Good poems
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The Siege and Conquest of Alhama
© Lord Byron
The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!
Mazeppa
© Lord Byron
'Twas after dread Pultowa's day,
When fortune left the royal Swede -
Around a slaughtered army lay,
No more to combat and to bleed.
The Siege of Corinth
© Lord Byron
Still the old man stood erect,
And Alp's career a moment check'd.
"Yield thee, Minotti; quarter take,
For thine own, thy daughter's sake."
Bride of Abydos, The
© Lord Byron
"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." Burns
The Giaour
© Lord Byron
A Fragment of a Turkish TaleThe tale which these disjointed fragments present, is founded upon circumstances now less common in the East than formerly; either because the ladies are more circumspect than in the 'olden time', or because the Christians have better fortune, or less enterprise. The story, when entire, contained the adventures of a female slave, who was thrown, in the Mussulman manner, into the sea for infidelity, and avenged by a young Venetian, her lover, at the time the Seven Islands were possessed by the Republic of Venice, and soon after the Arnauts were beaten back from the Morea, which they had ravaged for some time subsequent to the Russian invasion. The desertion of the Mainotes on being refused the plunder of Misitra, led to the abandonment of that enterprise, and to the desolation of the Morea,during which the cruelty exercised on all sides was unparalleled even in the annals of the faithful.
No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
The Good-Natured Girls
© Ann Taylor
TWO good little children, named Mary and Ann,
Both happily live, as good girls always can;
And though they are not either sullen or mute,
They seldom or never are heard to dispute.
The Bride of Abydos
© Lord Byron
"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." Burns
To a Poet, Charles Bridges
© Muriel Stuart
THOU singest, thou, me seems,
Coming from high Parnassus; where thy head
Of the four Humours in Mans Constitution.
© Anne Bradstreet
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Adieu, Adieu! My Native Land
© Lord Byron
Adieu, adieu! my native shore
Fades o'ver the waters blue;
The night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
My Dream
© William Schwenck Gilbert
The other night, from cares exempt,
I slept - and what d'you think I dreamt?
I dreamt that somehow I had come
To dwell in Topsy-Turveydom -
The Vision of Judgment
© Lord Byron
BY
QUEVEDO REDIVIVUS
SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER' 'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.' PREFACE It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed 'That fools rush in where angels fear to tread.' - Pope If Mr. Southey had not rushed in where he had no business, and where he never was before, and never will be again, the following poem would not have been written. It is not impossible that it may be as good as his own, seeing that it cannot, by any species of stupidity, natural or acquired, be worse. The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem by the author if 'Wat Tyler,' are something so stupendous as to form the sublime of himself containing the quintessence of his own attributes. So much for his poem a word on his preface. In this preface it has pleased the magnanimous Laureate to draw the picture of a supposed 'Satanic School,' the which he doth recommend to the notice of the legislature; thereby adding to his other laurels, the ambition of those of an informer. If there exists anywhere, except in his imagination, such a School, is he not sufficiently armed against it by his own intense vanity? The truth is, that there are certain writers whom Mr. S. imagines, like Scrub, to have 'talked of him; for they have laughed consumedly.' I think I know enough of most of the writers to whom he is supposed to allude, to assert, that they, in their individual capacities, have done more good, in the charities of life, to their fellow-creatures, in any one year, than Mr. Southey has done harm to himself by his absurdities in his whole life; and this is saying a great deal. But I have a few questions to ask. 1stly, Is Mr. Southey the author of 'Wat Tyler'? 2ndly, Was he not refused a remedy at law by the highest judge of his beloved England, because it was a blasphemous and seditious publication? 3rdly, Was he not entitled by William Smith, in full Parliament, 'a rancorous renegado'? 4thly, Is he not poet laureate, with his own lines on Martin the regicide staring him in the face? And 5thly, Putting the four preceding items together, with what conscience dare he call the attention of the laws to the publications of others, be they what they may? I say nothing of the cowardice of such a proceeding, its meanness speaks for itself; but I wish to touch upon the motive, which is neither more nor less than that Mr. S. has been laughed at a little in some recent publications, as he was of yore in the 'Anti-jacobin,' by his present patrons. Hence all this 'skimble-scamble stuff' about 'Satanic,' and so forth. However, it is worthy of him 'qualis ab incepto.' If there is anything obnoxious to the political opinions of a portion of the public in the following poem, they may thank Mr. Southey. He might have written hexameters, as he has written everything else, for aught that the writer cared had they been upon another subject. But to attempt to canonise a monarch, who, whatever where his household virtues, was neither a successful nor a patriot king, inasmuch as several years of his reign passed in war with America and Ireland, to say nothing of the aggression upon France, like all other exaggeration, necessarily begets opposition. In whatever manner he may be spoken of in this new 'Vision,' his public career will not be more favourably transmitted by history. Of his private virtues (although a little expense to the nation) there can be no doubt. With regard to the supernatural personages treated of, I can only say that I know as much about them, and (as an honest man) have a better right to talk of them than Robert Southey. I have also treated them more tolerantly. The way in which that poor insane creature, the Laureate, deals about his judgments in the next world, is like his own judgment in this. If it was not completely ludicrous, it would be something worse. I don't think that there is much more to say at present. QUEVEDO REDIVIVUS P.S. It is possible that some readers may object, in these objectionable times, to the freedom with which saints, angels, and spiritual persons discourse in this 'Vision.' But, for precedents upon such points, I must refer him to Fielding's 'Journey from the World to the next,' and to the Visions of myself, the said Quevedo, in Spanish or translated. The reader is also requested to observe, that no doctrinal tenets are insisted upon or discussed; that the person of the Deity is carefully withheld from sight, which is more than can be said for the Laureate, who hath thought proper to make him talk, not 'like a school-divine,' but like the unscholarlike Mr. Southey. The whole action passes on the outside of heaven; and Chaucer's 'Wife of Bath,' Pulci's 'Morgante Maggiore,' Swift's 'Tale of a Tub,' and the other
A Book Of Strife In The Form Of The Diary Of An Old Soul - March
© George MacDonald
1.
THE song birds that come to me night and morn,
The Prisoner of Chillon
© Lord Byron
I
My hair is gray, but not with years,
Nor grew it white
In a single night,
Lara
© Lord Byron
Proud Otho on the instant, reddening, threw
His glove on earth, and forth his sabre flew.
"The last alternative befits me best,
And thus I answer for mine absent guest."
Sonnet XII: Indeed This Very Love
© Elizabeth Barrett Browning
Indeed this very love which is my boast,
And which, when rising up from breast to brow,
Magnificat
© Edith Nesbit
THIS is Christ's birthday: long ago
He lay upon His Mother's knee,
Who kissed and blessed Him soft and low--
God's gift to her, as you to me.
The Owl Describing Her Young Ones
© Anne Kingsmill Finch
Why was that baleful Creature made,
Which seeks our Quiet to invade,
And screams ill Omens through the Shade?
The Snowman on the Moor
© Sylvia Plath
Stalemated their armies stood, with tottering banners:
She flung from a room
Still ringing with bruit of insults and dishonors
Hermann And Dorothea - VI. Klio
© Johann Wolfgang von Goethe
Thus the magistrate spoke. The others departed and thanked him,
And the pastor produced a gold piece (the silver his purse held
He some hours before had with genuine kindness expended
When he saw the fugitives passing in sorrowful masses).
