Age poems
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Wind in the Beechwood
© Siegfried Sassoon
O luminous and lovely! Let your flowers,
Your ageless-squadroned wings, your surge and gleam,
Drown me in quivering brightness: let me fade
In the warm, rustling music of the hours
That guard your ancient wisdom, till my dream
Moves with the chant and whisper of the glade.
Middle-Ages
© Siegfried Sassoon
I heard a clash, and a cry,
And a horseman fleeing the wood.
The moon hid in a cloud.
Deep in shadow I stood.
The Dragon & The Undying
© Siegfried Sassoon
All night the flares go up; the Dragon sings
And beats upon the dark with furious wings;
And, stung to rage by his own darting fires,
Reaches with grappling coils from town to town;
Fairy Tale
© Katherine Mansfield
Now this is the story of Olaf
Who ages and ages ago
Lived right on the top of a mountain,
A mountain all covered with snow.
Deaf House Agent
© Katherine Mansfield
That deaf old man
With his hand to his ear--
His hand to hi head stood out like a shell,
Horny and hollow. He said, "I can't hear,"
He muttered, "Don't shout,
I can hear very well!"
The Ballad of Rudolph Reed
© Gwendolyn Brooks
Rudolph Reed was oaken.
His wife was oaken too.
And his two good girls and his good little man
Oakened as they grew.
Zermatt to the Matterhorn.
© Thomas Hardy
Thirty-two years since, up against the sun,
Seven shapes, thin atomies to lower sight,
Labouringly leapt and gained thy gabled height,
And four lives paid for what the seven had won.
A Man (In Memory of H. of M.)
© Thomas Hardy
In Casterbridge there stood a noble pile,
Wrought with pilaster, bay, and balustrade
In tactful times when shrewd Eliza swayed. -
On burgher, squire, and clown
It smiled the long street down for near a mile
The Dance At The Phoenix
© Thomas Hardy
To Jenny came a gentle youth
From inland leazes lone;
His love was fresh as apple-blooth
By Parrett, Yeo, or Tone.
Epitaph On A Pessimist
© Thomas Hardy
I'm Smith of Stoke aged sixty odd
I've lived without a dame all my life
And wish to God
My dad had done the same.
God's Funeral
© Thomas Hardy
I
I saw a slowly-stepping train --
Lined on the brows, scoop-eyed and bent and hoar --
Following in files across a twilit plain
A strange and mystic form the foremost bore.
The Darkling Thrush
© Thomas Hardy
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
Prosody 101
© Linda Pastan
When they taught me that what mattered most
was not the strict iambic line goose-stepping
over the page but the variations
in that line and the tension produced
To Posterity
© Bertolt Brecht
Indeed I live in the dark ages!
A guileless word is an absurdity. A smooth forehead betokens
A hard heart. He who laughs
Has not yet heard
The terrible tidings.
The Rape of the Lock: Canto 2
© Alexander Pope
Not with more glories, in th' etherial plain,
The sun first rises o'er the purpled main,
Than, issuing forth, the rival of his beams
Launch'd on the bosom of the silver Thames.
The Rape of the Lock
© Alexander Pope
He said; when Shock, who thought she slept too long,
Leapt up, and wak'd his Mistress with his Tongue.
'Twas then Belinda, if Report say true,
Thy Eyes first open'd on a Billet-doux.
Wounds, Charms, and Ardors, were no sooner read,
But all the Vision vanish'd from thy Head.
Imitations of Horace: The First Epistle of the Second Book
© Alexander Pope
Though justly Greece her eldest sons admires,
Why should not we be wiser than our sires?
In ev'ry public virtue we excel:
We build, we paint, we sing, we dance as well,
And learned Athens to our art must stoop,
Could she behold us tumbling through a hoop.
An Essay On Criticism
© Alexander Pope
But you who seek to give and merit Fame,
And justly bear a Critick's noble Name,
Be sure your self and your own Reach to know.
How far your Genius, Taste, and Learning go;
Launch not beyond your Depth, but be discreet,
And mark that Point where Sense and Dulness meet.
Eloisa to Abelard
© Alexander Pope
Yet here for ever, ever must I stay;
Sad proof how well a lover can obey!
Death, only death, can break the lasting chain;
And here, ev'n then, shall my cold dust remain,
Here all its frailties, all its flames resign,
And wait till 'tis no sin to mix with thine.
Sappho - A Monodrama
© Robert Southey
To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.
