Future poems

 / page 107 of 121 /
star nullstar nullstar nullstar nullstar null

Part 2 of Trout Fishing in America

© Richard Brautigan

ANOTHER METHOD OF MAKING WALNUT CATSUPAnd this is a very small cookbook for Trout Fishing in Americaas if Trout Fishing in America were a rich gourmet andTrout Fishing in America had Maria Callas for a girlfriendand they ate together on a marble table with beautiful candles.Compote of ApplesTake a dozen of golden pippins, pare themnicely and take the core out with a smallpenknife; put them into some water, andlet them be well scalded; then take a littleof the water with some sugar, and a fewapples which may be sliced into it, andlet the whole boil till it comes to a syrup;then pour it over your pippins, and garnishthem with dried cherries and lemon-peelcut fine. You must take care that yourpippins are not split.And Maria Callas sang to Trout Fishing in America asthey ate their apples together.A Standing Crust for Great PiesTake a peck of flour and six pounds of butterboiled in a gallon of water: skim it off intothe flour, and as little of the liquor as youcan. Work it up well into a paste, and thenpull it into pieces till it is cold. Then makeit up into what form you please.And Trout Fishing in America smiled at Maria Callas asthey ate their pie crust together.A Spoonful PuddingTake a spoonful of flour, a spoonful ofcream or milk, an egg, a little nutmeg,ginger, and salt. Mix all together, andboil it in a little wooden dish half an hour.If you think proper you may add a fewcurrants . And Trout Fishing in America said, "The moon's comingout." And Maria Callas said, "Yes, it is." Another Method of Making Walnut Catsup Take green walnuts before the shell is formed, and grind them in a crab-mill, or pound them in a marble mortar. Squeeze out the juice through a coarse cloth, and put to every gallon of juice a pound of anchovies, and the same quantity of bay-salt, four ounces of Jamaica pepper, two of long and two of black pepper; of mace, cloves, and ginger, each an ounce, and a stick of horseradish. Boil all together till reduced to half the quantity, and then put it into a pot. When it is cold, bottle it close, and in three months it will be fit for use. And Trout Fishing in America and Maria Callas pouredwalnut catsup on their hamburgers.PROLOGUE TO GRIDER CREEKMooresville, Indiana, is the town that John Dillinger camefrom, and the town has a John Dillinger Museum. You cango in and look around. Some towns are known as the peach capital of America orthe cherry capital or the oyster capital, and there's alwaysa festival and the photograph of a pretty girl in a bathing suit. Mooresville, Indiana, is the John Dillinger capital of America. Recently a man moved there with his wife, and he discoveredhundreds of rats in his basement. They were huge, slowmovingchild-eyed rats. When his wife had to visit some of her relatives for a fewdays, the man went out and bought a .38 revolver and a lotof ammunition. Then he went down to the basement wherethe rats were, and he started shooting them. It didn't botherthe rats at all. They acted as if it were a movie and startedeating their dead companions for popcorn. The man walked over to a rat that was busy eating a friendand placed the pistol against the rat's head. The rat did notmove and continued eating away. When the hammer clickedback, the rat paused between bites and looked out of the cornerof its eye. First at the pistol and then at the man. It was a kindof friendly look as if to say, "When my mother was young shesang like Deanna Durbin. " The man pulled the trigger. He had no sense of humor. There's always a single feature, a double feature and aneternal feature playing at the Great Theater in Mooresville,Indiana: the John Dillinger capital of America.
GRIDER CREEKI had heard there was some good fishing in there and it wasrunning clear while all the other large creeks were runningmuddy from the snow melting off the Marble Mountains. I also heard there were some Eastern brook trout in there,high up in the mountains, living in the wakes of beaver darns. The guy who drove the school bus drew a map of GriderCreek, showing where the good fishing was. We were standingin front of Steelhead Lodge when he drew the map. It wasa very hot day. I'd imagine it was a hundred degrees. You had to have a car to get to Grider Creek where thegood fishing was, and I didn't have a car. The map was nice,though. Drawn with a heavy dull pencil on a piece of paperbag. With a little square for a sawmill.
THE BALLET FOR TROUT FISHING IN AMERICAHow the Cobra Lily traps insects is a ballet for Trout Fishingin America, a ballet to be performed at the University ofCalifornia at Los Angeles. The plant is beside me here on the back porch. It died a few days after I bought it at Woolworth's. Thatwas months ago, during the presidential election of nineteenhundred and sixty. I buried the plant in an empty Metrecal can. The side of the can says, "Metrecal Dietary for WeightControl, " and below that reads, "Ingredients: Non-fat milksolids, soya flour, whole milk solids, sucrose, starch, cornoil, coconut oil, yeast, imitation vanilla, " but the can's onlya graveyard now for a Cobra Lily that has turned dry andbrown and has black freckles. As a kind of funeral wreath, there is a red, white andblue button sticking in the plant and the words on it say, "I'mfor Nixon." The main energy for the ballet comes from a descriptionof the Cobra Lily. The description could be used as a welcomemat on the front porch of hell or to conduct an orchestraof mortuaries with ice-cold woodwinds or be an atomicmailman in the pines, in the pines where the sun never shines. "Nature has endowed the Cobra Lily with the means ofcatching its own food. The forked tongue is covered withhoney glands which attract the insects upon which it feeds.Once inside the hood, downward pointing hairs prevent theinsect from crawling out. The digestive liquids are found inthe base of the plant. "The supposition that it is necessary to feed the CobraLily a piece of hamburger or an insect daily is erroneous. "I hope the dancers do a good job of it, they hold ourimagination in there feet, dancing in Los Angles for TroutFishing in America.
A WALDEN POND FOR WINOSThe autumn carried along with it, like the roller coaster ofa flesh-eating plant, port wine and the people who drank thatdark sweet wine, people long since gone, except for me. Always wary of the police, we drank in the safest placewe could find, the park across from the church. There were three poplar trees in the middle of the parkand there was a statue of Benjamin Franklin in front of thetrees. We sat there and drank port. At home my wife was pregnant. I would call on the telephone after I finished work and say,"I won't be home for a little while. I'm going to have a drinkwith some friends. " The three of us huddled in the park, talking. They wereboth broken-down artists from New Orleans where they haddrawn pictures of tourists in Pirate's Alley. Now in San Francisco, with the cold autumn wind uponthem, they had decided that the future held only two directions:They were either going to open up a flea circus or committhemselves to an insane asylum. So they talked about it while they drank wine. They talked about how to make little clothes for fleas bypasting pieces of colored paper on their backs. They said the way that you trained fleas was to make themdependent upon you for their food. This was done by letting themfeed off you at an appointed hour. They talked about making little flea wheelbarrows andpool tables and bicycles. They would charge fifty-cents admission for their flea circus.The business was certain to have a future to it. Perhaps theywould even get on the Ed Sullivan Show. They of course did not have their fleas yet, but they couldeasily be obtained from a white cat. Then they decided that the fleas that lived on SiameseCats would probably be more intelligent than the fleas thatlived on just ordinary alley cats. It only made sense thatdrinking intelligent blood would make intelligent fleas. And so it went on until it was exhausted and we went andbought another fifth of port wine and returned to the treesand Benjamin Franklin. Now it was close to sunset and the earth was beginning tocool off in the correct manner of eternity and office girlswere returning like penguins from Montgomery Street. Theylooked at us hurriedly and mentally registered: winos. Then the two artists talked about committing themselvesto an insane asylum for the winter. They talked about howwarm it would be in the insane asylum, with television, cleansheets on soft beds, hamburger gravy over mashed potatoes,a dance once a week with the lady kooks, clean clothes alocked razor and lovely young student nurses. Ah, yes, there was a future in the insane asylum. Nowinter spent there could be a total loss.

star nullstar nullstar nullstar nullstar null

Re-adjustment

© Clive Staples Lewis

I thought there would be a grave beauty, a sunset splendour
In being the last of one's kind: a topmost moment as one watched
The huge wave curving over Atlantis, the shrouded barge
Turning away with wounded Arthur, or Ilium burning.

star nullstar nullstar nullstar nullstar null

Evolutionary Hymn

© Clive Staples Lewis

Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.

star nullstar nullstar nullstar nullstar null

Welsh Landscape

© Ronald Stuart Thomas

To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers

star nullstar nullstar nullstar nullstar null

Visiting a Dead Man on a Summer Day

© Marge Piercy

But the Getty tomb: white, snow patterned
in a triangle of trees swims dappled with leaf shadow,
sketched light arch within arch
delicate as fingernail moons.

star nullstar nullstar nullstar nullstar null

The Princess (The Conclusion)

© Alfred Tennyson

Last little Lilia, rising quietly,
Disrobed the glimmering statue of Sir Ralph
From those rich silks, and home well-pleased we went.

star nullstar nullstar nullstar nullstar null

If You Only Knew

© Robert Desnos

Far from me and like the stars, the sea and all the trappings of poetic myth,
Far from me but here all the same without your knowing,
Far from me and even more silent because I imagine you endlessly.
Far from me, my lovely mirage and eternal dream, you cannot know.

star nullstar nullstar nullstar nullstar null

A Calendar of Sonnets: June

© Helen Hunt Jackson

O month whose promise and fulfilment blend,
And burst in one! it seems the earth can store
In all her roomy house no treasure more;
Of all her wealth no farthing have to spend

star nullstar nullstar nullstar nullstar null

The Return

© Philip Levine

All afternoon my father drove the country roads
between Detroit and Lansing. What he was looking for
I never learned, no doubt because he never knew himself,
though he would grab any unfamiliar side road

star nullstar nullstar nullstar nullstar null

Clouds

© Philip Levine

Dawn. First light tearing
at the rough tongues of the zinnias,
at the leaves of the just born.

star nullstar nullstar nullstar nullstar null

When First I Met Thee

© Thomas Moore

When first I met thee, warm and young,
There shone such truth about thee,
And on thy lip such promise hung,
I did not dare to doubt thee.

star nullstar nullstar nullstar nullstar null

Twas One of Those Dreams

© Thomas Moore

'TWAS one of those dreams, that by music are brought,
Like a bright summer haze, o'er the poet's warm thought --
When, lost in the future, his soul wanders on,
And all of this life, but its sweetness, is gone.

star nullstar nullstar nullstar nullstar null

Sordello: Book the Fifth

© Robert Browning


  "Embrace him, madman!" Palma cried,
Who through the laugh saw sweat-drops burst apace,
And his lips blanching: he did not embrace
Sordello, but he laid Sordello's hand
On his own eyes, mouth, forehead.

star nullstar nullstar nullstar nullstar null

Affliction (II)

© George Herbert

Kill me not ev'ry day,
Thou Lord of life, since thy one death for me
Is more than all my deaths can be,
Though I in broken pay
Die over each hour of Methusalem's stay.

star nullstar nullstar nullstar nullstar null

H. Baptism

© George Herbert

As he that sees a dark and shady grove,
Stays not, but looks beyond it on the sky;
So when I view my sins, mine eyes remove
More backward still, and to that water fly,

star nullstar nullstar nullstar nullstar null

A Spirit Shows me the Year 2332

© Joseph Mayo Wristen

There is a great darkness coming.
The betrayers of lineage.
Their savior

star nullstar nullstar nullstar nullstar null

i waited and watched

© Joseph Mayo Wristen

street wizard glass stone hip idealist
smoking their bed time flower
beads into sky cat city café’ park music

star nullstar nullstar nullstar nullstar null

Jerusalem: I see the Four-fold Man, The Humanity in deadly sleep

© William Blake

I see the Four-fold Man, The Humanity in deadly sleep
And its fallen Emanation, the Spectre and its cruel Shadow.
I see the Past, Present and Future existing all at once
Before me. O Divine Spirit, sustain me on thy wings,

star nullstar nullstar nullstar nullstar null

I see the Four-fold Man

© William Blake

I see the Four-fold Man, The Humanity in deadly sleep
And its fallen Emanation, the Spectre and its cruel Shadow.
I see the Past, Present and Future existing all at once
Before me. O Divine Spirit, sustain me on thy wings,

star nullstar nullstar nullstar nullstar null

Intorduction to the Songs of Experience

© William Blake

Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
The Holy Word
That walked among the ancient tree;