Hope poems
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The Doomed Ship
© William Morris
Thus, Sorrow, are we sitting side by side
Amid this welter of the grey despair,
Nor have we images of foul or fair
To vex, save of thy kissed face of a bride,
Thy scornful face of tears when I was tried,
And failed neath pain I was not made to bear.
The Defence of Guenevere
© William Morris
But, learning now that they would have her speak,
She threw her wet hair backward from her brow,
Her hand close to her mouth touching her cheek,
Song VI: Cherish Life that Abideth
© William Morris
Love is enough: cherish life that abideth,
Lest ye die ere ye know him, and curse and misname him;
For who knows in what ruin of all hope he hideth,
On what wings of the terror of darkness he rideth?
And what is the joy of man's life that ye blame him
For his bliss grown a sword, and his rest grown a fire?
Song IV: Draw Near and Behold Me
© William Morris
Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
--Pass by me, and hearken, and think of me not!
Song III: It Grew Up Without Heeding
© William Morris
Love is enough: it grew up without heeding
In the days when ye knew not its name nor its measure,
And its leaflets untrodden by the light feet of pleasure
Had no boast of the blossom, no sign of the seeding,
As the morning and evening passed over its treasure.
Song II: Have No Thought for Tomorrow
© William Morris
Love is enough: have no thought for to-morrow
If ye lie down this even in rest from your pain,
Ye who have paid for your bliss with great sorrow:
For as it was once so it shall be again.
Ye shall cry out for death as ye stretch forth in vain
Pomona
© William Morris
I am the ancient apple-queen,
As once I was so am I now.
For evermore a hope unseen,
Betwixt the blossom and the bough.
Night
© William Morris
I am Night: I bring again
Hope of pleasure, rest from pain:
Thoughts unsaid 'twixt Life and Death
My fruitful silence quickeneth.
March
© William Morris
Slayer of the winter, art thou here again?
O welcome, thou that's bring'st the summer nigh!
The bitter wind makes not thy victory vain,
Nor will we mock thee for thy faint blue sky.
King Arthur's Tomb
© William Morris
Hot August noon: already on that day
Since sunrise through the Wiltshire downs, most sad
Of mouth and eye, he had gone leagues of way;
Ay and by night, till whether good or bad
Iceland First Seen
© William Morris
Lo from our loitering ship a new land at last to be seen;
Toothed rocks down the side of the firth on the east guard a weary wide lea,
And black slope the hillsides above, striped adown with their desolate green:
And a peak rises up on the west from the meeting of cloud and of sea,
Atalanta's Race
© William Morris
Through such fair things unto the gates he came,
And found them open, as though peace were there;
Wherethrough, unquestioned of his race or name,
He entered, and along the streets 'gan fare,
Which at the first of folk were well-nigh bare;
But pressing on, and going more hastily,
The White Cliffs
© Alice Duer Miller
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Now let no charitable hope
© Elinor Wylie
Now let no charitable hope
Confuse my mind with images
Of eagle and of antelope:
I am by nature none of these.
The Beasts' Confession
© Jonathan Swift
Apply the tale, and you shall find,
How just it suits with human kind.
Some faults we own: but, can you guess?
Why?--virtues carried to excess,
Wherewith our vanity endows us,
Though neither foe nor friend allows us.
Verses on the Death of Doctor Swift
© Jonathan Swift
As Rochefoucauld his maxims drew
From nature, I believe 'em true:
They argue no corrupted mind
In him; the fault is in mankind.
The Lady's Dressing Room
© Jonathan Swift
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Summons To Love
© William Henry Drummond
Phoebus, arise!
And paint the sable skies
With azure, white, and red:
Rouse Memnon's mother from her Tithon's bed
The Paper Nautilus
© Marianne Clarke Moore
For authorities whose hopes
are shaped by mercenaries?
Writers entrapped by
teatime fame and by
The Steeple-Jack
© Marianne Clarke Moore
Dürer would have seen a reason for living
in a town like this, with eight stranded whales
to look at; with the sweet sea air coming into your house
on a fine day, from water etched
with waves as formal as the scales
on a fish.
