaunt their good, or threat their force.

The Grand Seigneur

© William Henry Drummond

To the hut of the peasant, or lordly hall,
To the heart of the king, or humblest thrall,
Sooner or late, love comes to all,
And it came to the Grand Seigneur, my dear,
It came to the Grand Seigneur.

To Time

© Lord Byron

Time! on whose arbitrary wing
The varying hours must flag or fly,
Whose tardy winter, fleeting spring,
But drag or drive us on to die---

Love's Last Adieu

© Lord Byron

The roses of Love glad the garden of life,
Though nurtur'd 'mid weeds dropping pestilent dew,
Till Time crops the leaves with unmerciful knife,
Or prunes them for ever, in Love's last adieu!

When Coldness Wraps This Suffering Clay

© Lord Byron

When coldness wraps this suffering clay,
Ah! whither strays the immortal mind?
It cannot die, it cannot stay,
But leaves its darken'd dust behind.

BY
QUEVEDO REDIVIVUS
SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER' 'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.' PREFACE It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed 'That fools rush in where angels fear to tread.' - Pope If Mr. Southey had not rushed in where he had no business, and where he never was before, and never will be again, the following poem would not have been written. It is not impossible that it may be as good as his own, seeing that it cannot, by any species of stupidity, natural or acquired, be worse. The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem by the author if 'Wat Tyler,' are something so stupendous as to form the sublime of himself containing the quintessence of his own attributes. So much for his poem a word on his preface. In this preface it has pleased the magnanimous Laureate to draw the picture of a supposed 'Satanic School,' the which he doth recommend to the notice of the legislature; thereby adding to his other laurels, the ambition of those of an informer. If there exists anywhere, except in his imagination, such a School, is he not sufficiently armed against it by his own intense vanity? The truth is, that there are certain writers whom Mr. S. imagines, like Scrub, to have 'talked of him; for they have laughed consumedly.' I think I know enough of most of the writers to whom he is supposed to allude, to assert, that they, in their individual capacities, have done more good, in the charities of life, to their fellow-creatures, in any one year, than Mr. Southey has done harm to himself by his absurdities in his whole life; and this is saying a great deal. But I have a few questions to ask. 1stly, Is Mr. Southey the author of 'Wat Tyler'? 2ndly, Was he not refused a remedy at law by the highest judge of his beloved England, because it was a blasphemous and seditious publication? 3rdly, Was he not entitled by William Smith, in full Parliament, 'a rancorous renegado'? 4thly, Is he not poet laureate, with his own lines on Martin the regicide staring him in the face? And 5thly, Putting the four preceding items together, with what conscience dare he call the attention of the laws to the publications of others, be they what they may? I say nothing of the cowardice of such a proceeding, its meanness speaks for itself; but I wish to touch upon the motive, which is neither more nor less than that Mr. S. has been laughed at a little in some recent publications, as he was of yore in the 'Anti-jacobin,' by his present patrons. Hence all this 'skimble-scamble stuff' about 'Satanic,' and so forth. However, it is worthy of him 'qualis ab incepto.' If there is anything obnoxious to the political opinions of a portion of the public in the following poem, they may thank Mr. Southey. He might have written hexameters, as he has written everything else, for aught that the writer cared had they been upon another subject. But to attempt to canonise a monarch, who, whatever where his household virtues, was neither a successful nor a patriot king, inasmuch as several years of his reign passed in war with America and Ireland, to say nothing of the aggression upon France, like all other exaggeration, necessarily begets opposition. In whatever manner he may be spoken of in this new 'Vision,' his public career will not be more favourably transmitted by history. Of his private virtues (although a little expense to the nation) there can be no doubt. With regard to the supernatural personages treated of, I can only say that I know as much about them, and (as an honest man) have a better right to talk of them than Robert Southey. I have also treated them more tolerantly. The way in which that poor insane creature, the Laureate, deals about his judgments in the next world, is like his own judgment in this. If it was not completely ludicrous, it would be something worse. I don't think that there is much more to say at present. QUEVEDO REDIVIVUS P.S. It is possible that some readers may object, in these objectionable times, to the freedom with which saints, angels, and spiritual persons discourse in this 'Vision.' But, for precedents upon such points, I must refer him to Fielding's 'Journey from the World to the next,' and to the Visions of myself, the said Quevedo, in Spanish or translated. The reader is also requested to observe, that no doctrinal tenets are insisted upon or discussed; that the person of the Deity is carefully withheld from sight, which is more than can be said for the Laureate, who hath thought proper to make him talk, not 'like a school-divine,' but like the unscholarlike Mr. Southey. The whole action passes on the outside of heaven; and Chaucer's 'Wife of Bath,' Pulci's 'Morgante Maggiore,' Swift's 'Tale of a Tub,' and the other

The Porch Of Stars

© Robert Laurence Binyon

As in a porch of stars we stand; the night
Throbs through us, O Love, with its worlds of light,
And mingles us in glory of one breath,
One infinite ignorance of Time and Death.

To A Beautiful Quaker

© Lord Byron

Sweet girl! though only once we met,
That meeting I shall ne'er forget;
And though we ne'er may meet again,
Remembrance will thy form retain.

Maid of Athens, ere we part

© Lord Byron

Maid of Athens, ere we part,
Give, oh, give back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Zo? mou sas agapo.

A Book Of Strife In The Form Of The Diary Of An Old Soul - March

© George MacDonald

1.

THE song birds that come to me night and morn,

Remind Me Not, Remind Me Not

© Lord Byron

Remind me not, remind me not,
Of those beloved, those vanish'd hours,
When all my soul was given to thee;
Hours that may never be forgot,
Till Time unnerves our vital powers,
And thou and I shall cease to be.

A Sunset

Westward a league the city lay, with one

Cloud's imminent umbrage o'er it: when behold,

I Speak Not

© Lord Byron

I speak not, I trace not, I breathe not thy name;
There is grief in the sound, there is guilt in the fame;
But the tear that now burns on my cheek may impart
The deep thoughts that dwell in that silence of heart.