All Poems

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Hap

© Thomas Hardy

If but some vengeful god would call to me
From up the sky, and laugh: "Thou suffering thing,
Know that thy sorrow is my ecstasy,
that thy love's loss is my hate's profiting!"

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Drummer Hodge

© Thomas Hardy

They throw in Drummer Hodge, to rest
Uncoffined -- just as found:
His landmark is a kopje-crest
That breaks the veldt around:
And foreign constellations west
Each night above his mound.

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The Going of the Battery Wives. (Lament)

© Thomas Hardy

O it was sad enough, weak enough, mad enough -
Light in their loving as soldiers can be -
First to risk choosing them, leave alone losing them
Now, in far battle, beyond the South Sea! . . .

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The Darkling Thrush

© Thomas Hardy

I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.

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Ah, Are You Digging On My Grave?

© Thomas Hardy

"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.'"

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The Convergence Of The Twain

© Thomas Hardy

Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III

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The Ruined Maid

© Thomas Hardy

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?
O didn't you know I'd been ruined?" said she.

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The Man He Killed

© Thomas Hardy

Had he and I but met
By some old ancient inn,
We should have set us down to wet
Right many a nipperkin!

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A Performance Of Henry V At Stratford-Upon-Avon

© Elizabeth Jennings

For nights of stars and feet that move to an
Iambic measure; all who clapped were linked,
The theatre is our treasury and too,
Our study, school-room, house where mercy is

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A Chorus

© Elizabeth Jennings

Kept, in the resignation of old men -
This spirit, this power, this holder together of space
Is about, is aware, is working in your breathing.
But most he is the need that shows in hunger
And in the tears shed in the lonely fastness.
And in sorrow after anger.

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Answers

© Elizabeth Jennings

I keep my answers small and keep them near;
Big questions bruised my mind but still I let
Small answers be a bulwark to my fear.

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Accepted

© Elizabeth Jennings

You are no longer young,
Nor are you very old.
There are homes where those belong.
You know you do not fit
When you observe the cold
Stares of those who sit

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In Memory of Anyone Unknown to Me

© Elizabeth Jennings

At this particular time I have no one
Particular person to grieve for, though there must
Be many, many unknown ones going to dust
Slowly, not remembered for what they have done
Or left undone. For these, then, I will grieve
Being impartial, unable to deceive.

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Friday

© Elizabeth Jennings

We nailed the hands long ago,
Wove the thorns, took up the scourge and shouted
For excitement's sake, we stood at the dusty edge
Of the pebbled path and watched the extreme of pain.

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Absence

© Elizabeth Jennings

I visited the place where we last met.
Nothing was changed, the gardens were well-tended,
The fountains sprayed their usual steady jet;
There was no sign that anything had ended
And nothing to instruct me to forget.

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One Flesh

© Elizabeth Jennings

Lying apart now, each in a separate bed,
He with a book, keeping the light on late,
She like a girl dreaming of childhood,
All men elsewhere - it is as if they wait
Some new event: the book he holds unread,
Her eyes fixed on the shadows overhead.

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In a Garden

© Elizabeth Jennings

When the gardener has gone this garden
Looks wistful and seems waiting an event.
It is so spruce, a metaphor of Eden
And even more so since the gardener went,

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Delay

© Elizabeth Jennings

The radiance of the star that leans on me
Was shining years ago. The light that now
Glitters up there my eyes may never see,
And so the time lag teases me with how

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Shadblow

© Linda Pastan

Because the shad
are swimming
in our waters now,

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Linda Pastan - Vermilion

© Linda Pastan

Pierre Bonnard would enter
the museum with a tube of paint
in his pocket and a sable brush.
Then violating the sanctity