The Angel In The House. Book II. Canto X.

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Preludes.

I Frost in Harvest
  The lover who, across a gulf
  Of ceremony, views his Love,
  And dares not yet address herself,
  Pays worship to her stolen glove.
  The gulf o'erleapt, the lover wed,
  It happens oft, (let truth be told),
  The halo leaves the sacred head,
  Respect grows lax, and worship cold,
  And all love's May-day promising,
  Like song of birds before they pair,
  Or flush of flowers in boastful Spring,
  Dies out, and leaves the Summer bare
  Yet should a man, it seems to me,
  Honour what honourable is,
  For some more honourable plea
  Than only that it is not his.
  The gentle wife, who decks his board
  And makes his day to have no night,
  Whose wishes wait upon her lord,
  Who finds her own in his delight, 
  Is she another now than she
  Who, mistress of her maiden charms,
  At his wild prayer, incredibly
  Committed them to his proud arms?
  Unless her choice of him's a slur
  Which makes her proper credit dim,
  He never enough can honour her
  Who past all speech has honour'd him.

II Felicity
  To marry her and take her home!
  The poet, painting pureness, tells
  Of lilies; figures power by Rome;
  And each thing shows by something else!
  But through the songs of poets look,
  And who so lucky to have found
  In universal nature's book
  A likeness for a life so crown'd!
  Here they speak best who best express
  Their inability to speak,
  And none are strong, but who confess
  With happy skill that they are weak.

III Marriage Indissoluble
  ‘In heaven none marry.’ Grant the most
  Which may by this dark word be meant,
  Who shall forbid the eternal boast
  ‘I kiss'd, and kiss'd with her consent!’
  If here, to Love, past favour is
  A present boast, delight, and chain,
  What lacks of honour, bond, and bliss,
  Where Now and Then are no more twain!


The Epitaph. 

I
  ‘At Church, in twelve hours more, we meet!
  ‘This, Dearest, is our last farewell.’
  ‘Oh, Felix, do you love me?’ ‘Sweet,
  ‘Why do you ask?’ ‘I cannot tell.’


II
  And was it no vain fantasy
  That raised me from the earth with pride?
  Should I to-morrow verily
  Be Bridegroom, and Honoria Bride?
  Should I, in simple fact, henceforth
  Live unconditionally lord
  Of her whose smile for brightest worth
  Seem'd all too bountiful reward?
  Incredible life's promise seem'd,
  Or, credible, for life too great;
  Love his own deity blasphemed,
  And doff'd at last his heavenly state.
  What law, if man could mount so high,
  To further insolence set bars,
  And kept the chaste moon in the sky,
  And bade him not tread out the stars!

III
  Patience and hope had parted truce,
  And, sun-like, Love obscured his ray
  With dazzling mists, driven up profuse
  Before his own triumphant way.
  I thought with prayer how Jacob paid
  The patient price of Rachel; then, 
  Of that calm grace Tobias said,
  And Sarah's innocent ‘Amen.’
  Without avail! O'erwhelming wealth,
  The wondrous gift of God so near,
  Which should have been delight and health
  Made heart and spirit sick and sere.
  Until at last the soul of love,
  That recks not of its own delight,
  Awoke and bade the mists remove,
  And then once more I breathed aright;
  And I rehears'd my marriage vow,
  And swore her welfare to prefer
  To all things, and for aye as now
  To live, not for myself, but her.
  Forth, from the glittering spirit's peace
  And gaiety ineffable,
  Stream'd to the heart delight and ease,
  As from an overflowing well;
  And, orderly deriving thence
  Its pleasure perfect and allow'd,
  Bright with the spirit shone the sense,
  As with the sun a fleecy cloud.
  If now to part with her could make,
  Her pleasure greater, sorrow less,
  I for my epitaph would take
  ‘To serve seem'd more than to possess.’
  And I perceiv'd, (the vision sweet
  Dimming with happy dew mine eyes),
  That love and joy are torches lit
  From altar-fires of sacrifice.

IV
  Across the sky the daylight crept,
  And birds grew garrulous in the grove,
  And on my marriage-morn I slept
  A soft sleep, undisturb'd by love.

© Coventry Kersey Dighton Patmore