William Saroyan

Career

Other info : Furtherreading | Bibliography

Career

As a writer, Saroyan made his breakthrough in Story magazine with The Daring Young Man on the Flying Trapeze (1934), the title taken from the nineteenth century song of the same title. The protagonist is a young, starving writer who tries to survive in a Depression-ridden society.

Through the air on the flying trapeze, his mind hummed. Amusing it was, astoundingly funny. A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.

Saroyan served in the US Army during World War II. He was stationed in Astoria, Queens, spending much of his time at the Lombardy Hotel in Manhattan, far from Army personnel. In 1942, he was posted to London as part of a film unit. He narrowly avoided a court martial when his novel, The Adventures of Wesley Jackson, was seen as advocating pacifism.

Saroyan worked rapidly, hardly editing his text, and drinking and gambling away much of his earnings. From 1958 on, he mainly resided in a Paris apartment.

I am an estranged man, said the liar: estranged from myself, from my family, my fellow man, my country, my world, my time, and my culture. I am not estranged from God, although I am a disbeliever in everything about God excepting God indefinable, inside all and careless of all. —from Here Comes There Goes You Know Who, 1961 Saroyan published essays and memoirs, in which he depicted the people he had met on travels in the Soviet Union and Europe, such as the playwright George Bernard Shaw, the Finnish composer Jean Sibelius, and Charlie Chaplin. In 1952, Saroyan published The Bicycle Rider in Beverly Hills, the first of several volumes of memoirs.

Saroyan's stories celebrated optimism in the midst of the trials and tribulations of theDepression. Several of Saroyan's works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license.

His advice to a young writer was: "Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell." Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called "Saroyanesque".

In some respects, Saroyan's characters resemble the penniless writer in Knut Hamsun's 1890 novel Hunger, but lack the anger and nihilism of Hamsun's narrator. The story was republished in a collection whose royalties enabled Saroyan to travel to Europe and Armenia, where he learned to love the taste of Russian cigarettes, once observing, "you may tend to get cancer from the thing that makes you want to smoke so much, not from the smoking itself." (from Not Dying, 1963)

Saroyan's plays were drawn from deeply personal sources, and often disregarded the convention that conflict is essential to drama. My Heart's in the Highlands (1939), his first play, was a comedy about a young boy and his Armenian family. It was produced at the Guild Theatre in New York.

Saroyan is probably best remembered for his play The Time of Your Life (1939), set in a waterfront saloon in San Francisco. It won aPulitzer Prize, which Saroyan refused on the grounds that commerce should not judge the arts; he did accept the New York Drama Critics' Circle award. The play was adapted into a 1948 film starring James Cagney.

Before the war, Saroyan worked on the screenplay of Golden Boy (1939), based on Clifford Odets's play, but he never had much success in Hollywood and after his disappointment with the Human Comedy film project, he never permitted any Hollywood screen adaptation of any of his novels regardless of his financial straits.

The Human Comedy (1943) is set in the fictional California town of Ithaca in the San Joaquin Valley (based on Saroyan's memories ofFresno, California), where young telegraph messenger Homer bears witness to the sorrows and joys of life during World War II.

"Mrs. Sandoval," Homer said swiftly, "your son is dead. Maybe it's a mistake. Maybe it wasn't your son. Maybe it was somebody else. The telegram says it was Juan Domingo. But maybe the telegram is wrong... —from The Human Comedy

Saroyan was hired to write the screenplay for and direct the film for MGM. When Louis B. Mayer balked at its length, Saroyan would not compromise and was removed from the project. He then turned the script into a novel, publishing it just prior to the film's release. He won the 1943 Academy Award for Best Story for the film. The novel is often credited as the source for the movie when in fact the reverse is true. The novel is the basis for a 1983 musical of the same name.

Interest in Saroyan's novels declined after the war, when he was criticized for sentimentality. Freedom, brotherly love, and universal benevolence were for him basic values, but his idealism was considered out of step with the times. He still wrote prolifically, so that one of his readers could ask "How could you write so much good stuff and still write such bad stuff?"

In the novellas The Assyrian and other stories (1950) and in The Laughing Matter (1953) Saroyan mixed allegorical elements within a realistic novel. The plays Sam Ego's House (1949) and The Slaughter of the Innocents (1958) were not as successful as his prewar plays. Many of Saroyan's later plays, such as The Paris Comedy (1960), The London Comedy (1960), and Settled Out of Court (1969), premiered in Europe. Manuscripts of a number of unperformed plays are now at Stanford University with his other papers.

When Ernest Hemingway learned that Saroyan had made fun of the controversial non-fiction work Death in the Afternoon, Hemingway responded: "We've seen them come and go. Good ones too. Better ones than you, Mr. Saroyan."

In the late 1960s and the 1970s, Saroyan earned more money and finally got out of debt.