SEA, SEA RIDER
The man who owned the bookstore was not magic. He was not athree-legged crow on the dandelion side of the mountain. He was, of course, a Jew, a retired merchant seamanwho had been torpedoed in the North Atlantic and floatedthere day after day until death did not want him. He had ayoung wife, a heart attack, a Volkswagen and a home inMarin County. He liked the works of George Orwell, RichardAldington and Edmund Wilson. He learned about life at sixteen, first from Dostoevskyand then from the whores of New Orleans. The bookstore was a parking lot for used graveyards.Thousands of graveyards were parked in rows like cars.Most of the kooks were out of print, and no one wanted toread them any more and the people who had read the bookshad died or forgotten about them, but through the organicprocess of music the books had become virgins again. Theywore their ancient copyrights like new maidenheads. I went to the bookstore in the afternoons after I got offwork, during that terrible year of 1959. He had a kitchen in the back of the store and he brewedcups of thick Turkish coffee in a copper pan. I drank coffeeand read old books and waited for the year to end. He had asmall room above the kitchen. It looked down on the bookstore and had Chinese screensin front of it. The room contained a couch, a glass cabinetwith Chinese things in it and a table and three chairs. Therewas a tiny bathroom fastened like a watch fob to the room. I was sitting on a stool in the bookstore one afternoonreading a book that was in the shape of a chalice. The bookhad clear pages like gin, and the first page in the book read: Billy the Kid born November 23, 1859 in New York City The owner of the bookstore came up to me, and put hisarm on my shoulder and said, "Would you like to get laid?"His voice was very kind. "No, " I said. "You're wrong, " he said, and then without saying anythingelse, he went out in front of the bookstore, and stopped a pairof total strangers, a man and a woman. He talked to them fora few moments. I couldn't hear what he was saying. He pointedat me in the bookstore. The woman nodded her head andthen the man nodded his head. They came into the bookstore. I was embarrassed. I could not leave the bookstore becausethey were entering by the only door, so I decided to goupstairs and go to the toilet. I got up abruptly and walkedto the back of the bookstore and went upstairs to the bathroom,and they followed after me. I could hear them on the stairs. I waited for a long time in the bathroom and they waitedan equally long time in the other room. They never spoke.When I came out of the bathroom, the woman was lying nakedon the couch, and the man was sitting in a chair with hishat on his lap. "Don't worry about him, " the girl said. "These thingsmake no difference to him. He's rich. He has 3, 859 RollsRoyces." The girl was very pretty and her body was like aclear mountain river of skin and muscle flowing over rocksof bone and hidden nerves. "Come to me, " she said. "And come inside me for we areAquarius and I love you." I looked at the man sitting in the chair. He was not smilingand he did not look sad. I took off my shoes and all my clothes. The man did not say a word. The girl's body moved ever so slightly from side to side. There was nothing else I could do for my body was likebirds sitting on a telephone wire strung out down the world,clouds tossing the wires carefully. I laid the girl. It was like the eternal 59th second when it becomes a minuteand then looks kind of sheepish. "Good, " the girl said, and kissed me on the face. The man sat there without speaking or moving or sendingout any emotion into the room. I guess he was rich and owned3, 859 Rolls Royces. Afterwards the girl got dressed and she and the man left.They walked down the stairs and on their way out, I heardhim say his first words. "Would you like to go to Emie's for dinner?" "I don't know, " the girl said. "It's a little early to thinkabout dinner. " Then I heard the door close and they were gone. I gotdressed and went downstairs. The flesh about my body feltsoft and relaxed like an experiment in functional backgroundmusic. The owner of the bookstore was sitting at his desk behindthe counter. "I'11 tell you what happened up there, " he said,in a beautiful anti-three-legged-crow voice, in an anti-dandelionside of the mountain voice. "What?"I said. "You fought in the Spanish Civil War. You were a youngCommunist from Cleveland, Ohio. She was a painter. A NewYork Jew who was sightseeing in the Spanish Civil War as ifit were the Mardi Gras in New Orleans being acted out byGreek statues. "She was drawing a picture of a dead anarchist when youmet her. She asked you to stand beside the anarchist and actas if you had killed him. You slapped her across the faceand said something that would be embarrassing for me torepeat.You both fell very much in love. "Once while you were at the front she read Anatomy ofMelancholy and did 349 drawings of a lemon. "Your love for each other was mostly spiritual.Neitherone of you performed like millionaires in bed. "When Barcelona fell, you and she flew to England, andthen took a ship back to New York. Your love for each otherremained in Spain. It was only a war love. You loved onlyyourselves, loving each other in Spain during the war. Onthe Atlantic you were different toward each other and becameevery day more and more like people lost from each other. "Every wave on the Atlantic was like a dead seagull draggingits driftwood artillery from horizon to horizon. "When the ship bumped up against America, you departedwithout saying anything and never saw each other again. Thelast I heard of you, you were still living in Philadelphia. ""That's what you think happened up there?" I said."Partly, " he said. "Yes, that's part of it. " He took out his pipe and filled it with tobacco and lit it. "Do you want me to tell you what else happened up there?"he said. "Go ahead." "You crossed the border into Mexico, " he said. "Yourode your horse into a small town. The people knew whoyou were and they were afraid of you. They knew you hadkilled many men with that gun you wore at your side. Thetown itself was so small that it didn't have a priest. "When the rurales saw you, they left the town. Tough asthey were, they did not want to have anything to do with you.The rurales left. You became the most powerful man in town. You were seduced by a thirteen-year-old girl, and youand she lived together in an adobe hut, and practically allyou did was make love. "She was slender and had long dark hair. You made lovestanding, sitting, lying on the dirt floor with pigs and chickensaround you. The walls, the floor and even the roof of thehut were coated with your sperm and her come. "You slept on the floor at night and used your sperm fora pillow and her come for a blanket. "The people in the town were so afraid of you that theycould do nothing. "After a while she started going around town without anyclothes on, and the people of the town said that it was not agood thing, and when you started going around without anyclothes, and when both of you began making love on the backof your horse in the middle of the zocalo, the people of thetown became so afraid that they abandoned the town. It'sbeen abandoned ever since. "People won't live there. "Neither of you lived to be twenty-one. It was not neces-sary. "See, I do know what happened upstairs, " he said. Hesmiled at me kindly. His eyes were like the shoelaces of aharpsichord. I thought about what happened upstairs. "You know what I say is the truth, " he said. "For yousaw it with your own eyes and traveled it with your own body.Finish the book you were reading before you were interrupted.I'm glad you got laid. " Once resumed the pages of the book began to speed upand turn faster and faster until they were spinning like wheelsin the sea.
THE LAST YEAR THE TROUT CAME UP HAYMAN CREEKGone now the old fart. Hayman Creek was named forCharles Hayman, a sort of half-assed pioneer in a countrythat not many wanted to live in because it was poor and uglyand horrible, He built a shack, this was in 1876, on a littlecreek that drained a worthless hill. After a while the creekwas called Hayman Creek. Mr. Hayman did not know how to read or write and consideredhimself better for it. Mr. Hayman did odd jobs for yearsand years and years and years. Your mule's broke? Get Mr. Hayman to fix it. Your fences are on fire? Get Mr. Hayman to put them out. Mr.- Hayman lived on a diet of stone-ground wheat andkale. He bought the wheat by the hundred-pound sack andground it himself with a mortar and pestle. He grew the kalein front of his shack and tended the kale as if it were prizewinning orchids. During all the time that was his life, Mr. Hayman neverhad a cup of coffee, a smoke, a drink or a woman and thoughthe'd be a fool if he did. In the winter a few trout would go up Hayman Creek, butby early summer the creek was almost dry and there wereno fish in it. Mr. Hayman used to catch a trout or two and eat rawtrout with his stone-ground wheat and his kale, and then oneday he was so old that he did not feel like working any more,and he looked so old that the children thought he must be evilto live by himself, and they were afraid to go up the creeknear his shack. It didn't bother Mr. Hayman. The last thing in the worldhe had any use for were children. Reading and writing andchildren were all the same, Mr. Hayman thought, andground his wheat and tended his kale and caught a trout ortwo when they were in the creek. He looked ninety years old for thirty years and then hegot the notion that he would die, and did so. The year he diedthe trout didn't come up Hayman Creek, and never went upthe creek again. With the old man dead, the trout figured itwas better to stay where they were. The mortar and pestle fell off the shelf and broke. The shack rotted away. And the weeds grew into the kale. Twenty years after Mr. Hayman's death, some fish andgame people were planting trout in the streams around there."Might as well put some here, " one of the men said."Sure, " the other one said. They dumped a can full of trout in the creek and no soonerhad the trout touched the water, than they turned their whitebellies up and floated dead down the creek.
TROUT DEATH BY PORT WINEIt was not an outhouse resting upon the imagination. It was reality. An eleven-inch rainbow trout was killed. Its life takenforever from the waters of the earth, by giving it a drink ofport wine. It is against the natural order of death for a trout to dieby having a drink of port wine. It is all right for a trout to have its neck broken by a fishermanand then to be tossed into the creel or for a trout to die froma fungus that crawls like sugar-colored ants over its bodyuntil the trout is in death's sugarbowl. It is all right for a trout to be trapped in a pool that driesup in the late summer or to be caught in the talons of a birdor the claws of an animal. Yes, it is even all right for a trout to be killed by pollution,to die in a river of suffocating human excrement. There are trout that die of old age and their white beardsflow to the sea. All these things are in the natural order of death, but fora trout to die from a drink of port wine, that is another thing. No mention of it in "The treatyse of fysshynge wyth anangle," in the Boke of St. Albans, published 1496. No mentionof it in Minor Tactics of the Chalk Stream, by H. C. Cutcliffe,published in 1910. No mention of it in Truth Is Stranger than Fishin',by Beatrice Cook, published in 1955. No mention of it inNorthern Memoirs, by Richard Franck, published in 1694.No mention of it in I Go A-Fishing, by W. C. Prime, publishedin 1873. No mention of it in Trout Fishing and Trout Flies, by JimQuick, published in 1957. No mention of it in Certaine ExperimentsConcerning Fish and Fruite, by John Taverner, published in 1600.No mention of it in A River Never Sleeps, by Roderick L. Haig Brown,published in 1946. No mention of it in Till Fish US Do Part, by BeatriceCook published in 1949. No mention of it in The Flyfisher & theTrout's Point of View by Col. E.W.Harding, publishedin 1931. No mention of it in Chalk Stream Studies, by CharlesKingsley, published in 1859 No mention of it in Trout Madnessby Robert Traver, published in 1960. No mention of it in Sunshine and the Dry Fly, by J. W.Dunne, published in 1924. No mention of it in Just Fishing,by Ray Bergman, published in 1932. No mention of it in Matchingthe Hatch by Ernest G. Schwiebert, Jr,, published in 1955. No mentionof it in The Art of Trout Fishing on Rapid Streams by H. C. Cutcliffe,published in 1863. No mention of it in Old Flies in New Dresses byC.E. Walker, published in 1898 No mention of it in Fisherman'sSpring, by Roderick L, Haig-Brown, published in 1951.No mention of it in The Determined angler and the Brook Trout,by Charles Bradford, published in 1916. No mention of it in WomenCan Fish by Chisie Farrington, published in 1951. No mentionof it in Tales of the Angler's El Dorado New new Zelandby Zane Grey, published in 1926. No mention of it in The Flyfisher'sGuide, by G.C. Bainbridge, published in 1816. There's no mention of a trout dying by having a drink ofport wine anywhere. To describe the Supreme Executioner: We woke up in themorning and it was dark outside. He came kind of smilinginto the kitchen and we ate breakfast.Fried potatoes and eggs and coffee. "Well, you old bastard, " he said. "Pass the salt. " The tackle was already in the car, so we just got in anddrove away. Beginning at the first light of dawn we hit theroad at the bottom of the mountains, and drove up into thedawn. The light behind the trees was like going into a gradualand strange department store. "That was a good-looking girl last night, " he said."Yeah, "I said. "You did all right. ""If the shoe fits....." he said. Owl Snuff Creek was just a small creek, only a few mileslong, but there were some nice trout in it. We got out of thecar and walked a quarter of a mile down the mountainside tothe creek I put my tackle together. He pulled a pint of portwine out of his pocket and said wouldn't you know." "No thanks," I said. He took a good snort and then shook his head, side to side,and said, "Do you know what this creek reminds me of?""No," I said, tying a gray and yellow fly onto my leader."It reminds me of Evageline's vagina, a constant dreamof my childhood and promoter of my youth.""That's nice," I said."Longfellow was the Henry Miller of my childhood," hesaid."Good," I said.I cast into a little pool that had a swirl of fir needles goingaround the edge of it. The fir needles went around and around.It made no sense that they should come from trees. They lookedperfectly contented and natural in the pool as if the pool hadgrown them on watery branches. I had a good hit on my third cast, but missed it. "Oh, boy, " he said. "I think I'11 watch you fish. The stolenpainting is in the house next door. " I fished upstream coming ever closer and closer to thenarrow staircase of the canyon. Then I went up into it as ifI were entering a department store. I caught three trout inthe lost and found department. He didn't even put his tackletogether. He just followed after me, drinking port wine andpoking a stick at the world. "This is a beautiful creek, " he said. "It reminds me ofEvangeline's hearing aid. " We ended up at a large pool that was formed by the creekcrashing through the children's toy section. At the beginningof the pool the water was like cream, then it mirrored outand reflected the shadow of a large tree. By this time thesun was up. You could see it coming down the mountain. I cast into the cream and let my fly drift down onto alongbranch of the tree, next to a bird. Go-wham ! I set the hook and the trout started jumping. "Giraffe races at Kilimanjaro!" he shouted, and everytime the trout jumped, he jumped. "Bee races at Mount Everest !" he shouted. I didn't have a net with me so I fought the trout over tothe edge of the creek and swung it up onto the shore.The trout had a big red stripe down its side. It was a good rainbow. "What a beauty, " he said. He picked it up and it was squirming in his hands."Break its neck, " I said. "I have a better idea, " he said. "Before I kill it, let meat least soothe its approach into death. This trout needs adrink. " He took the bottle of port out of his pocket, unscrewedthe cap and poured a good slug into the trout's mouth. The trout went into a spasm. Its body shook very rapidly like a telescope during anearthquake. The mouth was wide open and chattering almostas if it had human teeth. He laid the trout on a white rock, head down, and someof the wine trickled out of its mouth and made a stain on therock. The trout was lying very still now. "It died happy, " he said. "This is my ode to Alcoholics Anonymous. "Look here !"

Part 2 of Trout Fishing in America

© Richard Brautigan

ANOTHER METHOD OF MAKING WALNUT CATSUPAnd this is a very small cookbook for Trout Fishing in Americaas if Trout Fishing in America were a rich gourmet andTrout Fishing in America had Maria Callas for a girlfriendand they ate together on a marble table with beautiful candles.Compote of ApplesTake a dozen of golden pippins, pare themnicely and take the core out with a smallpenknife; put them into some water, andlet them be well scalded; then take a littleof the water with some sugar, and a fewapples which may be sliced into it, andlet the whole boil till it comes to a syrup;then pour it over your pippins, and garnishthem with dried cherries and lemon-peelcut fine. You must take care that yourpippins are not split.And Maria Callas sang to Trout Fishing in America asthey ate their apples together.A Standing Crust for Great PiesTake a peck of flour and six pounds of butterboiled in a gallon of water: skim it off intothe flour, and as little of the liquor as youcan. Work it up well into a paste, and thenpull it into pieces till it is cold. Then makeit up into what form you please.And Trout Fishing in America smiled at Maria Callas asthey ate their pie crust together.A Spoonful PuddingTake a spoonful of flour, a spoonful ofcream or milk, an egg, a little nutmeg,ginger, and salt. Mix all together, andboil it in a little wooden dish half an hour.If you think proper you may add a fewcurrants . And Trout Fishing in America said, "The moon's comingout." And Maria Callas said, "Yes, it is." Another Method of Making Walnut Catsup Take green walnuts before the shell is formed, and grind them in a crab-mill, or pound them in a marble mortar. Squeeze out the juice through a coarse cloth, and put to every gallon of juice a pound of anchovies, and the same quantity of bay-salt, four ounces of Jamaica pepper, two of long and two of black pepper; of mace, cloves, and ginger, each an ounce, and a stick of horseradish. Boil all together till reduced to half the quantity, and then put it into a pot. When it is cold, bottle it close, and in three months it will be fit for use. And Trout Fishing in America and Maria Callas pouredwalnut catsup on their hamburgers.PROLOGUE TO GRIDER CREEKMooresville, Indiana, is the town that John Dillinger camefrom, and the town has a John Dillinger Museum. You cango in and look around. Some towns are known as the peach capital of America orthe cherry capital or the oyster capital, and there's alwaysa festival and the photograph of a pretty girl in a bathing suit. Mooresville, Indiana, is the John Dillinger capital of America. Recently a man moved there with his wife, and he discoveredhundreds of rats in his basement. They were huge, slowmovingchild-eyed rats. When his wife had to visit some of her relatives for a fewdays, the man went out and bought a .38 revolver and a lotof ammunition. Then he went down to the basement wherethe rats were, and he started shooting them. It didn't botherthe rats at all. They acted as if it were a movie and startedeating their dead companions for popcorn. The man walked over to a rat that was busy eating a friendand placed the pistol against the rat's head. The rat did notmove and continued eating away. When the hammer clickedback, the rat paused between bites and looked out of the cornerof its eye. First at the pistol and then at the man. It was a kindof friendly look as if to say, "When my mother was young shesang like Deanna Durbin. " The man pulled the trigger. He had no sense of humor. There's always a single feature, a double feature and aneternal feature playing at the Great Theater in Mooresville,Indiana: the John Dillinger capital of America.
GRIDER CREEKI had heard there was some good fishing in there and it wasrunning clear while all the other large creeks were runningmuddy from the snow melting off the Marble Mountains. I also heard there were some Eastern brook trout in there,high up in the mountains, living in the wakes of beaver darns. The guy who drove the school bus drew a map of GriderCreek, showing where the good fishing was. We were standingin front of Steelhead Lodge when he drew the map. It wasa very hot day. I'd imagine it was a hundred degrees. You had to have a car to get to Grider Creek where thegood fishing was, and I didn't have a car. The map was nice,though. Drawn with a heavy dull pencil on a piece of paperbag. With a little square for a sawmill.
THE BALLET FOR TROUT FISHING IN AMERICAHow the Cobra Lily traps insects is a ballet for Trout Fishingin America, a ballet to be performed at the University ofCalifornia at Los Angeles. The plant is beside me here on the back porch. It died a few days after I bought it at Woolworth's. Thatwas months ago, during the presidential election of nineteenhundred and sixty. I buried the plant in an empty Metrecal can. The side of the can says, "Metrecal Dietary for WeightControl, " and below that reads, "Ingredients: Non-fat milksolids, soya flour, whole milk solids, sucrose, starch, cornoil, coconut oil, yeast, imitation vanilla, " but the can's onlya graveyard now for a Cobra Lily that has turned dry andbrown and has black freckles. As a kind of funeral wreath, there is a red, white andblue button sticking in the plant and the words on it say, "I'mfor Nixon." The main energy for the ballet comes from a descriptionof the Cobra Lily. The description could be used as a welcomemat on the front porch of hell or to conduct an orchestraof mortuaries with ice-cold woodwinds or be an atomicmailman in the pines, in the pines where the sun never shines. "Nature has endowed the Cobra Lily with the means ofcatching its own food. The forked tongue is covered withhoney glands which attract the insects upon which it feeds.Once inside the hood, downward pointing hairs prevent theinsect from crawling out. The digestive liquids are found inthe base of the plant. "The supposition that it is necessary to feed the CobraLily a piece of hamburger or an insect daily is erroneous. "I hope the dancers do a good job of it, they hold ourimagination in there feet, dancing in Los Angles for TroutFishing in America.
A WALDEN POND FOR WINOSThe autumn carried along with it, like the roller coaster ofa flesh-eating plant, port wine and the people who drank thatdark sweet wine, people long since gone, except for me. Always wary of the police, we drank in the safest placewe could find, the park across from the church. There were three poplar trees in the middle of the parkand there was a statue of Benjamin Franklin in front of thetrees. We sat there and drank port. At home my wife was pregnant. I would call on the telephone after I finished work and say,"I won't be home for a little while. I'm going to have a drinkwith some friends. " The three of us huddled in the park, talking. They wereboth broken-down artists from New Orleans where they haddrawn pictures of tourists in Pirate's Alley. Now in San Francisco, with the cold autumn wind uponthem, they had decided that the future held only two directions:They were either going to open up a flea circus or committhemselves to an insane asylum. So they talked about it while they drank wine. They talked about how to make little clothes for fleas bypasting pieces of colored paper on their backs. They said the way that you trained fleas was to make themdependent upon you for their food. This was done by letting themfeed off you at an appointed hour. They talked about making little flea wheelbarrows andpool tables and bicycles. They would charge fifty-cents admission for their flea circus.The business was certain to have a future to it. Perhaps theywould even get on the Ed Sullivan Show. They of course did not have their fleas yet, but they couldeasily be obtained from a white cat. Then they decided that the fleas that lived on SiameseCats would probably be more intelligent than the fleas thatlived on just ordinary alley cats. It only made sense thatdrinking intelligent blood would make intelligent fleas. And so it went on until it was exhausted and we went andbought another fifth of port wine and returned to the treesand Benjamin Franklin. Now it was close to sunset and the earth was beginning tocool off in the correct manner of eternity and office girlswere returning like penguins from Montgomery Street. Theylooked at us hurriedly and mentally registered: winos. Then the two artists talked about committing themselvesto an insane asylum for the winter. They talked about howwarm it would be in the insane asylum, with television, cleansheets on soft beds, hamburger gravy over mashed potatoes,a dance once a week with the lady kooks, clean clothes alocked razor and lovely young student nurses. Ah, yes, there was a future in the insane asylum. Nowinter spent there could be a total loss.

Re-adjustment

© Clive Staples Lewis

I thought there would be a grave beauty, a sunset splendour
In being the last of one's kind: a topmost moment as one watched
The huge wave curving over Atlantis, the shrouded barge
Turning away with wounded Arthur, or Ilium burning.

On a Vulgar Error

© Clive Staples Lewis

No. It's an impudent falsehood. Men did not
Invariably think the newer way Prosaic
mad, inelegant, or what not.

Anonymous Drawing

© Donald Justice

A delicate young Negro stands
With the reins of a horse clutched loosely in his hands;
So delicate, indeed, that we wonder if he can hold the spirited creature
beside him

Christmas-Eve

© Robert Browning

I.

OUT of the little chapel I burst

For the Young Who Want To

© Marge Piercy

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

A Work Of Artifice

© Marge Piercy

The bonsai tree
in the attractive pot
could have grown eighty feet tall
on the side of a mountain

A Calendar of Sonnets: August

Silence again. The glorious symphony
Hath need of pause and interval of peace.
Some subtle signal bids all sweet sounds cease,
Save hum of insects' aimless industry.

The Gift Outright

© Robert Frost

The land was ours before we were the land's.

She was our land more than a hundred years

Something Has Fallen

Something has fallen wordlessly
and holds still on the black driveway. You find it, like a jewel,
among the empty bottles and cans where the dogs toppled the garbage.
You pick it up, not sure if it is stone or wood

On The Meeting Of García Lorca And Hart Crane

Brooklyn, 1929. Of course Crane's
been drinking and has no idea who
this curious Andalusian is, unable
even to speak the language of poetry.

Country Towns

Country towns, with your willows and squares,
And farmers bouncing on barrel mares
To public houses of yellow wood
With "1860" over their doors,
And that mysterious race of Hogans
Which always keeps the General Stores….

Ode to the Sublime Porte

© Thomas Moore

Great Sultan, how wise are thy state compositions!
And oh, above all, I admire that Decree,
In which thou command'st, that all she politicians
Shall forthwith be strangled and cast in the sea.