Love poems
/ page 754 of 1285 /The Lowlands Of Flanders
© Katharine Tynan
THE night that I was married
Our Captain came to me:
Rise up, rise up, new-married man
And come at once with me.
Ballade Of Aucassin
© Andrew Lang
Prince, 'tis a melancholy lay!
For youth, for love we both regret.
How fair they seem, how far away,
With Aucassin and Nicolette!
Orpheus Alone
© Mark Strand
It was an adventure much could be made of: a walk
On the shores of the darkest known river,
A Dream
© Thomas Parnell
& then With raptures in her mouth she fled
the Cloud (for on a cloud she seemd to tread)
its curles unfolded & around her spread
My downy rest the warmth of fancy broke
& when my thoughts grew settled thus I spoke
Idylls of the King: The Passing of Arthur
© Alfred Tennyson
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
The Thirteenth Olympic Ode Of Pindar
© Henry James Pye
To Xenophon of Corinth, on his Victory in the Stadic Course, and Pentathlon, at Olympia. ARGUMENT. The Poet begins his Ode, by complimenting the family of Xenophon, on their successes in the Olympic Games, and their hospitality; and then celebrates their country, Corinth, for it's good government, and for the quick genius of it's inhabitants, in the invention of many useful and ornamental Arts. He then implores Jupiter to continue his blessings on them, and to remain propitious to Xenophon; whose exploits he enumerates, together with those of Thessalus and Ptodorus, his father and grandfather. He then launches out again in praise of Corinth and her Citizens, and relates the story of Bellerophon. He then, checking himself for digressing so far, returns to his Hero, relates his various success in the inferior Games of Greece, and concludes with a Prayer to Jupiter.
STROPHE I.
Angellicas Lament
© Aphra Behn
Had I remained in innocent security,
I should have thought all men were born my slaves,
A Dialogue between Caliban and Ariel
© John Fuller
Ar. Now you have been taught words and I am free,
My pine struck open, your thick tongue untied,
And bells call out the music of the sea.
The Sea
© Dorothy Parker
Who lay against the sea, and fled,
Who lightly loved the wave,
Shall never know, when he is dead,
A cool and murmurous grave.
Sonnet LII.
© Charlotte Turner Smith
FROM THE NOVEL OF CELESTINA.
THE PILGRIM.
FAULTERING and sad the unhappy pilgrim roves,
Who, on the eve of bleak December's night,
The Tenth Olympic Ode Of Pindar
© Henry James Pye
To Agesidamus, son of Archestratus, an Epizephyrian Locrian, on his Victory obtained by the Cæstus. ARGUMENT. The Poet begins the Ode by apologising to Agesidamus, for having so long delayed composing it, after promising to do it. He then compliments him upon his country, and consoles him for being worsted at the beginning of the contest, till encouraged by Ilias, by relating the same circumstance of Hercules and Patroclus. He then describes the institution of the Olympic Games, by Hercules, after the victory he obtained over Augeas, and the sons of Neptune and Molione; and enumerates those who won the first Prizes in the Athletic Exercises. He then, returning to Agesidamus, and congratulating him on having a Poet to sing his exploits, though after some delay, concludes with praising him for his strength and beauty.
STROPHE I.
Paeans
© Virna Sheard
Oh! I will hold fast to Joy!
I will not let him depart--
He shall close his beautiful rainbow wings
And sing his song in my heart.
"Phoebus was gone, all gone, his journey over"
© Pierre Reverdy
Phoebus was gone, all gone, his journey over.
His sister was riding high: nothing bridled her.
Her light was falling, shining into woods and rivers.
Wild animals opened their jaws wide, stirred to prey.
But in the human world all was sleep, pause, relaxation, torpor.
Well, You Needn’t
© William Matthews
Rather than hold his hands properly
arched off the keys, like cats
with their backs up,
Monk, playing block chords,
hit the keys with his fingertips well
above his wrists,
The Bustle in a House (1108)
© Emily Dickinson
The Bustle in a House
The Morning after Death
Is solemnest of industries
Enacted opon Earth –