Love poems

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France, the 18th year of These States.

© Walt Whitman

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A GREAT year and place;
A harsh, discordant, natal scream out-sounding, to touch the mother’s heart closer
than

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Rise, O Days.

© Walt Whitman

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RISE, O days, from your fathomless deeps, till you loftier, fiercer sweep!
Long for my soul, hungering gymnastic, I devour’d what the earth gave me;
Long I roam’d the woods of the north—long I watch’d Niagara pouring;

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To the East and to the West.

© Walt Whitman

TO the East and to the West;
To the man of the Seaside State, and of Pennsylvania,
To the Kanadian of the North—to the Southerner I love;
These, with perfect trust, to depict you as myself—the germs are in all men;

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These, I, Singing in Spring.

© Walt Whitman

THESE, I, singing in spring, collect for lovers,
(For who but I should understand lovers, and all their sorrow and joy?
And who but I should be the poet of comrades?)
Collecting, I traverse the garden, the world—but soon I pass the gates,

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Mystic Trumpeter, The.

© Walt Whitman

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HARK! some wild trumpeter—some strange musician,
Hovering unseen in air, vibrates capricious tunes to-night.

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Vigil Strange I Kept on the Field.

© Walt Whitman

VIGIL strange I kept on the field one night:
When you, my son and my comrade, dropt at my side that day,
One look I but gave, which your dear eyes return’d, with a look I shall never forget;

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Among the Multitude.

© Walt Whitman

AMONG the men and women, the multitude,
I perceive one picking me out by secret and divine signs,
Acknowledging none else—not parent, wife, husband, brother, child, any nearer than I
am;

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City Dead-House, The.

© Walt Whitman

BY the City Dead-House, by the gate,
As idly sauntering, wending my way from the clangor,
I curious pause—for lo! an outcast form, a poor dead prostitute brought;
Her corpse they deposit unclaim’d—it lies on the damp brick pavement;

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Dresser, The.

© Walt Whitman

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AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;

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A Broadway Pageant.

© Walt Whitman

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OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,

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Italian Music in Dakota.

© Walt Whitman

THROUGH the soft evening air enwrinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes’ and cornets’ notes,
Electric, pensive, turbulent artificial,

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Respondez!

© Walt Whitman

RESPONDEZ! Respondez!
(The war is completed—the price is paid—the title is settled beyond recall;)
Let every one answer! let those who sleep be waked! let none evade!
Must we still go on with our affectations and sneaking?

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Salut au Monde.

© Walt Whitman

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O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join’d unended links, each hook’d to the next!

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Carol of Words.

© Walt Whitman

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EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
said;
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future,

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States!

© Walt Whitman

STATES!
Were you looking to be held together by the lawyers?
By an agreement on a paper? Or by arms?

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From Pent-up Aching Rivers.

© Walt Whitman

FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin’d to make illustrious, even if I stand sole among men;
From my own voice resonant—singing the phallus,

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Warble for Lilac-Time.

© Walt Whitman

WARBLE me now, for joy of Lilac-time,
Sort me, O tongue and lips, for Nature’s sake, and sweet life’s sake—and
death’s the same as life’s,
Souvenirs of earliest summer—birds’ eggs, and the first berries;

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Excelsior.

© Walt Whitman

WHO has gone farthest? For lo! have not I gone farther?
And who has been just? For I would be the most just person of the earth;
And who most cautious? For I would be more cautious;
And who has been happiest? O I think it is I! I think no one was ever happier than I;

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Who is now Reading This?

© Walt Whitman

WHO is now reading this?
May-be one is now reading this who knows some wrong-doing of my past life,
Or may-be a stranger is reading this who has secretly loved me,
Or may-be one who meets all my grand assumptions and egotisms with derision,

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Of the Terrible Doubt of Appearances.

© Walt Whitman

OF the terrible doubt of appearances,
Of the uncertainty after all—that we may be deluded,
That may-be reliance and hope are but speculations after all,
That may-be identity beyond the grave is a beautiful fable only,