Image of Carolyn Kizer is not available
star nullstar nullstar nullstar nullstar null

Furtherreading

Other info : Career | Bibliography

BOOKS

  • Contemporary Authors Autobiography Series, Volume 5, Gale (Detroit, MI)), 1987.
  • Contemporary Literary Criticism, Gale (Detroit, MI), Volume 15, 1980, Volume 39, 1986.
  • Contemporary Women Poets, St. James Press (Detroit, MI), 1997.
  • Dictionary of Literary Biography, Volume 169: American Poets since World War II, Fifth Series, Gale (Detroit, MI), 1996.
  • Encyclopedia of American Literature, Continuum (New York, NY), 1999.
  • Howard, Richard, Alone with America: Essays on the Art of Poetry in the United States since 1950, Atheneum (New York, NY), 1969.
  • Kizer, Carolyn, The Ungrateful Garden, Indiana University Press (Bloomington, IN), 1961.
  • Kizer, Carolyn, Knock upon Silence, Doubleday (New York, NY), 1965.
  • Malkoff, Karl, Crowell's Handbook of Contemporary American Poetry, Crowell (New York, NY), 1973.
  • Rigsbee, David, editor, An Answering Music: On the Poetry of Carolyn Kizer, Ford-Brown (Boston, MA), 1990.
PERIODICALS
  • Antioch Review, winter, 2002, Carol Moldaw, review of Cool, Calm & Collected: Poems, 1960-2000, p. 166.
  • Approach, spring, 1966.
  • Booklist, November 1, 2000, Patricia Monoghan, review of Cool, Calm & Collected, p. 513; March 15, 2001, Ray Olson, review of Cool, Calm & Collected, p. 1349.
  • Hollins Critic, June, 1997.
  • Houston Chronicle, December 24, 2000, Robert Phillips, "Two Modern Masters: Collected Poems of Kizer, Kunitz, Prove Luminary Works," p. 13.
  • Hudson Review, spring, 1972; summer, 1985, pp. 327-340; summer, 2001, R. S. Gwynn, Cool, Calm & Collected, p. 341.
  • Library Journal, July, 1984; November 1, 1993, p. 93; July, 1996, p. 120; April 1, 2000, Daniel L. Guillory, review of American Poetry: The Twentieth Century, p. 105.
  • Los Angeles Times, January 13, 1985; March 5, 2001, Allan M. Jalon, "Everything, Forever, Everything Is Changed; A Glimpse of Einstein, the Bombing of Hiroshima, the Plight of Women; Moments Are Blazing Images in Carolyn Kizer's Poetry."
  • Michigan Quarterly Review, John Taylor, "Cool? Calm? Collected? A Meditation of Carolyn Kizer's Poetry," p. 162-173.
  • New Leader, February 254, 1997, p. 14.
  • New Statesman, August 31, 1962.
  • New York Review of Books, March 31, 1966; September 21, 2000, Brad Leithauser, review of American Poetry, pp. 70-74.
  • New York Times Book Review, March 26, 1967; November 25, 1984; March 22, 1987, p. 23; December 17, 2000, Melanie Rehak, "Freedom and Poetry," p. 23; April 2, 2000, William H. Pritchard, "Eliot, Frost, Ma Rainey, and the Rest," p. 10.
  • Paris Review, spring, 2000, Barbara Thompson, "Carolyn Kizer: The Art of Poetry," pp. 344-346.
  • Parnassus, fall-winter, 1972.
  • Poetry, November, 1961; July, 1966; August, 1972; March, 1985; November, 1985.
  • Prairie Schooner, fall, 1964.
  • Publishers Weekly, October 18, 1993, p. 70; August 26, 1996, p. 94; September 18, 2000, review of Cool, Calm, & Collected, p. 105.
  • San Francisco Chronicle, March 30, 2002, "Milosz, Straight Win California Book Awards," p. D5.
  • San Francisco Review of Books, October-November, 1994, p. 20.
  • Saturday Review, July 22, 1961; December 25, 1965.
  • Shenandoah, winter, 1966.
  • Tri-Quarterly, fall, 1966.
  • Village Voice, November 5, 1996.
  • Washington Post, February 6, 1968.
  • Washington Post Book World, August 5, 1984; February 1, 1987, p. 6.
  • Women's Review of Books, September, 1987, p. 6.
  • World Literature Today, summer, 1997.
ONLINE
  • Academy of American Poets Web site, http://www.poets.org/poets/ (May 13, 2003), "Carolyn Kizer."
  • St. Martin's Press Web site, http://www.bedfordstmartins.com/ (May 13, 2003), "Carolyn Kizer."