Bat Cave

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The cave looked much like any other 
from a little distance but
as we approached, came almost
to its mouth, we saw its walls within 
that slanted up into a dome
were beating like a wild black lung—
it was plastered and hung with 
the pulsing bodies of bats, the organ 
music of the body’s deep
interior, alive, the sacred cave
with its ten thousand gleaming eyes 
near the clustered rocks
where the sea beat with the leather 
wings of its own dark waves.

Below the bat-hung, throbbing walls, 
an altar stood, glittering with guano, 
a stucco sculpture like a Gaudi
church, berserk
Baroque, stone translated into
flux—murk and mud and the floral 
extravagance of wet sand dripped 
from a giant hand, giving back
blessing, excrement—return
for the first fruits offered to the gods.

We stayed outside, superior
with fear, like tourists
peering through a door, whose hanging 
beads rattle in the air from
one who disappeared into the dim
interior; we thought of the caves
of Marabar, of a writer who entered 
and never quite emerged—
the caves’ echoing black
emptiness a tunnel in the English 
soul where he is wandering still. So 
the bat cave on the Bali coast, not far
from Denpasar, holds us off, and beckons ...

Standing there now, at the mouth 
of the cave—this time we enter, feel 
inside the flutter of those
many hearts, the radiant heat of pumping 
veins, the stretch of wing on bone 
like a benediction, and the familiar 
faces of this many-headed god, 
benevolent as night is
to the weary—the way at dark 
the cave releases them all,
how they must lift like the foam 
on a wave breaking, how many 
they are as they enter
the starlit air, and scatter
in wild wide arcs
in search of fruit, the sweet bites 
of mosquito ...

while the great domes of our 
own kind slide open, the eye 
that watches, tracks the skies,
and the huge doors roll slowly back 
on the hangars, the planes 
push out their noses of steel, 
their wings a bright alloy
of aluminum and death, they roar 
down the runways, tear into
the night, their heavy bodies fueled 
from sucking at the hidden
veins of earth; they leave a trail of fire 
behind them as they scar 
the air, filling the dreams 
of children, sleeping—anywhere, 
Chicago, Baghdad—with blood,
as the bombs drop, as the world
splits open, as the mothers 
reach for their own
in the night of the falling 
sky, madness in
method, nature gone 
into reverse ...

here, nearly unperturbed,
the bats from the sacred cave 
fill the night with their calls, 
high-pitched, tuned to the solid world 
as eyes to the spectrum of light, gnats 
to the glow of a lamp—the bats 
circle, the clouds wheel,
the earth turns
pulling the dome of stars
among the spinning trees, blurring 
the sweet globes of fruit, shaped 
exactly to desire—dizzy, we swing 
back to the cave on our stiff dark 
wings, the sweet juice of papaya 
drying on our jaws, home
to the cave, to attach ourselves 
back to the pulsing dome, until,
hanging there, sated and sleepy,
we can see what was once our world 
upside down as it is
and wonder whose altars
those are, white,
encrusted with shit.

© Hugo Williams