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Sunrise Along Shore

© Lucy Maud Montgomery

Athwart the harbor lingers yet
The ashen gleam of breaking day,
And where the guardian cliffs are set
The noiseless shadows steal away;

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On the Hills

© Lucy Maud Montgomery

Through the pungent hours of the afternoon,
On the autumn slopes we have lightly wandered
Where the sunshine lay in a golden swoon
And the lingering year all its sweetness squandered.

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On the Bay

© Lucy Maud Montgomery

When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn's white light is threading once more
The purple firs in the landward valleys,

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Off to the Fishing Ground

© Lucy Maud Montgomery

There's a piping wind from a sunrise shore
Blowing over a silver sea,
There's a joyous voice in the lapsing tide
That calls enticingly;

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November Evening

© Lucy Maud Montgomery

Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow.

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In Port

© Lucy Maud Montgomery

Out of the fires of the sunset come we again to our own­
We have girdled the world in our sailing under many an orient star;
Still to our battered canvas the scents of the spice gales cling,
And our hearts are swelling within us as we cross the harbor bar.

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Harbor Moonrise

© Lucy Maud Montgomery

There is never a wind to sing o'er the sea
On its dimpled bosom that holdeth in fee
Wealth of silver and magicry;
And the harbor is like to an ebon cup

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Down Home

© Lucy Maud Montgomery

Down home to-night the moonshine falls
Across a hill with daisies pied,
The pear tree by the garden gate
Beckons with white arms like a bride.

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Before Storm

© Lucy Maud Montgomery

There's a grayness over the harbor like fear on the face of a woman,
The sob of the waves has a sound akin to a woman's cry,
And the deeps beyond the bar are moaning with evil presage
Of a storm that will leap from its lair in that dour north-eastern sky.

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At Nightfall

© Lucy Maud Montgomery

The dark is coming o'er the world, my playmate,
And the fields where poplars stand are very still,
All our groves of green delight have been invaded,
There are voices quite unknown upon the hill;

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As the Heart Hopes

© Lucy Maud Montgomery

It is a year dear one, since you afar
Went out beyond my yearning mortal sight­
A wondrous year! perchance in many a star
You have sojourned, or basked within the light

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A Winter Day

© Lucy Maud Montgomery

I The air is silent save where stirs
A bugling breeze among the firs;
The virgin world in white array
Waits for the bridegroom kiss of day;

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A Day in the Open

© Lucy Maud Montgomery

Ho, a day
Whereon we may up and away,
With a fetterless wind that is out on the downs,
And there piping a call to the fallow and shore,

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Democracy

© Leonard Cohen

It's coming through a hole in the air,
from those nights in Tiananmen Square.
It's coming from the feel
that it ain't exactly real,

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Dance Me To The End Of Love

© Leonard Cohen

Dance me to your beauty with a burning violin
Dance me through the panic 'til I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love

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Market days

© Jonas Mekas

Mondays, way before dawn,
before even the first hint of blue in the windows,
we'd hear it start, off the road past our place,
over on the highway nearby,
in a clatter of market-bound traffic.

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Villages and Plains the Streams Flow Through

© Jonas Mekas

to carry on the songs of washerwomen,
fishermen's nets and grey wooden bridges.
Clear blue nights, smelling warm,
streams of thin mist off the meadow drift in
with distinct hoof-stomps from a fettered horse.

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Syrinx

© Amy Clampitt

those last-chance vestiges
above the threshold, the all-
but dispossessed of breath.

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A Hedge Of Rubber Trees

© Amy Clampitt

The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of

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To His Muse

© Robert Herrick

Whither, mad maiden, wilt thou roam?
Far safer 'twere to stay at home;
Where thou mayst sit, and piping, please
The poor and private cottages.