Anger poems

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"When Burbadge Played"

© Henry Austin Dobson

WhenN Burbadge played, the stage was bare
Of fount and temple, tower and stair;
Two backswords eked a battle out;
Two supers made a rabble rout;
The throne of Denmark was a chair!

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From Violence to Peace

© James Russell Lowell

Twenty-eight shotgun pellets
crater my thighs, belly and groin.
I gently thumb each burnt bead,
fingering scabbed stubs with ointment.

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Ormuzd And Ahriman. Part II

© Christopher Pearse Cranch

Fear not, for ye shall live if ye receive
The life divine, obedient to the law
Of truth and good. So shall there be no frown
Upon his face who wills the good of all.

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Portrait of a Figure near Water

© Jane Kenyon

Rebuked, she turned and ran
uphill to the barn. Anger, the inner 
arsonist, held a match to her brain. 
She observed her life: against her will 
it survived the unwavering flame.

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Intimations Of The Beautiful

© Madison Julius Cawein

The hills are full of prophecies
And ancient voices of the dead;
Of hidden shapes that no man sees,
Pale, visionary presences,
That speak the things no tongue hath said,
No mind hath thought, no eye hath read.

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The One I Think of Now

© Wesley McNair

At the end of my stepfather’s life

when his anger was gone,

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Old Men Complaining

© Padraic Colum

First Old Man

He threw his crutched stick down: there came

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Magna Charta

© Marriott Edgar

I'll tell of the Magna Charter
As were signed at the Barons' command
On Runningmead Island in t' middle of t' Thames
By King John, as were known as "Lack Land."

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There Was A Child Went Forth

© Walt Whitman

THERE was a child went forth every day;
And the first object he look'd upon, that object he became;
And that object became part of him for the day, or a certain part of
  the day, or for many years, or stretching cycles of years.

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Elegiac Stanzas Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont

© André Breton

I was thy neighbour once, thou rugged Pile!
Four summer weeks I dwelt in sight of thee:
I saw thee every day; and all the while
Thy Form was sleeping on a glassy sea.

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Killing Him: A Radio Play

© John Wesley

LISTEN TO THE RADIO PLAY
JOE, a doctoral candidate in literature
RACHEL, his fiancée
POET/CRITIC

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Genie

© Arthur Rimbaud

He is affection and the present since he opened the house to foaming winter and the hum of summer, he who purified drink and food, he who is the charm of fleeting places and the superhuman deliciousness of staying still. He is affection and the future, strength and love that we, standing amid rage and troubles, see passing in the storm-rent sky and on banners of ecstasy.
  He is love, perfect and reinvented measurement, wonderful and unforeseen reason, and eternity: machine beloved for its fatal qualities. We have all experienced the terror of his yielding and of our own: O enjoyment of our health, surge of our faculties, egoistic affection and passion for him, he who loves us for his infinite life
  And we remember him and he travels. . . And if the Adoration goes away, resounds, its promise resounds: “Away with those superstitions, those old bodies, those couples and those ages. It’s this age that has sunk!”
  He won’t go away, nor descend from a heaven again, he won’t accomplish the redemption of women’s anger and the gaiety of men and of all that sin: for it is now accomplished, with him being, and being loved.

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Mabel Martin

© John Greenleaf Whittier

PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

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The Bracelet of Grass

© William Vaughn Moody

The opal heart of afternoon

Was clouding on to throbs of storm,

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The Sea-Change

© Ernest Christopher Dowson

Where river and ocean meet in a great tempestuous frown,
  Beyond the bar, where on the dunes the white-capped rollers break;
  Above, one windmill stands forlorn on the arid, grassy down:
  I will set my sail on a stormy day and cross the bar and seek
  That I have sought and never found, the exquisite one crown,
  Which crowns one day with all its calm the passionate and the weak.

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The Princess (part 4)

© Alfred Tennyson

But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows:  on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.

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The Intruder

© Christopher Morley

AS I sat, to sift my dreaming
To the meet and needed word,
Came a merry Interruption
With insistence to be heard.

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Yesterdays

© Robert Creeley

Sixty-two, sixty-three, I most remember 

As time W. C. Williams dies and we are 

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From “Odi Barbare”

© Geoffrey Hill

  xxiv
What is far hence led to the den of making:
Moves unlike wildfire | not so simple-happy
Ploughman hammers ploughshare his durum dentem
 Digging the Georgics