Quotes by Vikram Seth
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
I don't think anyone should be banned. If you don't like a book, set it aside.
I spent many years of my life as an economist and demographer. I was finally distracted by writing my novels and poetry. I'm enormously happy that was the case. I feel that with writing I have found my metier.
Basically, my mother couldn't hold a tune and when I was a baby, a rather tactless baby, I would ask her not to sing... you can't get to sleep if someone is singing off key nearby.
There are plenty of good Indian writers in English, and none of us feel we are carrying the burden of being a poster boy.
When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.
Realism hasn't fallen out of favor with most people, who are interested in people's lives rather than gymnastics of style or literary trends. It's a certain kind of academic who undervalues realism, largely because it is not amenable to endless exegesis.
If you were to ask me to pick my favourite author, well, there are so many of them, I'd really just have to say the first names that came to mind, and I'm sure that I'll later think 'Oh, I should have mentioned that one.'
You know, I can imagine not writing a novel and writing poetry only.
I think it's possible to be multi-rooted, rather like a banyan tree, without being deracinated.
In a painting, you can't make out whether the artist painted the left eye before the right eye. In Chinese calligraphy, you can see the progression of the artist's stroke.
If somebody writes clearly, you can pretty much tell immediately if something is shallow or deep, whereas if they write with all this duckweed on the surface, you can't tell if the stream is one inch deep or a hundred fathoms.
I think goodness is about how person behaves to person, and also person to world, to nature.
I want my books to sell, to be read. I'm not interested in being obscure.
I'm actually a very lazy person. Most of the time, I'm happy to sit around and stare. Or watch bad TV soaps. It's quite rare for me to get inspired by anything, but it could be something small. A view of the Serpentine. A snatch of music. Or a little shred of conversation overheard on a bus, such as, 'You also will marry someone of my choice.'
It is exciting to write about the present once one gets beyond the trivia of the moment. As a time to live in, as a time to think about, the present is intriguing.
Fiction basically is a form of gossip where you want to enter other people's lives, the lives of people you don't know, and you want to know what's going to happen to them.
Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
Too many trees are killed to print the words of people who may not have all that much to say, and authors and journalists are equally culpable in this regard.
I don't want to talk too much about the nitty-gritty of writing. It's rather like a pressure cooker with a certain amount of pressure in it - the more you let out, the less you cook.
You get your inspiration - suggestions - wherever you have to, even from your mother.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
I just love music - by no stretch of the imagination am I professionally competent.
I certainly think it's very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
