Life poems
/ page 416 of 844 /The Daughter Goes To Camp
© Sharon Olds
In the taxi alone, home from the airport,
I could not believe you were gone. My palm kept
creeping over the smooth plastic
to find your strong meaty little hand and
A Week Later
© Sharon Olds
A week later, I said to a friend: I don't
think I could ever write about it.
Maybe in a year I could write something.
There is something in me maybe someday
One Year
© Sharon Olds
When I got to his marker, I sat on it,
like sitting on the edge of someone's bed
and I rubbed the smooth, speckled granite.
I took some tears from my jaw and neck
The End
© Sharon Olds
We decided to have the abortion, became
killers together. The period that came
changed nothing. They were dead, that young couple
who had been for life.
In the Stalls
© Arthur Symons
My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.
Dharma
© Billy Collins
Who provides a finer example
of a life without encumbrance
Thoreau in his curtainless hut
with a single plate, a single spoon?
Gandhi with his staff and his holy diapers?
I Go Back To The House For A Book
© Billy Collins
I turn around on the gravel
and go back to the house for a book,
something to read at the doctor's office,
and while I am inside, running the finger
The Only Day In Existence
© Billy Collins
The early sun is so pale and shadowy,
I could be looking up at a ghost
in the shape of a window,
a tall, rectangular spirit
Marginalia
© Billy Collins
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Japan
© Billy Collins
Today I pass the time reading
a favorite haiku,
saying the few words over and over.
Shoveling Snow With Buddha
© Billy Collins
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
On Turning Ten
© Billy Collins
This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.
The Art Of Drowning
© Billy Collins
I wonder how it all got started, this business
about seeing your life flash before your eyes
while you drown, as if panic, or the act of submergence,
could startle time into such compression, crushing
decades in the vice of your desperate, final seconds.
Ode On The Pleasure Arising From Vicissitude
© Thomas Gray
Now the golden Morn aloft
Waves her dew-bespangled wing,
With vermeil cheek and whisper soft
She wooes the tardy Spring:
The Progress of Poesy
© Thomas Gray
A Pindaric OdeAwake, Aeolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon's harmonious springs
A thousand rills their mazy progress take:
The Sompnour's Tale
© Geoffrey Chaucer
1. Carrack: A great ship of burden used by the Portuguese; the
name is from the Italian, "cargare," to load
The Man of Law's Tale
© Geoffrey Chaucer
1. Plight: pulled; the word is an obsolete past tense from
"pluck."
The Reeve's Tale
© Geoffrey Chaucer
1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.
The Friar's Tale
© Geoffrey Chaucer
"Peace, with mischance and with misaventure,"
Our Hoste said, "and let him tell his tale.
Now telle forth, and let the Sompnour gale,* *whistle; bawl
Nor spare not, mine owen master dear."
The Miller's Tale
© Geoffrey Chaucer
1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.