Furtherreading
Other info : Bibliography
- Richard Turbet, William Byrd: A Guide to Research (New York: Garland, 1987).
- Edmund H. Fellowes, William Byrd (London: Oxford University Press, 1936; second edition, 1948).
- H. K. Andrews, The Technique of Byrd's Vocal Polyphony (London: Oxford University Press, 1966).
- Philip Brett, "Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection," Transactions of the Cambridge Bibliographical Society, 4, part 1 (1964): 51-69.
- Brett, "Word-Setting in the Songs of Byrd," Proceedings of the Royal Musical Association, 98 (1972): 47-64.
- Alan Brown and Richard Turbet, eds., Byrd Studies (Cambridge: Cambridge University Press, 1992).
- Peter le Huray, Music and the Reformation in England, 1549-1660 (New York: Oxford University Press, 1967).
- James Jackman, "Liturgical Aspects of Byrd's Gradualia," Musical Quarterly, 49 (January 1963): 17-37.
- Joseph Kerman, The Elizabethan Madrigal: A Comparative Study (New York: American Musicological Society, 1962).
- Kerman, The Masses and Motets of William Byrd (Berkeley: University of California Press, 1981).
- Adrian Morey, The Catholic Subjects of Elizabeth I (Totowa, N.J.: Rowman & Littlefield, 1978).
- Oliver Neighbour, The Consort and Keyboard Music of William Byrd (Berkeley: University of California Press, 1978).
- David C. Price, Patrons and Musicians of the English Renaissance (Cambridge: Cambridge University Press, 1981).
