Car poems

 / page 418 of 738 /
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Paracelsus:

© Diane di Prima

Pulp,  manna,   gentle
                    Theriasin, ergot
like mold on flame, these red leaves
bursting
                    from mesquite by the side
of dry creekbed.         Extract

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Our Valley

© Philip Levine

We don't see the ocean, not ever, but in July and August

when the worst heat seems to rise from the hard clay 

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King

© Edgar Albert Guest

(Seing an attempt to write it as Tom Daly might do)


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The Circus

© Kenneth Koch

Noel Lee was in Paris then but usually out of it
In Germany or Denmark giving a concert
As part of an endless activity
Which was either his career or his happiness or a combination of both
Or neither I remember his dark eyes looking he was nervous
With me perhaps because of our days at Harvard.

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Peach Blooms

© Paul Hamilton Hayne

O! tenderly beautiful, beyond compare,
Flushed from pale pink to deepest rosebud hue--
Nurslings of tranquil sunshine and mild air,
Of shadowless dawn, and silvery twilight dew--
Ye blush and burn, as if your flickering grace
Were love's own tint on Spring's enamored face!

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The Abencerrage : Canto II.

© Felicia Dorothea Hemans

"Hamet! oh, wrong me not! - too could speak
Of sorrows - trace them on my faded cheek,
In the sunk eye, and in the wasted form,
That tell the heart hath nursed a canker-worm!
But words were idle - read my sufferings there,
Where grief is stamped on all that once was fair.

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Jenny

© Dante Gabriel Rossetti

 It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
The many aims or the few years?
Because to-night it all appears
Something I do not know again.

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Folk Tale

© Linda Pastan

1.

All knobs and knuckles, hammer knees and elbows 

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Locksley Hall

© Alfred Tennyson

Comrades, leave me here a little, while as yet 't is early morn:


Leave me here, and when you want me, sound upon the bugle-horn.

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Ultima Thule: The Iron Pen

© Henry Wadsworth Longfellow

I thought this Pen would arise
From the casket where it lies--
  Of itself would arise and write
My thanks and my surprise.

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Hunting Manual

© Hugo Williams

Look then for the blank card, the sprung trap, 
the net’s dissolve, the unburdened 
line that swings free in the air.
There. By day, go empty-handed to the hunt 
and come home the same way 
in the dark.

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The Instruction Manual

© John Ashbery

As I sit looking out of a window of the building

I wish I did not have to write the instruction manual on the uses of a new metal.

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Elegy with Surrealist Proverbs as Refrain

© Dana Gioia

“Poetry must lead somewhere,” declared Breton. 

He carried a rose inside his coat each day

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Braid Claith

© Robert Fergusson

  Ye wha are fain to hae your name
  Wrote in the bonny book of fame,
  Let merit nae pretension claim
  To laurel'd wreath,
  But hap ye weel, baith back and wame,
  In gude Braid Claith.

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Mabel Martin

© John Greenleaf Whittier

PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

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Acting

© Ronald Stuart Thomas

Alone now on the brittle platform
Of herself she is playing her last rôle.
It is perfect. Never in all her career
Was she so good. And yet the curtain
Has fallen. My charmer, come out from behind
It to take the applause. Look, I am clapping too.

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The Homes Of Joy

© Edgar Albert Guest

I LIKE the homes where a Teddy Bear
Monopolizes the best arm chair,
Where the sofa a rag doll occupies
And a train of cars in the corner lies;
For those are the signs that the home is glad
With a little girl or a little lad.

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Campo dei Fiori

© Czeslaw Milosz

In Rome on the Campo dei Fiori

baskets of olives and lemons,

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The Village: Book I

© George Crabbe

The village life, and every care that reigns


O'er youthful peasants and declining swains;

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The Minks

© Toi Derricotte

In the backyard of our house on Norwood, 

there were five hundred steel cages lined up,