Freedom poems

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The Giaour

© Lord Byron

A Fragment of a Turkish TaleThe tale which these disjointed fragments present, is founded upon circumstances now less common in the East than formerly; either because the ladies are more circumspect than in the 'olden time', or because the Christians have better fortune, or less enterprise. The story, when entire, contained the adventures of a female slave, who was thrown, in the Mussulman manner, into the sea for infidelity, and avenged by a young Venetian, her lover, at the time the Seven Islands were possessed by the Republic of Venice, and soon after the Arnauts were beaten back from the Morea, which they had ravaged for some time subsequent to the Russian invasion. The desertion of the Mainotes on being refused the plunder of Misitra, led to the abandonment of that enterprise, and to the desolation of the Morea,during which the cruelty exercised on all sides was unparalleled even in the annals of the faithful.
No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff

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The Bride of Abydos

© Lord Byron

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

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The Vision of Judgment

© Lord Byron

BY
QUEVEDO REDIVIVUS
SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER' 'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.' PREFACE It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —'That fools rush in where angels fear to tread.' - Pope If Mr. Southey had not rushed in where he had no business, and where he never was before, and never will be again, the following poem would not have been written. It is not impossible that it may be as good as his own, seeing that it cannot, by any species of stupidity, natural or acquired, be worse. The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem by the author if 'Wat Tyler,' are something so stupendous as to form the sublime of himself — containing the quintessence of his own attributes. So much for his poem — a word on his preface. In this preface it has pleased the magnanimous Laureate to draw the picture of a supposed 'Satanic School,' the which he doth recommend to the notice of the legislature; thereby adding to his other laurels, the ambition of those of an informer. If there exists anywhere, except in his imagination, such a School, is he not sufficiently armed against it by his own intense vanity? The truth is, that there are certain writers whom Mr. S. imagines, like Scrub, to have 'talked of him; for they have laughed consumedly.' I think I know enough of most of the writers to whom he is supposed to allude, to assert, that they, in their individual capacities, have done more good, in the charities of life, to their fellow-creatures, in any one year, than Mr. Southey has done harm to himself by his absurdities in his whole life; and this is saying a great deal. But I have a few questions to ask. 1stly, Is Mr. Southey the author of 'Wat Tyler'? 2ndly, Was he not refused a remedy at law by the highest judge of his beloved England, because it was a blasphemous and seditious publication? 3rdly, Was he not entitled by William Smith, in full Parliament, 'a rancorous renegado'? 4thly, Is he not poet laureate, with his own lines on Martin the regicide staring him in the face? And 5thly, Putting the four preceding items together, with what conscience dare he call the attention of the laws to the publications of others, be they what they may? I say nothing of the cowardice of such a proceeding, its meanness speaks for itself; but I wish to touch upon the motive, which is neither more nor less than that Mr. S. has been laughed at a little in some recent publications, as he was of yore in the 'Anti-jacobin,' by his present patrons. Hence all this 'skimble-scamble stuff' about 'Satanic,' and so forth. However, it is worthy of him — 'qualis ab incepto.' If there is anything obnoxious to the political opinions of a portion of the public in the following poem, they may thank Mr. Southey. He might have written hexameters, as he has written everything else, for aught that the writer cared — had they been upon another subject. But to attempt to canonise a monarch, who, whatever where his household virtues, was neither a successful nor a patriot king, — inasmuch as several years of his reign passed in war with America and Ireland, to say nothing of the aggression upon France, — like all other exaggeration, necessarily begets opposition. In whatever manner he may be spoken of in this new 'Vision,' his public career will not be more favourably transmitted by history. Of his private virtues (although a little expense to the nation) there can be no doubt. With regard to the supernatural personages treated of, I can only say that I know as much about them, and (as an honest man) have a better right to talk of them than Robert Southey. I have also treated them more tolerantly. The way in which that poor insane creature, the Laureate, deals about his judgments in the next world, is like his own judgment in this. If it was not completely ludicrous, it would be something worse. I don't think that there is much more to say at present. QUEVEDO REDIVIVUS P.S. — It is possible that some readers may object, in these objectionable times, to the freedom with which saints, angels, and spiritual persons discourse in this 'Vision.' But, for precedents upon such points, I must refer him to Fielding's 'Journey from the World to the next,' and to the Visions of myself, the said Quevedo, in Spanish or translated. The reader is also requested to observe, that no doctrinal tenets are insisted upon or discussed; that the person of the Deity is carefully withheld from sight, which is more than can be said for the Laureate, who hath thought proper to make him talk, not 'like a school-divine,' but like the unscholarlike Mr. Southey. The whole action passes on the outside of heaven; and Chaucer's 'Wife of Bath,' Pulci's 'Morgante Maggiore,' Swift's 'Tale of a Tub,' and the other

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By the Rivers of Babylon We Sat Down and Wept

© Lord Byron

We sat down and wept by the waters
Of Babel, and thought of the day
When our foe, in the hue of his slaughters,
Made Salem's high places his prey;
And ye, oh her desolate daughters!
Were scattered all weeping away.

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The Prisoner of Chillon

© Lord Byron

I
My hair is gray, but not with years,
Nor grew it white
In a single night,

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Lara

© Lord Byron

Proud Otho on the instant, reddening, threw
His glove on earth, and forth his sabre flew.
"The last alternative befits me best,
And thus I answer for mine absent guest."

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Ode to Napoleon Bonaparte

© Lord Byron

I
'Tis done -- but yesterday a King!
And arm'd with Kings to strive --
And now thou art a nameless thing:

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On Chillon

© Lord Byron

Eternal Spirit of the chainless Mind!
Brightest in dungeons, Liberty, thou art;
For there thy habitation is the heart—
The heart which love of thee alone can bind;

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Hermann And Dorothea - VI. Klio

© Johann Wolfgang von Goethe

Thus the magistrate spoke. The others departed and thanked him,
And the pastor produced a gold piece (the silver his purse held
He some hours before had with genuine kindness expended
When he saw the fugitives passing in sorrowful masses).

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The Shoemakers

© John Greenleaf Whittier

Ho! workers of the old time styled
The Gentle Craft of Leather!
Young brothers of the ancient guild,
Stand forth once more together!

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Gold Medal Gal of Israel

© Sharon Esther Lampert

Sharon Esther Lampert
Sexiest Creative Genius in Human History
8th Prophetess of Israel: 22 Commandments
http://www.poetryjewels.com

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Sandstorm In Iraq

© Sharon Esther Lampert

Sharon Esther Lampert
Sexiest Creative Genius in Human History
8th Prophetess of Israel: 22 Commandments
http://www.poetryjewels.com

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Last Will And Testament

© Nazim Hikmet

Comrades, if I don't live to see the day
-- I mean,if I die before freedom comes --
take me away
and bury me in a village cemetery in Anatolia.

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Letters From A Man In Solitary

© Nazim Hikmet

1
I carved your name on my watchband
with my fingernail.
Where I am, you know,

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A Sad State Of Freedom

© Nazim Hikmet

You waste the attention of your eyes,
the glittering labour of your hands,
and knead the dough enough for dozens of loaves
of which you'll taste not a morsel;
you are free to slave for others--
you are free to make the rich richer.

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The Decembrist

© Osip Emilevich Mandelstam

"To this the pagan senate bears witness:
-- THESE DEEDS SHALL NEVER DIE! -- "
He lit his pipe and wrapped his cloak around
While some play chess nearby.

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Voluntaries

© Ralph Waldo Emerson

I.

Low and mournful be the strain,

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An American in Europe

© Henry Van Dyke

'Tis fine to see the Old World, and travel up and down
Among the famous palaces and cities of renown,
To admire the crumbly castles and the statues of the kings, -
But now I think I've had enough of antiquated things.

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Montenegro

© Robert Laurence Binyon

Coiled in shadow, the serpent seas
Engirdle perilous hills sublime:
By tortuous, steep degrees
Toward the morn I climb.

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The Brethren

© Edgar Albert Guest

The world is needing you and me,
In places where we ought to be;
Somewhere today it's needing you
To stand for what you know is true.
And needing me somewhere today.
To keep the faith, let come what may.