Indeed indeed it is growing very sultry
The indian feather pots are scrambling out of the room
The slow voice of the tobacconist is like a circle
Drawn on the floor in chalk and containing ants
And indeed there is a shoe upon the table
And indeed it is as regular as clockwork
Demonstrating the variability of the weather
Or denying the existence of manu altogether
For after all why should love resemble a cushion
Why should the stumbling-block float up towards the ceiling
And in our attic it is always said
That this is a sombre country the wettest place on earth
And then there is the problem of living to be considered
With its vast pink parachutes full of underdone mutton
Its tableaux of the archbishops dressed in their underwear
Have you ever paused to consider why grass is green
Yes greener at least it is said than the man in the moon
Which is why
The linen of flat countries basks in the tropical sun
And the light of the stars is attracted by transparent flowers
And at last is forgotten by both man and beast
By helmet and capstan and mesmerised nun
For the bounds of my kingdom are truly unknown
And its factories work all night long
Producing the strongest canonical wastepaper-baskets
And ant-eaters' skiing-shoes
Which follow the glistening murders as far as the pond
And then light a magnificent bonfire of old rusty nails
And indeed they are paid by the state for their crimes
There is room for them all in the conjuror's musical-box
There is still enough room for even the hardest of faces
For faces are needed to stick on the emperor's walls
To roll down the stairs like a party of seafaring christians
Whose hearts are on fire in the snow.