Children poems

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The Miller's Tale

© Geoffrey Chaucer

1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.

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The Wife of Bath's Tale

© Geoffrey Chaucer

7. "But in a great house there are not only vessels of gold and
silver, but also of wood and of earth; and some to honour, and
some to dishonour." -- 2 Tim. ii 20.

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The General Prologue

© Geoffrey Chaucer

There was also a Reeve, and a Millere,
A Sompnour, and a Pardoner also,
A Manciple, and myself, there were no mo'.

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The Knight's Tale

© Geoffrey Chaucer

Upon that other side, Palamon,
When that he wist Arcita was agone,
Much sorrow maketh, that the greate tower
Resounded of his yelling and clamour
The pure* fetters on his shinnes great *very
Were of his bitter salte teares wet.

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London Voluntaries IV: Out of the Poisonous East

© William Ernest Henley

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,

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The Owl

© Ted Hughes

I saw my world again through your eyes
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,

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The Minotaur

© Ted Hughes

The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.

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Narva and Mored

© Thomas Chatterton

Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:

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Heccar and Gaira

© Thomas Chatterton

Where the rough Caigra rolls the surgy wave,
Urging his thunders thro' the echoing cave;
Where the sharp rocks, in distant horror seen,
Drive the white currents thro' the spreading green;

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Momma Welfare Roll

© Maya Angelou

Her arms semaphore fat triangles,
Pudgy HANDS bunched on layered hips
Where bones idle under years of fatback
And lima beans.

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The Rock Cries Out to Us Today

© Maya Angelou

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens

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Woman Work

© Maya Angelou

Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.

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How pleasant to know Mr. Lear

© Edward Lear

How pleasant to know Mr. Lear,
Who has written such volumes of stuff.
Some think him ill-tempered and queer,
But a few find him pleasant enough.

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Savantism.

© Walt Whitman

THITHER, as I look, I see each result and glory retracing itself and nestling close,
always
obligated;
Thither hours, months, years—thither trades, compacts, establishments, even the most

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Song of the Exposition.

© Walt Whitman

1
AFTER all, not to create only, or found only,
But to bring, perhaps from afar, what is already founded,
To give it our own identity, average, limitless, free;

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Sing of the Banner at Day-Break.

© Walt Whitman

POET.
O A NEW song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind’s voice and that of the drum,

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Base of all Metaphysics, The.

© Walt Whitman

AND now, gentlemen,
A word I give to remain in your memories and minds,
As base, and finale too, for all metaphysics.

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Long, too Long, O Land!

© Walt Whitman

LONG, too long, O land,
Traveling roads all even and peaceful, you learn’d from joys and prosperity only;
But now, ah now, to learn from crises of anguish—advancing, grappling with direst
fate,

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Dresser, The.

© Walt Whitman

1
AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;

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A Broadway Pageant.

© Walt Whitman

1
OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,