William Empson poet from United Kingdom was born on September 27, 1906, had 77 years and died on April 15, 1984. Poems were written mainly in English language. Dominant movement is prevalent form.
Biography
Sir William Empson (Chinese: 燕卜蓀, 27 September 1906 – 15 April 1984) was an English literary criticand poet, widely influential for his practice of closely reading literary works, a practice fundamental to New Criticism. His best-known work is his first, Seven Types of Ambiguity, published in 1930.
Jonathan Bate has said that the three greatest English literary critics of the 18th, 19th and 20th centuries are Johnson, Hazlitt and Empson, "not least because they are the funniest."
Education
Empson was the son of Arthur Reginald Empson of Yokefleet Hall, Yorkshire. His mother was Laura, daughter of Richard Mickelthwait J.P., of Ardsley House, Yorkshire. He was a first cousin of the brothers John and Richard Atcherley.
Empson first discovered his great skill and interest in mathematics at his preparatory school. He won an entrance scholarship to Winchester College, where he excelled as a student and received what he later described as "a ripping education" in spite of the rather rough and abusive milieu of the school: a long standing tradition of physical force, especially among the students, figured prominently in life at such schools.
In 1925, Empson won a scholarship to Magdalene College, Cambridge, where he read Mathematics, gaining a First for his Part I but a disappointing 2.i for his Part II. He then went on to pursue a second degree in English, and at the end of the first year he was offered a Bye-Fellowship. His supervisor in Mathematics, the father of the mathematician and philosopher Frank P. Ramsey, expressed regret at Empson's decision to pursue English rather than Mathematics, since it was a discipline for which Empson showed great talent.
I. A. Richards, the director of studies in English, recalled the genesis of Empson's first major work, Seven Types of Ambiguity, composed when Empson was not yet 22 and published when he was 24:[citation needed]
At about his third visit he brought up the games of interpretation which Laura Riding and Robert Graves had been playing [in A Survey of Modernist Poetry, 1927] with the unpunctuated form of 'The expense of spirit in a waste of shame.' Taking the sonnet as a conjuror takes his hat, he produced an endless swarm of lively rabbits from it and ended by 'You could do that with any poetry, couldn't you?' This was a Godsend to a Director of Studies, so I said, 'You'd better go off and do it, hadn't you?'
But disaster struck when a servant found prophylactics among Empson's things and claimed to have caught him in flagrante delicto with a woman. As a result, not only did he have his scholarship revoked, his name was struck from the college records, he lost his prospects of a fellowship and was banished from the city.
