Love poems

 / page 624 of 1285 /
star nullstar nullstar nullstar nullstar null

The Song of Yesterday

© James Whitcomb Riley

My head was fair
With flaxen hair,
And fragrant breezes, faint and rare,
And, warm with drouth
From out the south,
Blew all my curls across my mouth.

star nullstar nullstar nullstar nullstar null

A Song of the Road

© James Whitcomb Riley

O I will walk with you, my lad, whichever way you fare,
You'll have me, too, the side o' you, with heart as light as air;
No care for where the road you take's a-leadin' anywhere,--
It can but be a joyful ja'nt whilst you journey there.
The road you take's the path o' love, an' that's the bridth o' two--
An' I will walk with you, my lad -- O I will walk with you.

star nullstar nullstar nullstar nullstar null

A Parting Guest

© James Whitcomb Riley

What delightful hosts are they --
Life and Love!
Lingeringly I turn away,
This late hour, yet glad enough

star nullstar nullstar nullstar nullstar null

Ylladmar

© James Whitcomb Riley

Her hair was, oh, so dense a blur
Of darkness, midnight envied her;
And stars grew dimmer in the skies
To see the glory of her eyes;

star nullstar nullstar nullstar nullstar null

Knee-Deep in June

© James Whitcomb Riley

Tell you what I like the best --
'Long about knee-deep in June,
'Bout the time strawberries melts
On the vine, -- some afternoon
Like to jes' git out and rest,
And not work at nothin' else!

star nullstar nullstar nullstar nullstar null

The Ripest Peach

© James Whitcomb Riley

The ripest peach is highest on the tree --
And so her love, beyond the reach of me,
Is dearest in my sight. Sweet breezes, bow
Her heart down to me where I worship now!

star nullstar nullstar nullstar nullstar null

A Life-Lesson

© James Whitcomb Riley

There! little girl; don't cry!
They have broken your doll, I know;
And your tea-set blue,
And your play-house, too,

star nullstar nullstar nullstar nullstar null

Little Orphant Annie

© James Whitcomb Riley

To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.

star nullstar nullstar nullstar nullstar null

Burbank with a Baedeker: Bleistein with a Cigar

© Thomas Stearns Eliot

Tra-la-la-la-la-la-laire—nil nisi divinum stabile est; caetera fumus—the gondola
stopped, the old palace was there, how charming its grey and pink—goats and
monkeys, with such hair too!—so the countess passed on until she came through the
little park, where Niobe presented her with a cabinet, and so departed.

star nullstar nullstar nullstar nullstar null

Growltiger's Last Stand

© Thomas Stearns Eliot

GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames."

star nullstar nullstar nullstar nullstar null

Four Quartets 3: The Dry Salvages

© Thomas Stearns Eliot

(The Dry Salvages—presumably les trois sauvages—is a small
group of rocks, with a beacon, off the N.E. coast of Cape Ann,
Massachusetts. Salvages is pronounced to rhyme with assuages.
Groaner: a whistling buoy.)

star nullstar nullstar nullstar nullstar null

Four Quartets 2: East Coker

© Thomas Stearns Eliot

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

star nullstar nullstar nullstar nullstar null

Gus: The Theatre Cat

© Thomas Stearns Eliot

Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.

star nullstar nullstar nullstar nullstar null

Four Quartets 4: Little Gidding

© Thomas Stearns Eliot

IMidwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,

star nullstar nullstar nullstar nullstar null

Ash Wednesday

© Thomas Stearns Eliot

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

star nullstar nullstar nullstar nullstar null

Four Quartets 1: Burnt Norton

© Thomas Stearns Eliot

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?

star nullstar nullstar nullstar nullstar null

Elegy

© Carolyn Forche

The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light.
To what and to whom does one say yes?
If God were the uncertain, would you cling to him?

star nullstar nullstar nullstar nullstar null

What Fields Are As Fragrant As Your Hands?

© Rainer Maria Rilke

What fields are as fragrant as your hands?
You feel how external fragrance stands
upon your stronger resistance.
Stars stand in images above.
Give me your mouth to soften, love;
ah, your hair is all in idleness.

star nullstar nullstar nullstar nullstar null

Duino Elegies: The Tenth Elegy

© Rainer Maria Rilke

Yet the dead youth must go on alone.
In silence the elder Lament brings him
as far as the gorge where it shimmers in the moonlight:
The Foutainhead of Joy. With reverance she names it,
saying: "In the world of mankind it is a life-bearing stream."

star nullstar nullstar nullstar nullstar null

The Poet

© Rainer Maria Rilke

O hour of my muse: why do you leave me,
Wounding me by the wingbeats of your flight?
Alone: what shall I use my mouth to utter?