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/ page 20 of 246 /The Abencerrage : Canto III.
© Felicia Dorothea Hemans
Onward their slow and stately course they bend
To where the Alhambra's ancient towers ascend,
Reared and adorned by Moorish kings of yore,
Whose lost descendants there shall dwell no more.
The World That All Contains
© Fulke Greville
THE world, that all contains, is ever moving;
The stars within their spheres forever turn'd;
Nature, the queen of change, to change is loving,
And form to matter new is still adjourn'd.
Hate
© Edgar Albert Guest
They say we must not hate, nor fight in hate.
I've thought it over many a solemn hour,
Santa Teresa's Bookmark. (From The Spanish Of Santa Teresa)
© Henry Wadsworth Longfellow
Let nothing disturb thee,
Nothing affright thee
In The Public Library
© Lesbia Harford
Standing on tiptoe, head back, eyes and arm
Upraised, Kate groped to reach the higher shelf.
Her sleeve slid up like darkness in alarm
At gleam of dawn. Impatient with herself
Naples And Venice
© Richard Monckton Milnes
Thou, who to that lofty terrace, lov'st on summer--eve to go,
Tell me, Poet! what Thou seest,--what Thou hearest, there below!
A Girls Day Dream And Its Fulfilment
© Rosanna Eleanor Leprohon
Ah! mother it once sufficed thy child
To cherish a bird or flowret wild;
To see the moonbeams the waters kiss,
Was enough to fill her heart with bliss;
Or oer the bright woodland stream to bow,
But these things may not suffice her now.
Sir Hornbook
© Thomas Love Peacock
O'er bush and briar Childe Launcelot sprung
With ardent hopes elate,
And loudly blew the horn that hung
Before Sir Hornbook's gate.
Envy
© Charles Lamb
This rose-tree is not made to bear
The violet blue, nor lily fair,
Nor the sweet mignonette:
And if this tree were discontent,
Or wished to change its natural bent,
It all in vain would fret.
Courage, Courage, Courage!
© Edgar Albert Guest
When the burden grows heavy, and rough is the way,
When you falter and slip, and it isn't your day,
And your best doesn't measure to what is required,
When you know in your heart that you're fast growing tired,
With the odds all against you, there's one thing to do:
That is, call on your courage and see the thing through.
Moore
© Denis Florence MacCarthy
He sings the heroic tales of old
When Ireland yet was free,
Of many a fight and foray bold,
And raid beyond the sea.
The Wrongs Of Africa: Part The Second
© William Roscoe
FAIR is this fertile spot, which God assign'd
As man's terrestrial home; where every charm
The Bell-Founder Part I - Labour And Hope
© Denis Florence MacCarthy
In that land where the heaven-tinted pencil giveth shape to the
splendour of dreams,
Near Florence, the fairest of cities, and Arno, the sweetest of streams,
'Neath those hills whence the race of the Geraldine wandered in ages
The Princes' Quest - Part the Tenth
© William Watson
That night within the City of Youth there stood
Musicians playing to the multitude
Don Juan: Canto The Thirteenth
© George Gordon Byron
I now mean to be serious;--it is time,
Since laughter now-a-days is deem'd too serious.
Imelda
© Felicia Dorothea Hemans
……………….Sometimes
The young forgot the lessons they had learnt,
And lov'd when they should hate, like thee, Imelda! ~ Italy, a Poem
The Miracle Of The Corn
© Padraic Colum
SCENE: The interior of FARDORROUGHA'S house. The door at back R.; the hearth L.; the window R. is only conventionally represented.
What is actually shown is a bin for corn (corn in the sense of any kind of grain, as the word is used in Ireland the breadstuff and the symbol of fertility), shelves with vessels, benches, and a shrine. The bin projects from back C.; the shelves
with vessels are each side of the bin; the shrine is R.; it holds a small statue of the Blessed Virgin, and a rosary of large beads hangs from it; the benches are R. and L. One is at the conventional fireplace, and the other is down from the conventional door.
All the persons concerned in the action are on the scene when it opens, and they remain on the scene. They only enter the action when they go up to where the bin is. Going back to the places they had on the benches takes them out of the action.
On the bench near the hearth sit the people of FARDORROUGHA'S household FARDORROUGHA, SHEILA, PAUDEEN, AISLINN. On the bench near the door sit the strangers three women, one of whom has a child with her, and SHAUN o' THE BOG. The people are dressed in greys and browns, and brown is the colour of the interior. The three women and SHAUN o' THE BOG are poorly dressed; the women are barefooted. PAUDEEN is dressed rudely, and sandals of hide are bound across his feet. FARDORROUGHA,
SHEILA, and AISLINN are comfortably dressed.