Reading the Bible Backwards

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All around the altar, huge lianas
curled, unfurled the dark green
of their leaves to complement the red
of blood spilled there—a kind of Christmas 
decoration, overhung with heavy vines
and over them, the stars.
When the angels came, messengers like birds 
but with the oiled flesh of men, they hung 
over the scene with smoldering swords, 
splashing the world when they beat
their rain-soaked wings against the turning sky.

The child was bright in his basket
as a lemon, with a bitter smell from his wet 
swaddling clothes. His mother bent 
above him, singing a lullaby
in the liquid tongue invented
for the very young—short syllables 
like dripping from an eave
mixed with the first big drops of rain 
that fell, like tiny silver pears, from
the glistening fronds of palm. The three 
who gathered there—old kings uncrowned: 
the cockroach, condor, and the leopard, lords
of the cracks below the ground, the mountain 
pass and the grass-grown plain—were not 
adorned, did not bear gifts, had not 
come to adore; they were simply drawn 
to gawk at this recurrent, awkward son 
whom the wind had said would spell 
the end of earth as it had been.

Somewhere north of this familiar scene 
the polar caps were melting, the water was 
advancing in its slow, relentless
lines, swallowing the old
landmarks, swelling the
seas that pulled
the flowers and the great steel cities down. 
The dolphins sport in the rising sea, 
anemones wave their many arms like hair 
on a drowned gorgon’s head, her features 
softened by the sea beyond all recognition.

On the desert’s edge where the oasis dies
in a wash of sand, the sphinx seems to shift
on her haunches of stone, and the rain, as it runs down, 
completes the ruin of her face. The Nile
merges with the sea, the waters rise
and drown the noise of earth. At the forest’s
edge, where the child sleeps, the waters gather—
as if a hand were reaching for the curtain
to drop across the glowing, lit tableau.

When the waves closed over, completing the green 
sweep of ocean, there was no time for mourning. 
No final trump, no thunder to announce
the silent steal of waters; how soundlessly
it all went under: the little family
and the scene so easily mistaken
for an adoration. Above, more clouds poured in 
and closed their ranks across the skies;
the angels, who had seemed so solid, turned 
quicksilver in the rain.
  Now, nothing but the wind 
moves on the rain-pocked face
of the swollen waters, though far below
where giant squid lie hidden in shy tangles, 
the whales, heavy-bodied as the angels, 
their fins like vestiges of wings,
sing some mighty epic of their own—

a great day when the ships would all withdraw, 
the harpoons fail of their aim, the land 
dissolve into the waters, and they would swim 
among the peaks of mountains, like eagles 
of the deep, while far below them, the old 
nightmares of earth would settle
into silt among the broken cities, the empty 
basket of the child would float
abandoned in the seaweed until the work of water 
unraveled it in filaments of straw,
till even that straw rotted
in the planetary thaw the whales prayed for, 
sending their jets of water skyward 
in the clear conviction they’d spill back 
to ocean with their will accomplished 
in the miracle of rain: And the earth 
was without form and void, and darkness 
was upon the face of the deep. And
the Spirit moved upon the face of the waters.

© Hugo Williams