Bibliography
n Oxyrhynchus papyrus with the title "the meliambic poems of Cercidas the Cynic" (Greek: Κερκίδα κυνός μελίαμβοι) was discovered in 1906.[7] Meliambic poetry, which is a style peculiar to Cercidas, is a combination of the iambic and hexameter meters. His poems are filled with moralistic themes such as the uneven distribution of wealth and the unfortunate results of luxurious living.[8] There are seven poem fragments attributable to Cercidas. The longest fragment contains a discussion of the nature of the gods and of divine providence, in which Cercidas declares that the current beliefs do not square with the facts of life:
[why did God not] choose that greedy cormorant wealthpurse,
that sweet-scented out-of-control Xenon, make him a pathetic poor man,
and transfer to us who deserve it the silver that now
is uselessly flowing away? What can there be to prevent god -
supposing you asked him the question - since a god,
whatever comes into his mind, can easily get it all done,
if a man is a turd of a loan-shark, a real old die-for-a-penny
who squanders it all out again, one who's the death of his fortune,
why can't God just empty this man of his swinewealth,
and give to a thin-feeding, common-bowl cup-dipper
all the man's damned expenditure? Has the eye of Justice been mole-blinded?[9]
Cercidas goes on to explain that he would rather leave the fictitious gods to the astrologers, and worship the tried Paean, Giving, and Retribution, that is, beneficence for those afflicted in body or spirit and punishment for wrongdoers. Another poem is erotic, teaching the cheap and easy way of love. Another fragment, apparently biographical, expressing the poet's satisfaction that he has devoted himself to the service of the Muses all his life.
In addition to these poems, there are also some papyrus fragments of a moral anthology with an introduction in choliambics, which can be dated to the 3rd century BCE. It is possible that the anthology was compiled by Cercidas, but this is doubtful because the quality of the choliambic poetry in the introduction is much inferior to his meliambic poetry
