Age poems

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The Siege and Conquest of Alhama

© Lord Byron

The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

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The Siege of Corinth

© Lord Byron

Still the old man stood erect,
And Alp's career a moment check'd.
"Yield thee, Minotti; quarter take,
For thine own, thy daughter's sake."

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Bride of Abydos, The

© Lord Byron

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

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The Bride of Abydos

© Lord Byron

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

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My Dream

© William Schwenck Gilbert

The other night, from cares exempt,
I slept - and what d'you think I dreamt?
I dreamt that somehow I had come
To dwell in Topsy-Turveydom -

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The Vision of Judgment

© Lord Byron

BY
QUEVEDO REDIVIVUS
SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER' 'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.' PREFACE It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —'That fools rush in where angels fear to tread.' - Pope If Mr. Southey had not rushed in where he had no business, and where he never was before, and never will be again, the following poem would not have been written. It is not impossible that it may be as good as his own, seeing that it cannot, by any species of stupidity, natural or acquired, be worse. The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem by the author if 'Wat Tyler,' are something so stupendous as to form the sublime of himself — containing the quintessence of his own attributes. So much for his poem — a word on his preface. In this preface it has pleased the magnanimous Laureate to draw the picture of a supposed 'Satanic School,' the which he doth recommend to the notice of the legislature; thereby adding to his other laurels, the ambition of those of an informer. If there exists anywhere, except in his imagination, such a School, is he not sufficiently armed against it by his own intense vanity? The truth is, that there are certain writers whom Mr. S. imagines, like Scrub, to have 'talked of him; for they have laughed consumedly.' I think I know enough of most of the writers to whom he is supposed to allude, to assert, that they, in their individual capacities, have done more good, in the charities of life, to their fellow-creatures, in any one year, than Mr. Southey has done harm to himself by his absurdities in his whole life; and this is saying a great deal. But I have a few questions to ask. 1stly, Is Mr. Southey the author of 'Wat Tyler'? 2ndly, Was he not refused a remedy at law by the highest judge of his beloved England, because it was a blasphemous and seditious publication? 3rdly, Was he not entitled by William Smith, in full Parliament, 'a rancorous renegado'? 4thly, Is he not poet laureate, with his own lines on Martin the regicide staring him in the face? And 5thly, Putting the four preceding items together, with what conscience dare he call the attention of the laws to the publications of others, be they what they may? I say nothing of the cowardice of such a proceeding, its meanness speaks for itself; but I wish to touch upon the motive, which is neither more nor less than that Mr. S. has been laughed at a little in some recent publications, as he was of yore in the 'Anti-jacobin,' by his present patrons. Hence all this 'skimble-scamble stuff' about 'Satanic,' and so forth. However, it is worthy of him — 'qualis ab incepto.' If there is anything obnoxious to the political opinions of a portion of the public in the following poem, they may thank Mr. Southey. He might have written hexameters, as he has written everything else, for aught that the writer cared — had they been upon another subject. But to attempt to canonise a monarch, who, whatever where his household virtues, was neither a successful nor a patriot king, — inasmuch as several years of his reign passed in war with America and Ireland, to say nothing of the aggression upon France, — like all other exaggeration, necessarily begets opposition. In whatever manner he may be spoken of in this new 'Vision,' his public career will not be more favourably transmitted by history. Of his private virtues (although a little expense to the nation) there can be no doubt. With regard to the supernatural personages treated of, I can only say that I know as much about them, and (as an honest man) have a better right to talk of them than Robert Southey. I have also treated them more tolerantly. The way in which that poor insane creature, the Laureate, deals about his judgments in the next world, is like his own judgment in this. If it was not completely ludicrous, it would be something worse. I don't think that there is much more to say at present. QUEVEDO REDIVIVUS P.S. — It is possible that some readers may object, in these objectionable times, to the freedom with which saints, angels, and spiritual persons discourse in this 'Vision.' But, for precedents upon such points, I must refer him to Fielding's 'Journey from the World to the next,' and to the Visions of myself, the said Quevedo, in Spanish or translated. The reader is also requested to observe, that no doctrinal tenets are insisted upon or discussed; that the person of the Deity is carefully withheld from sight, which is more than can be said for the Laureate, who hath thought proper to make him talk, not 'like a school-divine,' but like the unscholarlike Mr. Southey. The whole action passes on the outside of heaven; and Chaucer's 'Wife of Bath,' Pulci's 'Morgante Maggiore,' Swift's 'Tale of a Tub,' and the other

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Hermann And Dorothea - VI. Klio

© Johann Wolfgang von Goethe

Thus the magistrate spoke. The others departed and thanked him,
And the pastor produced a gold piece (the silver his purse held
He some hours before had with genuine kindness expended
When he saw the fugitives passing in sorrowful masses).

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Churchill's Grave

© Lord Byron

I stood beside the grave of him who blazed
The comet of a season, and I saw
The humblest of all sepulchres, and gazed
With not the less of sorrow and of awe

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From The Heights Of Maccho Picchu

© Pablo Neruda

Rise up to be born with me, brother.
Give me your hand from the deep
Zone seeded by your sorrow.
You won’t return from under the rocks.

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The Kalevala - Rune XLIV

© Elias Lönnrot

BIRTH OF THE SECOND HARP.


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The Lapse of Time

© William Cullen Bryant

Lament who will, in fruitless tears,
  The speed with which our moments fly;
I sigh not over vanished years,
  But watch the years that hasten by.

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L'amour Et La Mort

© Louise-Victorine Choquet Ackermann

Regardez-les passer, ces couples éphémères !
Dans les bras l'un de l'autre enlacés un moment,
Tous, avant de mêler à jamais leurs poussières,
Font le même serment :

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Altarwise By Owl-Light

© Dylan Thomas

Altarwise by owl-light in the half-way house

  The gentleman lay graveward with his furies;

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Whitsuntide An’ Club Walken

© William Barnes

Ees, last Whit-Monday, I an' Meäry

  Got up betimes to mind the deäiry;

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Ode to Melancholy

© Thomas Hood

Come, let us set our careful breasts,
Like Philomel, against the thorn,
To aggravate the inward grief,
That makes her accents so forlorn;

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At a Pantomime. By a Bilious One

© William Schwenck Gilbert

An Actor sits in doubtful gloom,
His stock-in-trade unfurled,
In a damp funereal dressing-room
In the Theatre Royal, World.

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Montenegro

© Robert Laurence Binyon

Coiled in shadow, the serpent seas
Engirdle perilous hills sublime:
By tortuous, steep degrees
Toward the morn I climb.

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The Father’s Curse

© Victor Marie Hugo


M. ST. VALLIER (_an aged nobleman, from whom King Francis I.
decoyed his daughter, the famous beauty, Diana of
Poitiers_).

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The Kraken

© Alfred Tennyson

Below the thunders of the upper deep,

Far far beneath in the abysmal sea,

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Lak of Stedfastnesse

© Geoffrey Chaucer

Somtyme the world was so stedfast and stable

That mannes word was obligacioun,