All Poems

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Suzanne

© Leonard Cohen

Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy

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Bird On The Wire

© Leonard Cohen

Like a bird on the wire,
like a drunk in a midnight choir
I have tried in my way to be free.
Like a worm on a hook,

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Anthem

© Leonard Cohen

The birds they sang
at the break of day
Start again
I heard them say

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Hey, That's No Way To Say Goodbye

© Leonard Cohen

I loved you in the morning, our kisses deep and warm,
your hair upon the pillow like a sleepy golden storm,
yes, many loved before us, I know that we are not new,
in city and in forest they smiled like me and you,

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Waiting For The Miracle

© Leonard Cohen

(co-written by Sharon Robinson)
Baby, I've been waiting,
I've been waiting night and day.
I didn't see the time,

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Dance Me To The End Of Love

© Leonard Cohen

Dance me to your beauty with a burning violin
Dance me through the panic 'til I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love

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A New Broom

© Witt Wittmann

I rolled that rug and cast it off
and pitched the whole mess out.
I bought a new broom today
and mucked about the house.

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Cold

© Witt Wittmann

A cold February wind
crawls up my leg
and rattles my knees
A preacher fumbles

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Market days

© Jonas Mekas

Mondays, way before dawn,
before even the first hint of blue in the windows,
we'd hear it start, off the road past our place,
over on the highway nearby,
in a clatter of market-bound traffic.

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Villages and Plains the Streams Flow Through

© Jonas Mekas

to carry on the songs of washerwomen,
fishermen's nets and grey wooden bridges.
Clear blue nights, smelling warm,
streams of thin mist off the meadow drift in
with distinct hoof-stomps from a fettered horse.

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From "THE TALK OF FLOWERS"

© Jonas Mekas

I do not know, whether the sun
accomplished it,
the rain or wind –
but I was missing so
the whiteness and the snow.

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A Catalpa Tree On West Twelfth Street

© Amy Clampitt

While the sun stops, or
seems to, to define a term
for the indeterminable,
the human aspect, here
in the West Village, spindles
to a mutilated dazzle—

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The Sun Underfoot Among The Sundews

© Amy Clampitt

An ingenuity too astonishing
to be quite fortuitous is
this bog full of sundews, sphagnum-
lined and shaped like a teacup.

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Vacant Lot With Pokeweed

© Amy Clampitt

Tufts, follicles, grubstake
biennial rosettes, a low-
life beach-blond scruff of
couch grass: notwithstanding
the interglinting dregs

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Syrinx

© Amy Clampitt

those last-chance vestiges
above the threshold, the all-
but dispossessed of breath.

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Salvage

© Amy Clampitt

Daily the cortege of crumpled
defunct cars
goes by by the lasagna-
layered flatbed
truckload: hardtop

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On The Disadvantages Of Central Heating

© Amy Clampitt

cold nights on the farm, a sock-shod
stove-warmed flatiron slid under
the covers, mornings a damascene-
sealed bizarrerie of fernwork
decades ago now

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Nothing Stays Put

© Amy Clampitt

In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—

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Fog

© Amy Clampitt

A vagueness comes over everything,
as though proving color and contour
alike dispensable: the lighthouse
extinct, the islands' spruce-tips

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Exmoor

© Amy Clampitt

Lost aboard the roll of Kodac-
olor that was to have super-
seded all need to remember
Somerset were: a large flock