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Since the Cities are the Cities

© Henry Lawson

FOOLS can parrot-cry the prophet when the proof is close at hand,
And the blind can see the danger when the foe is in the land!
Truth was never cynicism, death or ruin’s not a joke,
“Told-you-so” is not a warning—Patriotism not a croak.

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In Memoriam Mae Noblitt

© Archie Randolph Ammons

This is just a place:
we go around, distanced,
yearly in a star’s

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The Princess (part 4)

© Alfred Tennyson

But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows:  on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.

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Of the Last Verses in the Book

© Edmund Waller

When we for age could neither read nor write,
The subject made us able to indite.
The soul, with nobler resolutions deckt,
The body stooping, does herself erect:
No mortal parts are requisite to raise
Her, that unbodied can her Maker praise.

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The Gumsucker's Dirge

© Joseph Furphy

Sing the evil days we see, and the worse that are to be,
In such doggerel as dejection will allow,
We are pilgrims, sorrow-led, with no Beulah on ahead,
No elysian Up the Country for us now.

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The Pillar Towers of Ireland

© Denis Florence MacCarthy

The pillar towers of Ireland, how wondrously they stand
By the lakes and rushing rivers through the valleys of our land;
In mystic file, through the isle, they lift their heads sublime,
These gray old pillar temples, these conquerors of time!

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Mates

© Ada Cambridge


What brains these fragile webs enmesh!
 What soaring thought they tie!
What energies of soul and flesh

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Returning of Issue

© Henry Reed

Tomorrow will be your last day here. Someone is speaking:
A familiar voice, speaking again at all of us.
And beyond the windows— it is inside now, and autumn—
On a wind growing daily harsher, small things to the earth
Are turning and whirling, small. Tomorrow will be
 Your last day here,

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Three Addresses

© Terence Winch

1642 Argonne Place, NW

Alley of giant air conditioners, you roared

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Maud XVIII: I have led her Home, my love, my only friend

© Alfred Tennyson

I have led her home, my love, my only friend,
There is none like her, none.
And never yet so warmly ran my blood
And sweetly, on and on
Calming itself to the long-wished-for end,
Full to the banks, close on the promised good.

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from Omeros

© Derek Walcott

In hill-towns, from San Fernando to Mayagüez, 
the same sunrise stirred the feathered lances of cane 
down the archipelago’s highways. The first breeze

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After Reading Trollope's History Of Florence

© Eugene Field

My books are on their shelves again
And clouds lie low with mist and rain.
Afar the Arno murmurs low
The tale of fields of melting snow.
List to the bells of times agone
The while I wait me for the dawn.

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An Ode On The Return Of The Troops

© Confucius

Forth from the city in our cars we drove,

  Until we halted at the pasture ground.

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From “Odi Barbare”

© Geoffrey Hill

  xxiv
What is far hence led to the den of making:
Moves unlike wildfire | not so simple-happy
Ploughman hammers ploughshare his durum dentem
 Digging the Georgics

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All The Little Hoofprints

© Robinson Jeffers

Farther up the gorge the sea's voice fainted and ceased.

We heard a new noise far away ahead of us, vague and metallic,

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Three Teenage Girls: 1956 by Steve Orlen: American Life in Poetry #160 Ted Kooser, U.S. Poet Laureat

© Ted Kooser

I've mentioned how important close observation is in composing a vivid poem. In this scene by Arizona poet, Steve Orlen, the details not only help us to see the girls clearly, but the last detail is loaded with suggestion. The poem closes with the car door shutting, and we readers are shut out of what will happen, though we can guess. Three Teenage Girls: 1956

Three teenage girls in tight red sleeveless blouses and black Capri pants
And colorful headscarves secured in a knot to their chins
Are walking down the hill, chatting, laughing,
Cupping their cigarettes against the light rain,
The closest to the road with her left thumb stuck out
Not looking at the cars going past.

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Rosalie's Good Eats Cafe

© Sheldon Allan Silverstein


It's two in the mornin' on Saturday night

At Rosalie's Good Eats Café.

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Convict Once - Part First.

© James Brunton Stephens

I.
FREE again! Free again! eastward and westward, before me, behind me,
Wide lies Australia! and free are my feet, as my soul is, to roam!
Oh joy unwonted of space undetermined! No limit assigned me!
Freedom conditioned by nought save the need and desire of a home!

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Another Reluctance

© Annie Finch

Chestnuts fell in the charred season,
Fell finally, finding room
In air to open their old cases
So they gleam out from the gold leaves,
In the dusk now, where they dropped down.

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To The Reader

© John Bunyan


The title page will show, if there thou look,
Who are the proper subjects of this book.
They're boys and girls of all sorts and degrees,