All Poems

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Fire and Sleet and Candlelight

© Elinor Wylie

For this you've striven
Daring, to fail:
Your sky is riven
Like a tearing veil.

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Escape

© Elinor Wylie

When foxes eat the last gold grape,
And the last white antelope is killed,
I shall stop fighting and escape
Into a little house I'll build.

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Death and the Maiden

© Elinor Wylie


Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.

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Curious Circumstance

© Elinor Wylie

The sailorman's child
And the girl of the witch--
They can't be defiled
By touching pitch.

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Cold-Blooded Creatures

© Elinor Wylie

Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient

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Blood Feud

© Elinor Wylie

He'd killed a score of foemen in the past,
In some blood feud, a dark and monstrous thing;
To him it seemed his duty. At the last
His enemies found him by a forest spring,
Which, as he died, lay bright beneath his head,
A silver shield that slowly turned to red.

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Bells in the Rain

© Elinor Wylie

Sleep falls, with limpid drops of rain,
Upon the steep cliffs of the town.
Sleep falls; men are at peace again
While the small drops fall softly down.

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Beauty

© Elinor Wylie

Say not of beauty she is good,
Or aught but beautiful,
Or sleek to doves' wings of the wood
Her wild wings of a gull.

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August

© Elinor Wylie

Are there no water-lilies, smooth as cream,
With long stems dripping crystal? Are there none
Like those white lilies, luminous and cool,
Plucked from some hemlock-darkened northern stream
By fair-haired swimmers, diving where the sun
Scarce warms the surface of the deepest pool?

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Atavism

© Elinor Wylie

You'll say I dreamed it, being the true daughter
Of those who in old times endured this dread.
Look! Where the lily-stems are showing red
A silent paddle moves below the water,
A sliding shape has stirred them like a breath;
Tall plumes surmount a painted mask of death.

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A Proud Lady

© Elinor Wylie

Hate in the world's hand
Can carve and set its seal
Like the strong blast of sand
Which cuts into steel.

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A Crowded Trolley-Car

© Elinor Wylie

The rain's cold grains are silver-gray
Sharp as golden sands,
A bell is clanging, people sway
Hanging by their hands.

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My Father's Hats

© Mark Irwin

Sunday mornings I would reach
high into his dark closet while standing
on a chair and tiptoeing reach
higher, touching, sometimes fumbling

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Mrs Frances Haris's Petition

© Jonathan Swift

To their Excellencies the Lords Justices of Ireland,
The humble petition of Frances Harris,
Who must starve and die a maid if it miscarries;
Humble sheweth, that I went to warm myself in Lady Betty's chamber, because I

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Advice to the Grub Street Verse-writers

© Jonathan Swift

Lend these to paper-sparing Pope;
And when he sets to write,
No letter with an envelope
Could give him more delight.

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The Progress of Poetry

© Jonathan Swift

The Farmer's Goose, who in the Stubble,
Has fed without Restraint, or Trouble;
Grown fat with Corn and Sitting still,
Can scarce get o'er the Barn-Door Sill:

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A Maypole

© Jonathan Swift

Deprived of root, and branch and rind,
Yet flowers I bear of every kind:
And such is my prolific power,
They bloom in less than half an hour;

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Elegy Upon Tiger

© Jonathan Swift

Her dead lady's joy and comfort,
Who departed this life
The last day of March, 1727:
To the great joy of Bryan
That his antagonist is gone.

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The Beasts' Confession

© Jonathan Swift

Apply the tale, and you shall find,
How just it suits with human kind.
Some faults we own: but, can you guess?
Why?--virtues carried to excess,
Wherewith our vanity endows us,
Though neither foe nor friend allows us.

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Phillis, Or, the Progress of Love

© Jonathan Swift

Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear: